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8×16″, Acrylics
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
My friend Melissa invited a group of us to paint at her family farm in Millerton, NY. It was hard to choose what to paint because there were so many beautiful scenes in this charming valley between two mountains, but the red mailbox flags against the blue house, with the country road and layers of fields, was my first choice.
8×10, Acrylic on archival canvas board
Custom framing included
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This was painted from the boat dock during a recent trip out to Bannerman Island. Opportunities to go out to the island are so rare, and I truly cherish the painting time out there! The castle structures are exquisite. A winter storm brought down two large walls on the other side of this castle. 50% of the proceeds of the sale of this painting go to Bannerman Castle Trust for protection and maintenance of the castles on the island.
12×16″, Oils on Raymar canvas panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
It was a gorgeous day today, and even though I was finishing up this painting from a photo instead of on location, at least I got to do it out on the patio and enjoy the gorgeous weather! This is a scene from Poet’s Walk in Rhinebeck, New York, along the Hudson River. It’s very close to where Chelsea Clinton got married recently. The mountains on the other side of the river are the Catskills.
I enjoyed all the layers of color in this painting. They add so much depth, and it’s always a great challenge to keep so much warm color and contrast in reserve for the foreground as I work from back to front and push the distances.
Here is an image you can click on to see a slightly larger photo of the painting:
Catskill Serenade
16×20″, Golden Fluid Acrylics on archival board
$695.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Here a clickable image, if you’d like to see a larger version of the painting:
This painting features a view of the famous of Kaaterskill High Peak and Round Top mountains as seen from the Hudson Valley, where one enters Kaaterskill Clove. I did a small, 6×8″ version of this scene a few weeks ago and liked it so much that I returned to do a larger version.
6×8″, Oils on canvas covered hardboard
$165.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I drove up to Frederic Church’s Olana estate late one day last week. I love the way the late day sun lights up the front of the mansion. I found a comfortable spot to set up in the shade, with the path leading up the hill and one of the beautiful trees there breaking up the surface of the building and adding a nice foreground element.
Click image to enlarge:
16×20″, Acrylics on archival board
$695.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I went back up to the Catskill Mountain House site, eager to do a larger painting overlooking the Hudson River Valley from up there. It was a fairly overcast morning, and looking out from the cliff’s edge, the most striking feature below me was the silver ribbon of the Hudson River off in the distance. The Berkshire Mountains merged into the sky beyond the river. Bits of farms and buildings peeked up from below as the morning went on and the haze started to lift, so I put some of those in too as they came into view.
This Canson MiTientes board has a fabulous surface texture, varnished to a beautiful sheen, and can be framed without glass like an oil painting. It’s my favorite surface for acrylics. Stay tuned for a special series on this surface sometime around November!
9×12″, Oils on sealed, primed hardboard
$350.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was another painting done pulled off to the side of a country road while out exploring. I love this scene and definitely want to go back to do a larger version sometime. I’ll bet it will be even more beautiful in fall, but then again, winter would be gorgeous with the red barns against the white snow. This time of year, I’m usually so tired of the green, green, green of summer; but this summer I seem to have found lots of elements to balance the greens in my paintings, and I will actually be sad to see summer come to an end.
12×16″, Oils on sealed, primed hardboard
$495.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
My friend Karen and I like to drive around looking for locations to paint; then we pull off the road and set up when we find something that appeals to us both. We came upon this spot the other day that we’ve been admiring. The problem has been that there is no good, safe spot from which to paint this scene. We decided to throw caution to the wind and set up in the middle of the bridge. It’s around a hairpin turn, so we figured the traffic couldn’t move too fast there anyway, and the drivers would have plenty of time to see us. Fortunately for us, we didn’t encounter a situation where two vehicles had to be on the bridge at the same time! We made sure to only take up half the road; It’s a good thing that it’s the road less traveled! The bridge up in the distance is the New York State Thruway (I-87).
Here’s an image that you can click on for a slightly larger version:
6×8″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.
After painting the pond and mountains in monochrome, which you can see in yesterday’s post, I did painted it again using a limited palette of colors. This was done with just Transparent Yellow Oxide, Transparent Red Oxide, Ultramarine Blue, and Titanium White. Most of the lights were pulled out with a rag rather than painted in with white or a tint. Light colors portrayed this way have more luminescence.
I’m looking forward to revisiting this scene for a full color version, especially in fall!
6×8″, Golden Fluid Acrylics on archival museum board (frame like an oil painting)
$165.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting was done on location on the cliff of the former site of the Catskill Mountain House on South Mountain. On a clear day, the view overlooks 60 miles of the Hudson River and a vista that extends all the way to Massachusetts. However, on this day, we were treated to a spectacular display of atmospheric clouds both below and above us, with occasional peeks through to farmland below and glimpses of the river. I love revisiting this location. It always has something special and new to offer. I guess that’s why Thomas Cole and Frederic Church kept coming back here too!
Another thing that made this day so special was that I was accompanied by friends L. Diane Johnson from North Carolina, and Ruth Ann Sturgill from Ohio. It’s not often that I get to paint with friends from so far away! We spent a wonderful couple of days together, and I’ll be posting more about what we did and painted as I have a chance to finish up and photograph the paintings.
I’ve been so busy painting up a storm out on location over the past couple of weeks that it’s been impossible for me to keep up with photographing work, blogging, and putting on finishing touches. Now things are settling down, and I’m hoping to get all these things up for you to see!
8×12″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is the farm where I buy all my fresh produce. Nestled in the Hudson Valley just to the east of the escarpment of the Catskills, they have acres and acres of strawberries, corn, zucchini, and all other kinds of vegetables. The beautiful setting against the mountains is an artist’s dream, and it makes for a dramatic scene under any weather conditions. I happened to catch it this time just as a storm was getting underway. I took a picture and then painted it from the photo, under the roof of my patio in the rain.
12×16″, Acrylic on Canson Board
$400.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted on location yesterday overlooking the Hudson from the grounds of the beautiful Vanderbilt Mansion property in Hyde Park, New York. A group of us were painting up there behind the mansion. We just about finished our paintings when it started to rain. I was using Golden Fluid Acrylics because I just adore the pigment load and the consistency. It glides across the surface as easily as oils. If it had been any warmer and drier, I’d have switched to the slow drying Open line instead. I figured I’d probably be forced into making the change half way through, but was able to finish up with the Fluids.
This Canson board is one of my favorite painting supports for acrylic. It can be purchased in a number of different colors. I cut it to size, and although it’s not necessary, I size it twice with Golden Matte Medium diluted 20% with water. That decreases the absorbency of the surface, and the paint sits beautifully on top. Once I apply an isolation coat and varnish to the dry painting, the surface has a deep, glossy richness to it like no other, with that lovely MiTientes texture visible. I frame them just like oil paintings on hardboard or stretched canvas.
8×10″, Golden Fluid Acrylics on Canson Board, unframed
$260.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I went out to the lakeshore very early this morning to try to grab some morning color before a thunderstorm moved in. I was there just in time, because it started to rain just as I was putting the painting away!
6×8″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
It may seem like I’ve fallen off the face of the earth lately, but actually I’ve been so busy painting that I haven’t had a chance to post the paintings! This painting of Kaaterskill High Peak and Round Top was done very early one morning. The contractor who is building my new studio wanted to beat the heat and cut through a masonry doorway at 6:30am! That gave me good incentive to make the most of the early light in the mountains.
There were cows out in the field. I was hoping they’d come close enough for me to be able to see them well enough to put them into the painting, but they stayed way off in the shade. Of course, as soon as I was finished, they all sauntered over to the fence to say hello and see the finished product!
Click image to enlarge:
8×16″, Golden Fluid Acrylics on sealed, primed hardboard
$425.00 plus free shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is a plein air painting that I did in May at Garrison Landing. It needed a few minutes of tweaks in the studio before posting and still needed signing, so I had to wait until I had the Fluid Acrylics out again!
I really enjoyed doing this painting; I need to do more street scenes! I so love the serenity and natural beauty of the Hudson Valley that it’s hard to pull myself away from that in order to paint more of our contemporary and man-made environment.
Fluid acrylics are so much fun. When I first started using acrylics, I used heavy bodied paints and diluted them to a more fluid state. It was very frustrating that this would also dilute the pigment load, and the paints would go streaky on me. Then I learned that the Golden Fluid Acrylics are formulated to have a very high pigment load already in that perfect fluid state. I was in heaven! I’ve loved using these ever since. They do dry quickly, so on a warm, dry day of plein air painting, I switch to Golden OPEN. The Fluids are also perfect for underpainting because they dry so quickly. Then I can finish the painting with Golden OPEN, which gives me extended working time and stays wet on my palette. These two products are so much fun that I sometimes wonder why I ever bother with oil paints!
5×7″, Acrylics on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This past weekend, my husband and I hiked out to Huckleberry Point in the Catskill Mountains. From the vantage point of these rocks, you can see east over the Hudson Valley to the Hudson River and beyond, south across Platte Clove, and west toward the Catskills and through the clove. It is truly one of the most spectacular places I’ve encountered in these mountain meanderings. We found the hike to be more strenuous than what the guide books described, so if you go, be prepared! We brought our walking sticks along, plenty of water, and lunch to have a picnic — things I’d definitely recommend to others who venture out there.
The painting above was done from one of the photos I took there. You can see the Hudson River near the horizon, working its way southward, and disappearing behind the Gunks.
I pulled out the acrylics this morning. Every time I paint with acrylics I ask myself why I ever paint in oils. These are just too much fun to be legal. I used Golden Fluid Acrylics today, with plenty of Golden Acrylic Glazing Liquid to keep the paint workable. My palette for this painting was:
Hansa Yellow Opaque
Diarylide Yellow
Pyrrole Red
Cerulean Blue Deep
Prussian Blue Hue
Jenkins Green
Titanium White
I loved this palette!
5×7″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This was one of those mornings with more atmosphere than I could dream for. The conditions kept changing dramatically every few minutes, so I picked out what I could of the sky, ground and water, and challenged myself to try to make a cohesive whole out of all those bits!
The highest peak in the painting is Kaaterskill High Peak, and to the right is Round Top. These two peaks dominate the landscape of Kaaterskill Clove, home to the Hudson River School painters…and me!
12×24, Oils on sealed, primed hardboard
$720.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
If you think you already saw this recently, you did! I decided to work on it more in the studio, so above is (hopefully!) the final image of the completed painting. These long, horizontal formats show so small on the blog page, so here is another image that you can click on to enlarge it a bit:
I love this view of the barns against the eastern escarpment of the Catskill Mountains. This was painted on location, on this warm, breezy day of changing clouds and moving light. I loved the contrast in color temperature between the orangy fields and blue-green mountains, with the red spots of color contributing a nice focal point.
16×8″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
While driving around Amenia, New York with Tarryl last week, we came upon this wonderful hillside with cows grazing and a converted barn at the top. We pulled our cars over to the side of the road to take photos. The cows were extremely friendly and came right up to us. The owner of the house came out and told us that this cow’s name is Mary. (I don’t remember the name of the calf.)
I love these 1:2 ratio compositions, but it can be difficult to find one that works vertically for a landscape. This one gave me the perfect opportunity, with the house set up so high on the hillside, and the cows down below.
My palette for this painting was the same as yesterday’s, with the addition of Williamsburgh Cadmium Yellow Light and some RGH Transparent Yellow Oxide.
5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
There’s a little bridge that goes over the east end of Titicus Reservoir in North Salem, New York. It’s quite narrow, with a fair amount of traffic, and definitely not a good spot to try to set up an easel! The western view at sunset from that location is beautiful, so from time to time I make a quick stop to take photo references when it looks like the sunset will be especially inviting. This was painted from a photo taken on one of those evenings.
There are several brands that I use pretty much interchangeably, but I thought I’d pull out mostly Williamsburgh paints for a change. My palette for this painting was:
Cadmium Yellow Medium (Williamsburgh)
Cadmium Red (Williamsburgh)
Red Oxide Transparent (Rembrandt)
Cerulean Blue (Williamsburgh)
Ultramarine Blue (Williamsburgh)
Titanium White (Utrecht and Griffin mixed)
Medium: Liquin Fine Detail
8×12″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.
This is the finished painting that I started on location a couple of days ago. This time of year unfinished paintings often sit around my studio for a long time while I’m busy outside painting plein air pieces. I’m glad I had some studio time to get this one done — a blessing in disguise!
I finally got out to paint yesterday, traveling up to the rolling hills of Amenia, New York to explore with my friend Tarryl. In the afternoon, we stopped briefly at this overview to paint for awhile. I wasn’t able to finish on location, but got a nice start to wrap up in the studio.
I was really sick for a couple of weeks and then my dad was in town for a week. We had a great time together traveling all over the Hudson Valley. Now I need to get back to the brushes. I’m so rusty! It’s time to shake off the rust and enjoy my painting life again!
18×24″, Golden Fluid Acrylics on sealed, primed hardboard
This was painted on location at Boscobel Restoration in Garrison, NY a few weeks ago. It needed a few finishing touches and signing in the studio, which I finally got to do today.
This painting is not an exact scene, but rather a composite of elements that were there at the time. There was a row of cherry blossoms in full bloom that were stunning. There was also a path alongside them; however, that path is actually on the other side of the trees, and runs parallel to the river, rather than toward it. I wanted to switch things around for a change, have the pathway lead the viewer’s eyes to the overview of Constitution Marsh, and bring the cherry blossoms into the painting as well. Fortunately, as artists, we can use our artistic license to have our cake and eat it too!
7×5″, Golden OPEN Acrylics on sealed, primed hardboard
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is a painting I did some time ago. It is seasonal and has always been one of my favorite little garden/fountain paintings, so I am reposting it today.
Although this scene was an enormous challenge to paint, I think I had an even more difficult time trying to get the photo right! I can’t seem to get the dark trees in the background light enough without bleaching out the foreground flowers. This painting will be available here on my website for only a couple of weeks.
Since this scene presented so many interesting challenges, I decided to take a few extra pictures to share.
Here is a photo of the scene:
I was immediately drawn to the strong contrasts, and the L-shaped composition created by the flowers, fountain and figure. I also love painting stone walls, so it was a plus to have that in the composition as well. Fitting all this onto a 5×7 panel didn’t prove to be easy.
Here’s my pack stool and lightweight painting box. The umbrella clamp is affixed to my stool. I was using a Pittman bag, which can hold my box flat so the paint won’t shift as I change locations. My panel carrier and extra paints fit in there too, and even the umbrella.
Here’s a closeup of the box, ready for paint. The panel is affixed to the box lid with blu-tac. It works great. The panels and paper stay put, and there are no clips or clamps obscuring parts of the painting surface. My paper towel is clipped onto the box lid to allow more room alongside the palette for paints and my sprayer.
The plastic paint storage containers were purchased in the camping section of Sports Authority. They have a rubber seal around the outside so the paint stays fresh. I find it much easier to set out paint this way, rather than having to search for a tube and open caps.
The box further to the back contains my standard plein air palette:
Cadmium Yellow Primrose
Pyrrole Red
Transparent Red Oxide
Phthalo Blue
Ultramarine Blue
Titanium White
The box in the front contains add-ons that I use in the figure studio. I bring it along for plein air too, just in case….It has
Naples Yellow
Cadmium Yellow Medium
Cadmium Red Light
Oxide of Chromium
Cerulean Blue Chromium hue
Permanent Alizarin
I also carry quinacridone magenta with me for these garden scenes.
Whoever said that every painting has to have an ugly stage sure knew what they were talking about. There’s mine! I toned the upper part of the painting with transparent red oxide, and painted the figures a dark, greyed blue. That way, even in the underpainting, I could judge the figures more carefully. Then I worked in the green background. I blocked in the area of strong yellow below to reserve it—-a useful tip given to me by wonderful plein air artist, Lee Haber.
From there, it was lots of fun getting the painting to emerge. I feel like my painting process doesn’t really get underway until after this block-in step is done and I have a layer of paint down. Getting this much done didn’t take all that long, but I forgot to stop and get more pictures once I got past this beginning stage. It did eventually get done.
I started another painting later in the afternoon, but it started to rain and I had to pack up. I’ll finish it from a photo on a rainy day later in the week. I hope you’ve enjoyed these extra photos!
8×16″, Golden OPEN Acrylics on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
With the cherry blossoms gone at Boscobel Restoration, I turned my attention back to the Hudson River, and the channels weaving through Constitution Marsh. The afternoon light turned the marsh a beautiful, dark reddish color.
I used three of the new Golden OPEN Acrylic colors coming out this month for this painting: Diarylide Yellow, Quinacridone Crimson, and Prussian Blue Hue. I also added Raw Sienna and Cadmium Yellow Primrose. I love these new colors.
If you think you saw this painting before recently, it’s because you have! I posted it a couple of weeks ago, but decided to do some additional work on it. While I was painting on location, a wonderful ship went by out on the river. It was too early in the process to put it into the painting at the time, but the more I thought about it, the more I wanted it in the painting. I added the ship the other day from a photo, and reworked a little of the foliage too while I was at it.
Here’s a photo of my setup and the painting with the scene, before I put in the ship. It’s always fun to see the painting and vista together!
8×10″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
I dragged myself out of bed this morning with a sinus infection, ear infection and strep throat (That’s why you haven’t seen any paintings coming off my easel for a few days!) and drove to Garrison to participate in the twice-a-year Artists on Location event. It was cold and windy along the river. I didn’t want to travel far to do my painting, so I set up right on the landing behind Garrison Art Center and painted this view of West Point. I loved the way the deep shadows cast by the foreground trees set up the painting.
There were several other artists painting on the landing too. Everybody was having difficulty holding onto their stuff with the stiff gusts of wind. Several paintings blew off the easels and of course we couldn’t use our sun umbrellas. I was cold and not feeling so great already, so I just did a small panting, finished it up as quickly as I could, framed it in the car, and brought it into the auction venue.
Of course, leave it to me to forget my camera. Grrrr! I took a quick photo of the scene and painting with my camera phone, since I won’t get it back again to photograph it if it sells at the auction. The painting ended up in the shade with most of the scene in the light, so it looks dark, but is not in real life. My phone takes terrible photos; it also can’t focus on something this close, but at least you get a little idea of what I did out there this morning. The auction is at 5:30pm tonight.
Palette:
Raw Sienna
Cadmium Yellow Medium and Deep
Pyrrole Red
Prussian Blue
Ultramarine Blue
Titanium White
11×15″, Watercolor on Fabriano Artistico paper
Email me at JamieWG@aol.com if interested in this painting.
This street scene of Coxsackie, NY, was painted last week during my one week workshop with the amazing Alvaro Castagnet. We all scattered about the little town, painting these beautiful old buildings near the Riverfront Park. I’m looking forward to exploring more of Alvaro’s techniques and subject matter in the weeks to come!
11×15″, Watercolor on Fabriano paper
$395.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It was so windy along the Hudson River that my easel kept blowing over! I liked these benches under the big tree, awaiting visitors. The Athens Lighthouse is visible from this vantage point, but I decided not to put it into the painting. Initially I’d thought to include it, but in the end I thought it would be a distraction.
This painting is matted to 20×16″, with an archival custom ivory mat and backing board in an archival polybag, to fit a standard 16×20″ frame. The painting itself is 15×11″, Watercolor on Fabriano Artistico 140 lb paper.
$490.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This little stone well caught my attention as it stood out in value and texture from amidst the tall evergreens.
This watercolor painting has an archival ivory mat and backing board to fit any standard 16×20″ frame, and is in an archival polybag. The painting is 11×15″ (quarter sheet), on Fabriano Artistico paper.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
It was a beautiful evening on Friday along the Hudson River in Beacon, NY. My painting buddy, Sue, went with me to Long Dock after we left Boscobel, and I did this quarter sheet watercolor before sunset. Facing Cold Spring, this cluster of trees was leaning toward Breakneck Ridge, creating a wonderful composition.
I love my new Plein Air Pro watercolor easel. Since it has the little shelf, I’m thinking I can probably use it for smaller oil and acrylic paintings too, though I haven’t tried that yet. Here’s a photo of the scene and the easel:
6×8″, Oils on Raymar canvas panel
Email me at JamieWG@aol.com if interested in this painting.
This was painted on one of those gorgeous spring days when everybody should be outside painting! I went to Tilly Foster Farm to take in the beautiful view of the pond and rolling hills.
I used a wash of raw sienna to start off this painting, and a little Liquin Fine Detail to help it start tacking up. The painting was done with a limited palette:
Williamsburg Cadmium Yellow Light
Rembrandt Permanent Red Medium
Winsor Newton old tube of Ultramarine Deep (now French Ultramarine)
Winsor Newton Raw Sienna
Winsor Newton Titanium White
11×14″, Oils on mounted Multimedia Artboard (ready to frame)
$460.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted on a gorgeous, warm spring day. I headed out to Boscobel Restoration overlooking the Hudson River in Garrison, New York, and took in the spectacular cherry blossoms there. The saturated pinks against the blue sky were intense! Going back tomorrow……
Palette:
Cadmium Yellow Lemon
Raw Sienna
Permanent Rose
Alizarin Crimson
Cerulean Blue
Ultramarine Blue Deep
Viridian
Titanium White
9×12, Watercolor on Fabriano Artistico 140# rough
$295.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This little, old rowboat resides at the shore of my neighbor’s farm. I went on Monday to paint there. I think there are many paintings to be had at this spot! I’m looking forward to exploring this scene with the boat at least a couple more times in watercolor, and can also envision it in other mediums and seasons.
12×16″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.
Today was one of those early, overcast spring days, with the foliage just emerging, and the flowering trees starting to bud. As always, the view overlooking Constitution Marsh and the Hudson River was spectacular.
In order to maintain the limited color out in the marsh, I stuck to a two-color palette of Transparent Red Oxide and Ultramarine Blue until the very end, when I added a touch of Cadmium Yellow — just enough to mix a hint of green for the foreground shrubs and treetops.
5×7″, Golden Acrylics on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Every once in awhile, we see something so extraordinary that we almost can’t believe it, even when witnessing the scene with our own two eyes. This pink, rising mist on the Hudson River that I saw one morning in Cold Spring as I arrived to paint, was one of those occasions. Initially, it totally obscured the mountains of the Hudson Highlands. As the pink shroud lifted from east to west, the towering hills emerged from the mist.
8×16″, Golden OPEN Acrylics on sealed, primed hardboard
$425.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I’ve spent a lot of time over the past couple of days looking at my photo references. Usually I set aside photos that I take that appeal to me for paintings, and place those in a separate file. From time to time, I look back through ones I did not select, and usually find many that appeal to me now, though for some reason they did not grab me at the time. This photo is one that I took a couple of years ago, but happened to stumble upon it yesterday and saw it in a new light.
I did this painting with four of the new Golden OPEN colors: Prussian Blue Hue, Cadmium Yellow Dark, Transparent Yellow Iron Oxide, and Quinacridone Crimson, plus Titanium White. In the end, I also used a little Cadmium Yellow Primrose in the greens to increase the “sparkle factor”. I love these new colors! The Cadmium Yellow Dark mixes rich, warm greens. The Prussian Blue Hue is clean enough for skies, yet muted enough to not take over the painting, and mixes very deep darks (as I was hoping). The Quinacridone Crimson is going to become the new cool red on my palette. Transparent Yellow Oxide is a color I frequently use for underpainting and glazing in both oils and Golden Fluid Acrylics. I’m so glad that I have it now in OPEN as well!
I still vividly remember this bright, late afternoon at the Vanderbilt Mansion property along the Hudson River in Hyde Park, New York. It’s one of the best sunset locations that I’ve ever encountered, and one of the few parks where you can drive right to the river (though they do close the road to the river on weekends). I haven’t done any plein air painting there for a long time, but I think I will change that soon!
24×36″, oils on stretched canvas
$3,500.00 plus $125 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This large spring landscape is of the old Oak tree at Ward Pound Ridge Reservation in Pound Ridge, New York. Unfortunately, the tree was destroyed during a big storm. I really miss its massive presence in the landscape.
16×12″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.
I posted the red oxide underpainting start of this work a few days ago. Today I finished it up in the studio. Hopefully it conveys at least a little of the magic that I feel beside this waterfall below the mountain. It is not an exact depiction of the location, but rather an attempt to capture the essence of the elements that lure me to this spot time after time. Pretty soon the foliage will be in full bloom and the scene will change dramatically, providing an opportunity to capture the vista in its newly-transformed state.
12×16″, Golden OPEN acrylics on canvas covered hardboard
$535.00 plus $35 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I stood out on a sand bar off Bannerman Island at low tide to take the photo from which this was painted. I also did a gouache sketch while I was out there on the sand bar. The tide came in before I realized it, and I had to wade back to shore!
11×15″, Watercolor on Arches 140# hp
$295.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from a photo taken at the North Salem Open Land Foundation on Baxter Road, one of my favorite places to stroll and paint.
16×12″, Golden Fluid Acrylics on sealed, primed hardboard
$535.00 plus $35 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is a companion painting to Bannerman Archway to the Hudson, which I posted yesterday.
16×12″, Golden Fluid Acrylics on sealed, primed hardboard
$535.00 plus $35 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting of one of the arches from the famous Bannerman Castle is but a memory of what was. A huge collapse of the castle wall destroyed this magical archway to the Hudson River. I feel so fortunate to have been able to paint there and take photos while much of the structure was still intact. It is my hope that enough money can be raised to strengthen the remaining portions of the structure and preserve whatever is left. Half the proceeds from the sale of this painting goes to Bannerman Castle Trust for repairs of the castle.
12×16″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This painting was done from a photograph I took at Titicus Reservoir in North Salem, New York, just as the sun was setting. I was hoping for more spectacular colors, but a big cloud front moved in, providing a different kind of drama that was more about mood and less about color.
I used just Transparent Red Oxide, Ultramarine Blue, and Titanium White for this painting. I contemplated putting in more color, but sometimes less is more. I think this was one of those occasions.
9×12″, Watercolor on Fabriano Artistico
$160.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was my first go at painting this particular waterfall, but it won’t be my last for sure! I had to tiptoe across stepping stones to a little island in the creek to arrive at the ideal vantage point. The painting location was shaded by an overpass while the waterfall was in sunlight, so this will be a fabulous spot on a hot day! There’s been a lot of rain, and combined with the snow melt off South Mountain, the waterfalls were gushing this weekend.
5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
If you’re feeling a sense of deja vu, you’re right! This is an updated version of the painting I posted a couple of days ago. The picnic bench at the park was lopsided. I thought it was kind of cute and put it that way in the painting, but then decided to straighten it out. I also popped the white sailboat in the background. Initially, I liked it subdued, so that it appeared as a surprise when noticed. As I thought about it and looked at the painting, I felt a more prominent boat would make for a better painting. I also added a few more darks in the background and reds in the foreground. I’m leaving the previous version below so that viewers can see the changes I’ve made.
Today was absolutely gorgeous. I took the opportunity to finally get out of the studio, and went to paint with some friends at the waterfront park in Hastings-on-Hudson. The colors were soft, muted cool and warm tones of spring, so I included the bright red, somewhat-lopsided picnic table to throw a spot of more intense color into the painting.
I love the way this palette of colors is working, so I think I might stick with it for awhile. I used only Prussian Blue, Pyrrole Red, and Raw Sienna (plus white of course). Raw sienna was definitely the dominating color of the landscape today, so using that as my only “yellow” played into the scene perfectly. There aren’t any strong greens or yellow-greens in the landscape yet that would require the addition of a stronger yellow.
7×5″, oils on canvas covered hardboard
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is another painting from the Hastings Waterfront Park — a different bench, different cluster of trees, different section of the Palisades, and different angle from the one I posted yesterday, plus it’s a vertical composition. The colors on my palette, however, remained the same.
I’ve gone back into the one I posted yesterday. Tomorrow I’ll post the new version of that one and explain the small changes I made. Stay tuned!
This painting is already in an archival custom ivory mat with a backing board, ready to fit any standard 16×20″ frame. The painting itself is 12×9″, Watercolor on Fabriano Artistico
$300.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted today from a photo I took on my last visit to Bannerman Island, which was just days before the recent major castle collapse.
Sunrise Footprints
5×7″, Oils on sealed, primed hardboard
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This is another sunrise view from my living room window. I really enjoy painting “plein air” from there in real time, but this one was done from a photo I took one beautiful winter morning.
12×9″, Oils on canvas covered hardboard
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This is my favorite place to go for a walk, so it’s not surprising that I’m turning it into a series! You can see a progress image of this painting on this post. So far, the series consists of just this painting and The Road Home in Fall. Late winter, spring, and summer versions will be coming as the seasons emerge. I’ll probably paint those on location.
8×10″, Oils on canvas covered hardboard
$260.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I was out walking my dog through the snow-covered meadow when I spotted these long shadows leading toward the house. Fortunately, I rarely go out without my camera! Long shadows in the middle of the day are one of the benefits of winter. Although I’ve used many compositional elements to lead into my paintings, I don’t think I’ve ever used winter shadows like this. Now that I’ve given it a try, I want to do more!
9×12″, Golden OPEN Acrylics on Arches 100% rag hot press watercolor paper, double matted to 16×20.
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This was painted here in the Hudson Valley, by the lake next to my studio. I was so excited about getting out to paint that I ended up getting up at 4:30, while it was still pitch black. I dawdled at the computer and then all of a sudden realized it was already getting light out! Hoping to not miss my opportunity, I raced out the door just in time to catch this dramatic lighting on the lake and in the sky.
My palette for this painting was Hansa yellow opague, Ultramarine blue, Phthalo blue, Napthol red light, and Titanium white.
7×5″, Oils on canvas covered hardboard
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I was out walking my dog on a snowy morning last week. The snow would start and stop, and there were some occasional, dramatic breaks in the clouds. I was fortunate to encounter one of those breaks as we came to where the path drops down a hill. I love this spot, with the tall evergreen sitting atop the rock outcropping as the path plunges downward. The cloudbreak added to the impact of the vista. I pulled out my camera and snapped a dozen pics! This was painted from one of those photos.
12×16″, Oils on sealed, primed hardboard
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This is another painting that was started on location and completed in the studio this week. I showed the work in progress with an image of the scene in a previous post. The humped peak in the painting is Breakneck Ridge. The marsh is where Fishkill Creek empties out into the Hudson River.
When I brought the painting back to the studio and put it up on the easel to add the finishing touches, I pulled up all my photo references from this location. I’d gone there several times during the falll, so I had photos from much of the season. I decided to go back a few weeks in time to when there was more fall in the air and leaves on the trees. I think it added a lot to the painting to be able to fill out that foreground tree.
6×8″, Oils on canvas covered hardboard
$160.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This began as a plein air painting this past October. Just as the sun sank below the horizon, the sky lit up like a fireball. As often happens (especially with sunsets), color and light are just too fleeting to finish on location. I’m so busy painting outdoors at that time of year, trying to catch the last bit of fall color, that many of these don’t receive their finishing touches until winter sets in and I’m working in the studio.
I was so happy to pull this one out today and finally get to finish it up. I never get tired of painting these Olana sunsets. Every night there is so different; I can understand why Hudson River School painter Frederic Church chose this location for his exquisite Moorish castle on the hilltop. One of my favorite Frederic Church paintings is a winter view from Olana that he painted en plein air. I’ve never painted from there in winter, but I am determined to brave the cold and do it this winter!
8×10″, oils on canvas covered hardboard
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is one of my plein air paintings that hung around the studio for months waiting to be finished. Well, today was the day!
There is a magical, little brook that comes down from South Mountain and through our property upstate. It flows under a bridge that spans our driveway, and cascades down moss-covered rocks in a small waterfall. I didn’t even know it was there until after we’d bought the house, but I’ve been entranced by it ever since. It seems to be compositionally perfect from nearly any angle. So far in addition to this one, I’ve done one gouache sketch of it from the other side, a monochrome painting sitting on one of the rock ledges where the water cascaded past me, and an oil painting from the other side of the brook while the phlox was blooming in fall. In spite of all these views of the scene, I feel I’ve barely scratched the surface of the hundreds of fantastic compositions possible from this special little place. There are numerous other waterfalls in and around the property, and although this one is the smallest, I feel it is by far the most beautiful.
I lost my favorite old palette and had to replace it this week. I went over to Jerry’s Artarama in Norwalk to check out what they had, and came away with this wonderful new palette. Today was my first opportunity to test drive it; I love it to bits! Now I’m glad I misplaced the old one.
The birds got to take turns coming out to play today. I love that I have more time with them during the winter months when I’m working more indoors. Here are the adorable ones: Mango and Coconut. They are extremely sweet and gentle. Mango goes to anybody and loves to socialize. Coconut is extremely handsome, but is not so well endowed in the brains department. LOL
Hudson River Splendor — Hudson River Quadricentennial Series No. 22
5×7″, Oils on Ampersand Gessoboard
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This is the gorgeous Hudson River view from Olana, home of Hudson River School artist Frederic Church. I was there one night when there was a stupendous sunset, and took as many photos as I could! This is a color study for a larger painting I’d like to do. It gave me a chance to see if the sky colors and values would work, and I’ve decided that they do!
Olana is one of my favorite places to paint, with this stunning overview of the river and the Catskill Mountains in the distance. On the right evening, the scene lights up like a torch.
In celebration of the Hudson River Quadricentennial, I am doing a special series of Hudson River paintings. This one is Number 22 of that series.
24×36″, Oils on stretched canvas
$3,500.00 plus $125 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting has been a long time in process. It started out with a small monochrome study, followed by a color study, both completed on location. I then did an intermediate stage in the studio at 1/2 each dimension of the large painting. (Intermediate size was 12×18″.)
After a day and a half of working on the large painting in the studio, I took it back to the location a week or so later to work on it outside, where I could gather more information directly from the source once again. I felt lots of things were improved after that session of on site painting, but it still wasn’t finished.
I’ve put in more time on it here and there as it’s sat on the big easel in my studio, and I think I can finally call it finished! Here it is up on my studio easel during today’s session, with the studies next to it for reference. The studies are a progression toward the finished painting, but as you can see, I changed things that I wanted to improve upon in each version.
10×8″, oils on panel, unframed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Painted on location at Tilly Foster Farm in Brewster, New York. I’ve bumped up this painting because it just made it into the local paper! Take a look!
5×7″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is a scene from Ward Pound Ridge Reservation in Pound Ridge, NY. This county park is over 4,700 acres of rolling fields, beautiful trees, and hillsides with dramatic vistas. This is a 5×7″ plein air painting—done on location. The sun was in and out of the clouds and it was a real challenge to catch the light!
6×8″, Oils on canvas covered hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
All the leaves are down now, and the temperature has dropped substantially. I fear that we won’t be seeing anymore 60+ degree days until spring emerges! I sat outside with my little pochade box this afternoon and painted this with just three colors (and white):
Winsor Newton Cadmium Yellow Pale
Winsor Newton Bright Red (Pyrrole)
Utrecht Ultramarine Blue Deep
Utrecht Titanium White
9×12″, Oils on canvas covered hardboard
$325.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Today I returned to the location where I painted yesterday. When I first arrived there, the sky was totally blue. I had to run back to the car to get my glasses, and by the time I returned, there were white clouds. Twenty minutes later, there was this dramatic yellow sky. I decided to stick with that! It wasn’t long before the sky changed yet again, but I really liked the drama of the yellow. When plein air painting, at some point we need to stick with the plan; otherwise we risk spending the day chasing the light and never finishing a painting!
I’m really loving this spot where Fishkill Creek empties out into the Hudson River, and the mountains of the Hudson Highlands loom in the distance. I’m so glad I found this place! After so many years of painting in the Hudson Valley, it’s always exciting to find a spot that offers new and varied scenery.
Today I was painting along the Hudson River and it was quite the challenge! I went with two friends to this beautiful marsh/river view, where Fishkill Creek empties out into the Hudson River. The big hump-like mountain is Breakneck Mountain. It’s rather distinctive!
I didn’t have time to finish my painting before the light started to shift too much to continue, but I don’t think there’s all that much left to do. It will mainly be a matter of working on the foreground tree, a little sky finishing, and some adjustments to the background. I’ll repost it when it’s done. Here’s how far I got today on location:
This is the time of year when I’m trying to reap as much as I can out of what’s left of the milder weather. There will be plenty of bad weather days ahead to complete these in the studio, so I try to gather as much information about color and composition as I can while on location.
While out painting at Bannerman Island with friends two weeks ago, we were offered a show at Bannerman Island Gallery! The opening is this Saturday, November 14, 4-8pm. I’ll have some of my new fall works there, including the one featured below.
5×7″, acrylic on sealed, primed hardboard
$135.00 plus $12 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This beautiful view of the Hudson River was painted from a photo I took. I love the look of the Hudson Highlands as the trees lose their leaves. They take on the most beautiful pinky-violet color until the greens of summer re-emerge. I have done an 18×24″ painting of this scene as well.
10×8″, Golden OPEN Acrylics on sized Canson board
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Painted on location in Acra, New York.
8×10″, Golden OPEN Acrylics on sized Canson board
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Painted on location in Acra, New York.
12×16″, Pastels on Wallis sanded paper, custom matted and framed to 16×20
$450.00 plus $50 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I did a tiny, 6×6″ acrylic painting of this scene and liked it so much that I’d been meaning to do a larger version for quite some time. I broke out the pastels for this 12×16″ rendition. I hadn’t worked in pastel for quite some time, and really enjoyed the immediacy of the medium and color brilliance. I think perhaps there is a still larger version to be done at some point down the road!
8×10″, Oils on canvas covered hardboard
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I have painted this scene many times at different times of day. This one was painted at 12 noon on location. Notice how the light is flatter in the middle of the day. Shadows are not as dark, and contrasts are less pronounced.
6×8″, Oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It was so cold standing in the wind at Olana while painting this that tears were running down my face!
Fall Hike on a Cloudy Day
7.5×11″, Watercolor on 300# Saunders Waterford CP
$150.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I painted this from a photo I took when my husband and I went hiking around Lake Minnewaska. Although the day was heavily overcast, the foliage was at peak, and the vistas along the carriage trails were a treat.
6×8″, Oils on canvas covered hardboard, framed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This painting was done mostly on location, with a few tweaks in the studio to finish it up. It is a scene from Long Dock (Beacon Point Park) along the Hudson River. I loved the rusty-orange trees against the distant blues of Mt. Beacon, and the brighter greens of the foliage that hadn’t yet realized fall had arrived.
6×8″, Oils on sealed, primed hardboard
$160.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
6×8″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Sunday was the Olana Paintout, an annual event at the estate of the late Hudson River School painter Frederic Church. As I drove along the road that runs through the grounds to the top of the hill overlooking the Hudson, I was immediately captivated by this brilliant red tree standing alone out on the field. I pulled my car off the road and set up my easel on the spot.
This was my first time painting since my hand surgery, and it sure was a challenge with a cast!
7 x 5″, Oils on canvas covered hardboard, unframed
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
There’s quite a collection of wonderful objects, architectural treasures, and river overviews to paint at this favorite spot along the Hudson. I was drawn by the strong contrasts of light and shadow as the sun began it’s shift to the west, and the rusty undertones of the statue.
36×24″, Oils on stretched canvas, unframed
$3,500.00 plus $125 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This large oil painting is a scene painted from a photo I took on Indian Hill Road in Garrison, New York. It is a mostly-unpaved road that leads down to Constitution Marsh. The fall foliage there is always the best anywhere!
For those who like to see things in progress, below is an image of how things began. I worked off both a computer monitor and printed photo, and used them more or less as a springboard to create the painting. I washed the background with yellows to start. This would give the feeling of the light filtering through the fall leaves as I added more layers. Once that yellow wash was on the canvas, I went right to the darkest darks and mapped out the painting in light and shadow.
The image below gives you an idea of how I go about laying in the leaves and colors.
8×10″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This was painted early yesterday morning for Artists on Location in Garrison, NY. There was a misty drizzle on and off, so I found a spot off to the side of the dirt road where I could paint in my car! Each time it started drizzling, I’d take my pochade box into the car, only to re-emerge as the precipitation paused. When I was nearly done, the police asked me to move because they were afraid I was going to get run over! I moved over to that field on the right to finish the painting.
I’d really like to go back there soon to do a larger version of this painting. If anybody wants to commission it, please email me! This one is sold.
7×5″, watercolor, matted to 8×10″ (included in price)
$135.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
(Shadows along top of image are from the easel holding the painting)
24×18″, Oils on stretched canvas
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Although there were heavy clouds overhead today, I spent another day on location with this painting to finish it up. It is such a beautiful and tranquil spot. I was entertained by a little grebe in the pond, some friendly passers-by, and a friendly chipmunk! I’d like to go back in a couple of weeks when the foliage is further along and do another painting….maybe an even larger one next time!
18×24″, Oils on stretched canvas
This is a work in progress that was started on location today. I’d like to get in at least one more plein air day with it, and a third day in the studio should finish it up.
You can see how much the light and colors changed once that thick cloud layer rolled in!
5×7″, Oils on canvas covered hardboard
$135.00 plus $12 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
The morning was overcast and looked like it was going to rain, so I was undecided whether or not to drive all the way over to the Hudson River to paint. In the end, I decided to go and do a cloud painting, and I’m so glad I did! The sky was fabulous, and although the clouds moved and changed quickly, I think I managed to capture the feel of the day.
6×8″, Oil on canvas covered hardboard
$160.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I painted with friends last week at an overlook on the west side of the Hudson River. The scene was very dramatic as the filtered sunlight fought through the haze, bursting onto the river in patches of yellow light.
I’ve been painting, painting, painting lately, but haven’t had a chance to get all of these photographed yet. More to come during the week….Stay tuned!
12×15″, Oils on sealed, primed hardboard
Framing available upon request at additional price
$500.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Today I brought my new Beauport easel down to the beaver pond. I tried to send progress images to my Facebook page from the painting location, but it doesn’t look like they arrived there. I’ll have to get help from my daughter the expert! I don’t have my imaging software here, so the photo above is shown without any adjusting of the image.
Below are images I took with my camera phone and attempted to email to Facebook. It’s not the greatest camera, but at least I remembered to take progress images this time! My viewers are always asking for them, and I never remember to take them.
Just as I got this easel set up, it started to sprinkle. The Beauport sets up easier than you’d think. It can hold a really BIG canvas! Look at how small this 12×16 looks on this big easel! LOL
Fortunately, the sprinkles were short-lived. The sky was looking better and better, though it doesn’t show up in the photo. That’s one of the wonderful things about painting plein air. We see so much better than a camera lens. I started blocking in my darks and then local color.
I waited to put in the sky because it kept on improving. I was glad I waited, because by the time I decided to put it in, it was much better than it was when I started the painting. I was surprised by how much fall color there was out by the pond. The rest of the property is barely showing hints of fall. Here is the painting nearly finished.
I am really loving this easel. I used a covered Masterson palette with a pad of 12×16″ palette paper in it. That and a 12×16″ panel carrier fit into a Creativo backpack, along with my paints, brushes, camera, paper towels, and brush washer. I was surprised by how quickly and easily the easel set up and broke down. The lid of the Masterson palette worked out well to hold my turp container and some paper towels. I found the holes in the easel legs to be handy brush holders!
5×7″, Oils on canvas covered hardboard
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It’s not often that you can paint fog, haze, and bright sunlight simultaneously, but that’s what was happening at Boscobel yesterday! The fog was rolling down the river from north to south, so the southernmost mountains of the Hudson Highlands were still completely obscured by the fog. The closer hills were faded by the remaining haze, and the clearing skies overhead let the sun shine through onto the marsh and water.
Constitution Marsh is just starting to turn color. I could see the oranges and shades of rust beginning. Soon they will overtake the green and the marsh will be ablaze with its fall splendor.
What a time I had with this photo….The painting is warmer and brighter than I seem to be able to adjust for. I think maybe it’s time to start using a better camera to photograph my paintings!
5×7″, Oils on sealed, primed hardboard
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This little waterfall presents a nearly perfect composition from any angle. I think I’ve painted it from five different spots now, and I feel I’ve only just begun to explore it’s potential as a painting subject. This past weekend, its charm multiplied as the phlox bloomed profusely along the shoreline of the creek.
With all the rain we’ve had this season, the mosquitoes have been out in full force. I doused myself with heavy-duty bug repellent and stayed out painting for as long as the mosquitoes would let me!
Tomorrow I will be hanging my solo show titled Hudson Valley Journeys at the Ruth Keeler Memorial Library in North Salem, NY. It will run from tomorrow through September 29. Please join me for a luncheon reception at the library on Sunday, September 13 from 12:30-2:30pm. The address is 276 Titicus Road, North Salem.
I hope many of my viewers will be able to get over there to see the show. If you cannot make it to the reception, you can see the show anytime the library is open. Here is a link to the library hours when you will be able to see the show.
The painting above is the one that appeared on the card for the show. It is a view of the beautiful Open Land Foundation property along Baxter Road in North Salem. It is available for purchase at the library or through my website at this link.
All of the paintings in that show are custom framed and also available through my website. If you click the Category on the right for “Brewster and North Salem”, you will see that some of those paintings are now listed as custom framed. Those are the ones in the show. (Works not in the show are unframed.) I do not generally offer framed works through my website, so if you’re interested in something ready to hang on that favorite wall, this is a great opportunity to pick up a custom framed piece at a great price.
5×7″, Golden OPEN Acrylics on sealed, primed hardboard, unframed
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This was painted from a home high up on a hilltop in North Salem, New York. There were beautiful views of distant hills to the west, but when I saw these bright pink flowers against the dark foliage, I knew I’d found my painting spot!
16×20″, Golden OPEN Acrylics on sealed, primed hardboard
$640.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is one of those situations when I used the scene for inspiration, but made many changes for the sake of color and composition. Below is a photo of the scene, so that you can see what I was working with. Using elements found in the landscape, I arranged them to create my painting. I removed part of the fence so that we could enter the scene, painted in a path to draw us into the composition, gave some leaves to the bare tree, and warmed up some of the color.
Here’s a pic of my setup with the painting and the scene.
16×20″, Oils on canvas covered hardboard
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This is painted from a photo I took on a morning with an amazing sunrise. I saw the turquoise and pink sky, threw on my jeans, shirt and coat, and dashed out to the lakeshore to take pictures. At 16×20, this is a nice size for that special wall. In spite of the brilliant colors, it has that wonderfully serene feel to it that only a spectacular sunrise can bring.
Palette:
Cadmium Yellow Lemon
Permanent Alizarin Crimson
Cerulean Blue
Cobalt Blue
Viridian
Titanium White
16×12″, Golden OPEN Acrylics on canvas covered hardboard
$440.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I liked this painting from the time I brought it home from the painting spot by the lake. However, I never varnished it because I felt it needed more warmth in the water and foliage colors. I touched it up with the addition of some pinks, oranges, and transparent red oxide glazes. I am a lot happier with it now! What do you think? The original is below for comparison.
I’m one of those lucky plein air painters who has a default painting location right outside the studio door. In previous years, I painted here by the lake quite a bit. This year I seem to be traveling more and painting at home less. I think it may have something to do with the fact that my favorite tree to paint was decimated by a storm during the winter. Somehow, painting here just isn’t the same without that tree, but it made me turn my attention today to a different tree.
This little point juts out from the shoreline, with a charming willow tree at the end. I love painting willows, with their graceful clusters of leafy branches, and subtle color and value shifts. The wonderful early morning light and serenity made me realize that I need to paint here more often!
12×16″, Golden OPEN Acrylics on canvas covered hardboard
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This week I’ve been working on touching up paintings done previously. Often I am not 100% happy with a completed painting. I hold off on varnishing those for as long as possible, so that I can make changes to them when I get a chance.
There are things I loved about this lighthouse painting, but when I initially painted it on location, it was early April. The leaves were not yet out on the trees, and the grass had that dull, late winter color. The painting looked way too stark to me, although it was a pretty accurate representation of the scene at the time. I decided to push the season along in my reworking.
I’ve left the original below, because I thought it would be interesting to my viewers to see it and compare them. I’m interested in hearing your comments about the changes. I’ll be posting more of these altered paintings this week, along with their original versions. I hope you find it interesting!
If you’ve ever driven over the Tappan Zee Bridge, across the Hudson River, you’ve likely noticed this sparkling lighthouse near the eastern shoreline. This was painted en plein air on a very cold and windy morning, but I was inspired enough by the view to stick it out and paint. With the New York City skyline in the distance, the Palisades jutting out into the river, and the bridge behind the lighthouse, there was a lot to put into one painting. I liked including the foreground tree too, to give yet another dimensional plane to the work. I’m hoping to return many more times as the foliage emerges. Gotta love that red!
12×16″, Oils on sealed, primed hardboard
$495.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I set out before sunrise this morning, hoping for another dramatically-colored sunrise by the lakeshore. Although the colors didn’t cooperate in terms of high chroma, the beautiful, subtle shifts in value and color made the red boat spring to life in its more subdued surroundings.
I toned the panel a light pink color with Rembrandt Permanent Red Medium, then worked a lot with soft color changes within a limited value range. I used only three colors plus white for this one, and for yesterday’s painting too:
Williamsburg Cadmium Yellow Light
Rembrandt Permanent Red Medium
Utrecht Ultramarine Blue Deep
Clouds Over the Palisades: Hudson River Quadricentennial Series No. 23
12×16″, Oils on Raymar canvas panel
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This painting was posted a few weeks ago without the barge and tug. I feel the boats change the painting enough to warrant reposting it. I think they add a lot to the painting, don’t you? When the barge and tug went by, I wasn’t far enough along with the painting to put them in. However, I was quick to grab them with my camera, and so I had the reference image to add them later. They help give scale to the scenery, and are so typical of the boat traffic that goes up and down the river in the course of a day.
I spent a great day down in Hastings-on-Hudson. This wonderful, small park is right on the Hudson River, with the cliffs of the Palisades looming over the far shoreline. The morning started out overcast, but broke into big, billowy clouds by late morning.
This is Number 23 in my Hudson River Quadricentennial Series of paintings, commemorating the 400 year anniversary of Henry Hudson’s voyage up the river.
Below is an image of the painting before I put in the barge and tugboat.
Here is a detail of the boats below the cliffs:
Big Apple Skyline: Hudson River Quadricentennial Series No. 30
6×8″, Oils on canvas covered hardboard
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This is the New York City Skyline as seen from a park along the Hudson River in Hastings-on-Hudson. I started this on location, and completed the painting in the studio. ‘Love those skyline blues! You can see the George Washington Bridge where it spans the Hudson just north Manhattan.
Breaking Blues at Olana: Hudson River Quadricentennial Series No. 29
6×8″, Oils on sealed, primed hardboard
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This oil sketch was done from just outside the home of Hudson River School artist Frederic Church. He had this classic view of the Hudson from most of the terraces and many of the rooms in his beautiful Moorish-styled mansion. The land was nearly all farmland back then. The trees have taken over since he lived here, and many of the vistas he enjoyed have become obscured by the overtaking foliage. I’m told that they will be doing some clearing in the not too distant future, to bring back some of those farmland views present in Church’s time.
There were a lot of visitors to the site while I was painting this. Occasionally the blue sky would poke through the layers of clouds as I painted, and I would snatch the opportunity to include those hopeful, fair-weather breaks of cerulean in the painting. Two minutes later, it would be completely overcast again. I found myself having to explain to visitors more than once that I really, really did see that blue sky just a minute ago!
Catskill Mountain House Vista: Hudson River Quadricentennial Series No. 28
8×10″, Oils on sealed, primed hardboard
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
When I arrived at the site of the Catskill Mountain House atop South Mountain early in the morning, I was above a heavy cloud cover. It felt like I was in outer space looking down at the earth! As I painted, more and more of the clouds gave way to the rolling fields below, and the Hudson River appeared out of the hazy covering.
It is from this exact spot that Frederic Church did his famous painting, Above the Clouds. This was a popular painting location for many of the Hudson River School painters.
6×8″, Oils on canvas covered hardboard
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We packed up at Olana amidst the thunder and lightning and crossed the Rip Van Winkle Bridge, heading to my Palenville house. Once we arrived there at the foot of South Mountain, we were greeted by a beautiful sunset even though we were facing east from the back porch. I pulled out a panel and set down colors and shapes, then finished this in the studio on Sunday.
A week before, my husband saw a bear back here in the late afternoon! No signs of Smokey while painting this!
Layers of Blue Mountains: Hudson River Quadricentennial Series No. 27
6×8″, Oils on sealed, primed hardboard
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After visiting the Thomas Cole Historic Site, we crossed the Hudson River to tour the home of another famous Hudson River School painter: Frederic Church. A fabulous guide led us through his Moorish-style home, where we admired the eclectic collections and intricate wall stenciling. A second tour there brought us to a show of his works done on site at Olana, which just opened recently on the second floor of the estate.
Following that dose of inspiration, Gretchen Kelly and I wandered down a trail near the parking lot and came upon this beautiful view of the Hudson River and Catskills. We set up to paint in the strong, warm, late day light, but it wasn’t long before these beautiful, billowy clouds turned into thunderheads. I don’t think I’ve ever packed up my gear so quickly in my life!
You can click this image to see a larger view of the painting.
Summer Greens at Boscobel: Hudson River Quadricentennial Series No. 26
6×8″, Oils on canvas covered hardboard
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Today began my five day painting trip. I started out this morning at Boscobel Restoration in Garrison, New York, on the Hudson River. This was my first visit to Boscobel this year since the summer greens took over the landscape. The day has been picture perfect, and I had a wonderful time doing this painting!
I don’t have my image editing software on my laptop yet, so during this trip, I’ll have to just post the images as they come out of the camera, without any adjustments. I tried to take this picture to take in part of the scene as well as the painting, so you’d get an idea of what I was painting. When I get back to my desktop system next week, I’ll add adjusted images of all the paintings to their posts.
Late Day Light on the Hudson: Hudson River Quadricentennial Series No. 25
10×8″, Oils on sealed, primed hardboard
$260.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
‘Gotta love the color and light along the Hudson River in the late afternoon. The grass and rocks glow, and there is always soft color above the horizon. There were lots of boats and ships going by too. I took photos of them and I’ll add one to the painting, then will repost it. If anybody chooses to purchase the painting before then, you get to pick the boat that goes into the painting!
I see in posting it here that the color is a little hot-looking. The coloring in the actual painting is softer and more subtle. I will correct it once I paint in the boat (probably next week or the following week) and reshoot the image.
5×7″, Oils on sealed, primed hardboard
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I’m sorry that I don’t yet have my Paypal buttons reinstalled, so please just email me for a Paypal invoice if you are interested in purchasing this painting. I hope to have the buttons up again before the end of the week. Since my laptop died, I wasn’t able to work on it over the weekend! Now I’m up and running again with a great MacBook Pro.
This boat belongs to my friend Mary. It’s so convenient for me that she has her boat moored out here, as it gives me a wonderful painting subject!
I just finished preparing a batch of 65 panels using a new sealer, different gesso, and slightly different application process. This painting is the first one from the batch and WOW, I just love the way these panels are taking the paint!
3″x2″ visible painting size, 5″x4″ including frame. Easel stand shown is not included, since the frame has an easel back so that it can stand up on its own. It also has a hanging hook on the back if you’d prefer to hang it.
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I ran out of varnish and had to drive all the way to Norwalk CT to get the kind I wanted! I spend the remainder of the day varnishing paintings and then priming panels…..No painting for the weary!
So, today’s painting is an older work that I enjoy a lot, which has not been shown here. It’s a 3×2″ miniature painting of my friend’s boat out on the lake. The painting is already framed in this elegant, gold wood frame. It is the perfect accessory for a side table, coffee table, dresser top, or shelf.
12×16″, Oils on canvas covered hardboard
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This is a late afternoon, early fall scene of the Shawangunkill River around sunset. This magnificent waterway courses through the town of Gardiner, New York, near New Paltz.
16×12″, Golden OPEN Acrylics on canvas covered hardboard
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Visiting the Hudson River School show at the Thomas Cole Historical Site last Friday made me think about many of my own paintings of the Hudson River, and how our contemporary, plein air pieces fit into the grand scheme of things. The Hudson River School paintings are filled with details, and tell a story about man’s journey—past, present and future. In the years before paint tubes, it wasn’t so easy to transport paints and equipment out into the field. As I looked over those paintings, I recognized many bits and pieces of the locations. The artists would go out into the field and sketch these bits and pieces, then come back into the studio and combine them into a grand work with a foreground, middle ground, and horizon, incorporating figures and animals representing man’s mark on the landscape and his journey.
I look at the Hudson River as a theme that flows through my work. I think those of us who paint plein air have been heavily influenced by many factors through the generations. While there are ateliers and painting schools that teach the techniques of the Hudson River School painters of past generations, there are also those who have been heavily influenced by the Impressionists, and the immediacy necessary to capture a scene on location under the conditions of changing light. It will be very interesting for those in future generations to trace back through these Hudson River styles as a more direct painting approach evolved.
As for me, I plan to go out and continue to paint my favorite river. I suppose I will leave it to the art historians to determine how we fit into the spectrum of art history!
This is a scene painted from a lovely waterfront park along the Hudson River in Nyack, New York. It faces the Tappan Zee Bridge, which was just barely emerging from the fog as I set up to paint.
6×8″, Golden OPEN Acrylics on 300 lb Saunders Waterford watercolor paper
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Painting along the shoreline of the Hudson River has great therapeutic value! This was painted on location at sunset.
5×7″, Oils on Ampersand Gessoboard
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I’m doing a lot of small studies for larger paintings lately. This is a scene painted from a photo I took up at Garrison Castle, overlooking the Hudson River. It’s not surprising that Frederic Church of the Hudson River School painters selected this site for the Osborn family to build their castle in the sky!
This is a view straight up the Hudson River, where the currents are the most treacherous, and the river channel narrows and wraps around West Point Military Academy. Those are the buildings of West Point silhouetted in the painting in the foreground peninsula.
The scene is so complex, and takes in many of the most famous spots in the Hudson Highlands. You can see the point of Breakneck Ridge on the right, and Bannerman Island even further upriver. The mountain farthest back on the left is Storm King, and the Catskills are straight ahead off in the distance. The Hudson illuminates at sunset from this high vantage point.
I think this sunset view through the Hudson Highlands from above is deserving of a really, really big painting sometime in the not too distant future!
This painting is Number 21 from my Hudson River Quadricentennial Series, celebrating the 400 year anniversary of Henry Hudson’s travels up the river.
6×8″, Oils on canvas covered hardboard
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The DEC said that we couldn’t build a pond along the stream in the woods, but the beavers kindly did it for us! I set my stool out there yesterday and enjoyed listening to the frogs and birds as I painted this. Occasionally, a duck would come in for a landing, plunking down into the water.
I used my little 6×8″ Guerrilla Painter Thumbox. I love that thing! With the palette extension on, there is enough mixing space for 5×7, 6×6 and 6×8 paintings.
Palette:
Rembrandt Transparent Oxide Red underpainting
Cadmium Yellow Lemon
Cadmium Red Medium
Ultramarine Blue
Viridian
Ivory Black
Titanium White
5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This was yesterday’s sunrise over the Hudson River, painted on location in Nyack.
6×6″, Oils on sealed, primed hardboard
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I painted down in Nyack this morning. The skies were mostly overcast, but periodically there would be a break of brilliant sunshine that flooded the landscape with bright light. One of the Tall Ships was sailing off in the distance. I think it was the Mystic Whaler. It didn’t make it into my painting, but was a wonderful accompaniment to my morning by the shore!
These are the same trees that have those beautiful purple blossoms in spring. I was so sorry that they were no longer blooming, but I did put some hints of the violets into them as a hint of what they are.
8×10, Watercolor on Fabriano Artistico 140#cp
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I’ve been so eager to work with watercolor this week, perhaps because of all the rain we’ve been having. This is painted from a photo of a tree out on a peninsula on the lake here at home. I loved the reflections of the colors and tree in the water, and the large, brooding clouds way above.
9×12, Oils on canvas covered hardboard
$325.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting was done on location while the Onrust was docked in Newburgh. It is Number 18 of my Hudson River Quadricentennial Series, in celebration of Henry Hudson’s voyage up the Hudson 400 years ago. This beautiful replica ship was constructed in New York by 250 volunteers! You can read more about the recreation of the Onrust here.
Leave it to me to forget my camera when I went to paint this on Monday. Even though I have a note saying “CAMERA” posted on the door to the garage, I often forget to take it along. The painting needed a little studio finishing, which I had to do from memory, plus I used the watercolor painting I did that day.
5×7″, Watercolor, double matted in ivory/gold to 8×10″, framed in antique gold/black, Price includes mat and frame
$145.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Today I went to see the Tall Ships as they docked in Newburgh, NY. They are on their way up the Hudson River in a Quadricentennial Celebration. Leave it to me to forget my camera. Ouch! But at least I had paints and sketching materials with me. The Half Moon and the Onrust were there. I settled in to paint the Onrust, and I’ll try to do the Half Moon later in the week at one of the other stops it will make as it journeys northward. You can read more about the recreation of the Onrust here.
I started out with this little 5×7″ watercolor, and also did an oil painting that I need to finish up in the studio, hopefully tomorrow. I’ve double matted and framed this painting in a lovely ivory/gold double mat, and a black and gold wood frame. Price includes mat and frame as shown below. It looks soooo much better in real life than in the photo!
Here is an image of the painting alone:
I hope to have the oil painting completed to show tomorrow!
8×16″, Oils on sealed, primed hardboard
$350.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
The other day, I saw these boats all lined up along the shoreline here by the lake and couldn’t wait to get out and do a wide-format painting of them. The clouds broke for a few hours today, so I dashed out during my window of opportunity. With rain this morning and more rain coming in later, I lucked out with a perfect midday break in the weather.
5×7″, Golden OPEN Acrylics on Fabriano Artistico hp watercolor paper, matted to 8×10″ (Mat and backing board included in price.)
$135.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from the Waterfront Park along the Hudson in Athens, NY. I actually went there hoping that one of the Tall Ships would be there that will be parading up the Hudson next week. Unfortunately, no ship was there, but these red benches looking out over the river under the Chestnut Tree captured my attention. Without a ship, they became the focal point of my painting. Two women came along and sat down on one of the benches, chatting and gazing out onto the water, so I popped them into the painting too!
6×8″, Oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Our back yard along the brook is too wet to mow this time of year. The sweet Forget-Me-Nots take over there and create an exquisite mass of tiny blue flowers beneath the Purple Martin house.
Custom framed in a gold plein air style frame
12×16″, Oils on Raymar canvas panel
$600.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
One more amazing day along the Hudson River at Nyack Beach State Park….I was surprised to find the Royal Paulownia trees still in full bloom. Everybody was out walking along the path with smiles on their faces in the warm breeze.
6×8″, Oils on canvas covered hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I went to paint by a lake in Newburgh, New York with some friends from the Lower Hudson Valley Plein Air Painters. This little boat by the shoreline beckoned me. I sure he was disappointed that he attracted an artist instead of a fisherman!
12×16″, Oils on Raymar canvas panel
$600.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I got to Nyack very early yesterday morning, while the sun was still very low in the sky. It glowed at the horizon, and struck the face of the Palisades cliffs head on. The purple Royal Paulownia trees were blooming all over the base of the cliffs. I had to walk a half mile along the path with all my painting gear, but as soon as I arrived at this location, I knew I’d met my muse for the day!
6×8″, Oils on sealed, primed hardboard
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While painting this yesterday in Nyack in the cold and intense wind, many people stopped to chat and admire the painting. One woman, after commenting on the diversity of the New York landscape, said, “I love New York! I love the Hudson River, the fall colors, the skies, and even the snobby New York City folks!”
Aside from any snobby New York City folks (and I haven’t encountered many!), I have to agree with her. So, I named the painting I Love New York. It’s hard to beat a view of Paulownia Trees along the Hudson River with dramatic skies!
10×8″, Oils on Raymar canvas panel
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My plein air painting buddy, Sue, wanted to go paint at Nyack Beach State Park this morning. Conditions were freezing cold, very windy, and overcast. I was honestly not thrilled about this idea, but didn’t want my friend to have to go alone. I packed my winter coat, a thermos of coffee and lunch, and hit the road at 7am.
Imagine my joy upon arriving there and seeing these exquisite Royal Paulownia Trees along the path beside the Hudson River as it wound through the park. (I confess that I didn’t know what they were, but I asked the Park Ranger!) We didn’t get much sunshine, but the skies were a lot more interesting than just those silvery, heavily overcast days. I’m so glad I went. In fact, I’m going back tomorrow!
6×8″, oils on canvas covered hardboard
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Today was the big Artists on Location event in Garrison, NY. I was expecting the skies to clear, but that didn’t happen, and this was painted in the rain. Fortunately, I had my big “ShadeBuddy” umbrella with me, and the winds were calm enough that I could use it!
The huge sailboat off in the distance came by at just the right time, and provided the perfect element to scale the painting and give it a focal point.
8×10″, Oils on canvas covered hardboard panel
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This charming lighthouse sits on a cement platform in the middle of the Hudson River between the towns of Athens and Hudson. I had the pleasure of viewing it from both sides recently. On this occasion, I chose to paint it from the Hudson side, but I’d like to go back and paint it from the Athens side soon too.
In case any of you think you saw this a few days ago, it’s not your mind playing tricks on you! I saw a bunch of things I decided to change. I added more darks into the foreground water, glazed the rocks there with some cooler color, popped in some extra darks in the tree, added greens and blues into the background, and popped the lighthouse a bit more. It was only about 20 minutes of touch-ups, but I feel it made a significant enough difference in the image to repost, and delete the old image.
8×6″, Oils on Raymar canvas panel
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I went to paint with a friend up in Clermont, New York along the Hudson River. Jan provided the perfect focal point for my painting, with her painting umbrella glistening in the strong morning light, and her rust-colored shirt against the spring greens. Clermont is a nice painting spot with mature trees, a lovely garden, and the Catskill Mountains rising beyond the river.
Jan and I have a show coming up in Rhinebeck, New York from June 5-July 15 with two other artists. The opening is on June 5 from 5:30-7:30pm. I’ll post more about it soon…Save the date if you can come! If you’re in the Rhinebeck area and interested in attending the event, I’d be happy to send you one of our show cards with images and location details. Please email your full name and surface mail address to me, and I’ll be sure you get one.
18×24″, Oils on canvas covered hardboard
Email me at JamieWG@aol.com if interested in this painting.
Today was another stunning day at Boscobel Restoration in Garrison, NY. The Cherry Blossoms are all gone now, so I turned my attention to the overview of Constitution Marsh and the Hudson River. It was amazing how fast the light changed. The light and shadows on the hills reversed itself, and the marsh became cooler and darker as it was silhouetted by the light coming from the south. I kept my original plan with the morning light. The photo below shows the scene in the afternoon with my almost-finished painting.
This painting has wonderful presence in its large size with the strong color and light. I can’t wait to see it in a frame!
6×8″, Oils on canvas covered hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
The rain finally held off long enough and clouds parted to spill sunlight on the little field of alyssum through the trees. The backlit scene provided lots of contrast, adding to the warm yellow glow of the bright flowers. I sat in my folding chair with my new Guerrilla Painter 9×12″ pochade box in my lap. I love the additional palette space in this box. There’s an adapter to hold 8×10 and 6×8 panels, so I used that for the first time too, to paint this little 6×8. It worked out so well, and even carries the wet panel.
Palette:
Cadmium Yellow Lemon
Permanent Alizarin
Burnt Sienna
Ultramarine Deep
Viridian
Ivory Black
Titanium White
9×12″, Oils on canvas covered hardboard
$325.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
What’s with the meteorologists these days? It was supposed to be overcast and raining, but I awoke to brilliant sunshine and mild temperatures. After all the rain we’ve had lately, I figured the trout stream at Ward Pound Ridge Reservation would present some good plein air opportunities. The water was rushing over the rocks, and the spring greens were out in force.
This was my first chance to try my new 9×12″ Guerrilla Painter pochade box. I absolutely love it! I sat with the box on my lap. It’s got so much more palette space than the thumbox, and as a bonus, an standard 9×12″ disposable palette pad fits right in the box, making clean-up a snap.
You can see that by the time I was nearing the finish line on this painting, it became overcast and I lost my light:
My palette for this painting was:
Cadmium Yellow Lemon
Permanent Alizarin
Burnt Sienna
Ultramarine Blue Deep
Viridian
Titanium White
5×7″, Oil on Ampersand Gessoboard
$150.00 plus $12 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from one of the photos I took on a walk by the lake. The yellow tinge to the sky at sunset, and the little red boat, glowed all the more with the muted colors surrounding them.
8×10″, Golden OPEN Acrylics on 8 ply 100% rag board
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
The Cherry Blossoms at Boscobel wind around this little path. It goes along the Hudson River, and then circles around behind the herb garden, where the Cherry Blossoms are joined by dogwoods in bloom and apple trees.
8×10″, Golden OPEN Acrylics on Saunders Waterford 100% rag watercolor paper, 300lb cp.
$200.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Every spring, it’s a race to paint the Cherry Blossoms before they go. It seems that as soon as they bloom and rain comes along, which it does constantly this time of year, they are gone until the following spring. I love this view of them against the mountain.
5×7″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
….Back to my favorite subject this time of year! Not to worry….The season for Cherry Blossoms is so short-lived. In a week the blossoms will probably all be gone, and I’ll have to wait another year to paint beside them again.
There are five Cherry Blossom trees in this arc by the Hudson River at Boscobel Restoration in Garrison, NY. Each one has such character, and although they all have those bushy, bright pink blossoms, their shapes are quite unique, and the light hits them differently. I enjoy picking out different ones to feature in each painting, exploring their similarities and differences, and the way they fit into the total scene with the Hudson River and Constitution Marsh behind them.
10×8″, Oils on mounted Multimedia Artboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Here’s a little break from all those Cherry Blossoms! I’ve painted this Dogwood overlooking Constitution Marsh in its bright red, fall splendor nearly every year, but never in the spring flowering stage. The real challenge for me was to decide how I could best display those white blossoms against the very light blue sky.
This painting is done on the new, mounted Multimedia Artboard. It is an archival support that can be framed just like a hardboard panel. I’ve enjoyed painting on this surface from time to time because of the way it takes both oils and acrylics. As the support itself is brittle, I back it with acid free foamcore for framing. They have just come out with a new version of the product which is already mounted on the foamcore, making it more durable for travel purposes while maintaining the lightweight benefit.
For small paintings, I sometimes feel the weave of canvas interferes with the painting. As you can see here, the smoother surface of Multimedia Artboard allows me to work without that concern. I don’t feel I need to fight with unwanted texture.
I tend to like fairly absorbent surfaces. I can put more paint onto them, and avoid some of the streakiness of slick surfaces. I give the Multimedia Artboard a coat of Golden Matte Medium diluted 20% with water to cut down on just a bit of the absorption. The paint applies beautifully to the surface.
I’ve used it now for both oils and acrylics, and highly recommend this archival material. You can read about the product at www.multimediaartboard.com. You can order it by writing to the company through the link on the website. I’ve put up a link to the site from the right sidebar on my blog too, so you’ll always be able to find it here.
6×8″, Oils on Raymar canvas panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Today began with a light haze, giving a silvery glow to the atmosphere over the Hudson River. The cherry blossoms are in full swing at Boscobel, and the reddish color is coming into Constitution Marsh as it springs back to life from winter dormancy.
Palette:
Cadmium Yellow Lemon
Permanent Red Medium
Permanent Alizarin
Transparent Red Oxide
Cerulean Blue
Ultramarine Blue Deep
Chromatic Black
Titanium White
My apologies for the slight glare on the left side of the painting. I’m a terrible photographer. That glare is only in the digital image, and not on the painting.
Click painting for a larger, clearer image:
12×16″, Oils on Raymar canvas panel
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
For the past several days, I’ve been craving a painting day up in the Catskills. I loaded all my gear into my car this morning and drove up to do this painting this afternoon, then turned around and drove back. It was worth the trip for the exquisite weather, spring buds on the trees, and beautiful mountain views. The grass was shimmering in the sunlight, and I could hear the rushing of a waterfall as I painted.
I need to get better at tree identification. I don’t know what kind of tree this is in the foreground. I know it’s not a maple because it doesn’t have those rich, red spring buds. I love the twists and turns of the branches, and the trunk glistened where the light hit. That’s South Mountain in the background.
6×6″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
I didn’t feel like straying far from home today, so I set my chair outside in the yard and took in the first blooms of spring under the stand of evergreens. My little dog kept me company, the temps were in the high 40s, and the sun was shining. It’s hard to ask an early spring day for more than that! I’ve been peeking at these hyacinths from the window for a week or so, and I’m glad I got to paint them before they disappeared for another year.
Palette:
Cadmium Yellow Lemon
Cadmium Yellow Light
Permanent Red Medium
Permanent Rose
Ultramarine Blue Deep
Venetian Red
Chromatic Black
Viridian
Titanium White
6×8″, Oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Today was heavily overcast, with showers predicted. I had a hard time deciding whether or not head over to the Hudson River to paint at Boscobel. In the end, I figured that any day of plein air painting is better than a day without plein air painting! For my efforts, I was greeted by this striking yellow sky, and extremely dark blue background hills. I’ve done many, many paintings of this view, but have never seen it quite the way it looked today.
Boscobel Restoration is in Garrison, New York, along the Hudson River. The view overlooks Constitution Marsh and West Point Military Academy.
Palette:
Cadmium Yellow Lemon
Raw Sienna
Permanent Red Medium
Venetian Red
Cerulean Blue
Ultramarine Blue Deep
Titanium White
5×7″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is the 400 year anniversary of Henry Hudson’s voyage up the Hudson River. I am doing a series of Hudson River paintings to commemorate that event, and this is the first! This fabulous, huge yellow ship came down the river past West Point as I stood on the shoreline in Garrison snapping photos. Some of the works for this series will be done en plein air and some will be from photo references.
My palette for this painting:
Cadmium Yellow Lemon (Winsor Newton)
Raw Sienna (Williamsburg)
Venetian Red (Classic Artist Oils)
Ultramarine Blue Deep (homemade from Lukas pigment and alkalai-refined linseed oil)
Cerulean Blue (Classic Artist Oils, drained on a paper towel)
Titanium White (Winsor Newton)
Click painting for a larger, clearer image:
16×20″, Golden OPEN Acrylics on archival canvas panel
$695.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I started this painting a couple of weeks ago from a photo I took in Palenville, and worked on it a few days since then. For some reason, it seems to have taken me forever to get this one off the easel, but I think it is finally done.
Fifty years or so ago, you’d have seen the grand Catskill Mountain House looming on the escarpment to the right of the peak of South Mountain. Today it’s just an amazing view from up there that extends for hundreds of miles, and takes in over sixty miles of the Hudson River. The spring melt cascades down the mountain in streams and waterfalls that gave Palenville its nickname as “The Village of Falling Waters”.
This painting was done with a limited palette of Raw Sienna, Cadmium Yellow Primrose, Red Iron Oxide, Ultramarine Blue, Phthalo Blue, and Titanium White.
For some reason, the left side of the sky looks darker than the actual painting. It’s always impossible to get the digital image to exactly match. The room lighting must have been darker on that side when I snapped the picture!
5×7″, Watercolor and ink on Fabriano Artistico 140# hp
$75.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Every so often, I like to play with paints and ideas like a child in a sandbox. Today I did some small plein air paintings, experimenting with different styles and ideas. This abstract landscape is based totally on design and composition. The idea was to support an energetic design with bold contrasts, adventurous colors, and strong lines. I looked for elements in my yard along the brook, and arranged them for a dynamic composition. I examined the color of each large section of the landscape, and selected a pure, higher-chroma color to represent that segment of the painting. The colors are cerulean blue, cobalt violet, cobalt blue, and raw sienna, plus waterproof black India ink applied with a brush.
8×6″, Oils on Raymar canvas panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
I painted at Ward Pound Ridge Reservation today, admiring the subtle spring colors by the trout stream. My palette consisted of:
Titanium White
Cadmium Yellow Light
Pyrrole Red
Transparent Red Oxide
Raw Sienna
Cerulean Blue
French Ultramarine
Ivory Black
Viridian
I’m sure I didn’t need so many colors to portray this subtle landscape, but they were already on my palette, so I figured I’d put them to work!
8×6″, oils on Raymar canvas panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This magnificent spot, with the red barns nestled in the valley below the Catskills, is about five minutes from our house. There are mountains and rolling fields everywhere you look. Locations like this one are what make me realize why the Hudson River School painters were so drawn to this area!
It was only 26 degrees yesterday morning when I painted this, so it was done from the warm comfort of my car, parked off on the side of the road!
8×6″, oils on Raymar canvas panel
$85.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Monochrome studies are such a great way to work on values. When I don’t have time to do a full-color painting, a monochrome sketch is always a good way to spend the time. I mixed together leftover paint from a morning painting to create this reddish-brownish-purplish mix, took a seat on the nearest rock, and used that with titanium white for an oil sketch of a small waterfall.
Here’s a photo of my Guerrilla thumbox at work with this painting! Isn’t it the cutest thing? It holds everything I need for small paintings.
7×5″, oil on panel
$150.00 plus $12 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Painted on location (en plein air).
30×40″, oils on stretched canvas
This studio sale price is over 65% off! $1,050.00 plus $65 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is an older painting that has never appeared on my website nor in a show. I just took a picture of it yesterday for the first time. My style has changed quite a bit since I painted this. I thought it would be interesting for my viewers to see something I did many years ago.
I am offering this huge painting for sale now for the first time, and at a great price!
5×7″, oil on linen, mounted on hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
A couple of years ago, there was an amazing sunrise over the lake on a winter morning. I grabbed my camera, dashed out the door, and took hundreds of photos for future paintings. Here is another painting of the “Majestic Morning” series, just off the easel.
My palette for this painting was:
Titanium White
Cadmium Yellow Lemon
Cadmium Yellow Pale
Cadmium Yellow Medium
Raw Sienna
Cadmium Orange
Cadmium Red
Permanent Rose
Cerulean Blue
Cobalt Blue
Ultramarine Blue Deep
Ivory Black
Viridian
I didn’t really need all those colors to do this painting, but since I’d put them all out on my palette, what the heck! I dipped into everything.
5×7″, oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
12×16″, Oils on canvas covered hardboard
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Kaaterskill Clove was one of the favorite painting locations for many of the Hudson River School artists. Thomas Cole, Frederic Church, Jasper Cropsey and many others painted these mountains in centuries past. It’s easy to see why they were drawn to this dramatic location. The Hudson River provided easy access upstate from New York City and the Lower Hudson Valley. The mountains are only 10 miles inland from the river.
Here is an image of the work in progress, after the underpainting and initial color layer:
Here’s how I set up to paint from the computer for works larger than 8×10″. I prefer this to using printed photos.
The colors I used are:
Titanium White
Cadmium Yellow Lemon
Cadmium Yellow Medium
Raw Sienna
Cadmium Red
Cerulean Blue
Cobalt Blue
Ultramarine Blue
Viridian
Ivory Black
These are the mediums I planned to use for the painting. It’s the first time I tried the Weber Res-n-gel, but it didn’t tack up as quickly as I’d hoped. I think I prefer just turp, or turp and a tiny bit of Liquin for the underlayers.
I use a glass palette in the studio with a sheet of brown kraft paper below it. It is so easy to clean. I had a glass store cut this 16×24 piece of 1/4″ glass for me and grind the edges.
I hope you enjoyed seeing some of the steps and materials used along the way.
6×6″, Oils on linen
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Palette:
Cadmium Yellow Lemon (Rembrandt)
Cadmium Red (Williamsburg)
Cobalt Blue (Winsor Newton)
Titanium White (Winsor Newton Artist & Winsor Newton Griffin mixed)
Initial wash of transparent yellow oxide (Rembrandt)
6×8″, Acrylics on linen. Matted to 8×10″
Email me at JamieWG@aol.com if interested in this painting.
Whew, was this ever hard! I thought it would never get finished. Sometimes these little ones can take as long as a much larger painting to complete. This one certainly fell into that category, but I am pleased with the result.
Palette:
Cadmium Yellow Medium
Cadmium Red Light
Ultramarine Blue
Titanium White
18×24″, Oils on canvas
$1,200.00 plus $40 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is a painting done from a photo I took while out for an evening stroll with my husband in winter. It was done with a limited palette of just four colors and white. I love the way this turned out, with the dramatic light, contrast of the snow and branches, and harmonized color. It’s one of my personal favorite paintings.
6×6″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
I watched President Barack Obama’s inauguration today. It is the Dawn of a New Day.
My palette for this painting:
Raw Sienna
Cadmium Orange
Cadmium Red
Permanent Alizarin
Cerulean Blue
Cobalt Blue
Ultramarine Blue Deep
Ivory Black
Titanium White
5×7″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This painting is done from a photo I took along Platte Clove Road, between Saugerties NY and Tannersville. The road is narrow and winds around the mountain, with sheer cliffs alongside, and is so dangerous that this portion is closed in winter. The views are breathtaking. My husband and I pulled off to the side of the road to take some pictures. After years of looking for a vacation home, it was this drive around Kaaterskill High Peak that narrowed our search to this dramatic area of the Catskills.