Archive for June, 2012

Summer Afternoons at Old Mills Falls

Posted by Jamie on June 26th, 2012

120622-Summer-Days-at-Old-Mills-Falls-8x10-GO-450

8×10″, Golden OPEN Acrylics on primed archival canson board (Frame without glass like an oil painting)
$265.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.

There’s been so little rain here in the northeast that I’m trying to paint as many waterfalls as possible before they dry up completely. Every time I go out to paint, there is less water out there, and the falls on my property are already gone. Old Mills falls is one of those exquisite summer spots that can usually be counted on to provide some comfort on brutally hot days. It’s still running, though not at its usual clip. I always find the colors to be so striking here, with the green moss and warm-colored pool of water, and the light dancing on the waterfall.

Below is an image you can click on for a slightly larger version:

120622-Summer-Days-at-Old-Mills-Falls-8x10-GO-600

Waterfall Reflections

Posted by Jamie on June 25th, 2012

120610-Waterfall-Reflections-7x11-600v

11×7″, Oils, with custom ivory mat and backing board to fit a standard 12×16″ frame.

SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Before doing this oil painting, I did four small watercolors of the scene out on location to study various options:
A vertical orientation with low horizon
Vertical with high horizon
Horizontal with low horizon, and
Horizontal with high horizon.

My plan was to pick the one I liked best, return to the “scene of the crime”, and do a large oil painting of that one. That large one is actually still in progress, but before I embarked on that one, I wanted to test drive a new support I planned to use. This is done on the new Arches Oil Paper. It is a 100%, 140 lb., archival rag paper. Artists have painted oils on prepared rag paper for many hundreds of years, and it is one of the most archival surfaces that exists for oil painting. The fibers in this case have been internally sized for oil painting. The painting can then be mounted to board, varnished, and framed without glass like any other oil painting, or matted and framed with glass and a backing board like other works on paper.

Since I love painting on paper, this support seemed a good match for me. I love the luminosity that becomes possible by using layered washes of mineral spirits, mediums, and oil paint, followed by opaque work like a traditional oil painting. It was great fun doing this one, and I’m happy with the huge potential of this surface for handling many different effects.

Golden Fields at Olana

Posted by Jamie on June 12th, 2012

120603-Fields-of-Gold-at-Olana-GF-11x15-fs

Acrylic on Arches CP 140#
Painting sent in archival mat and backing board in polybag, all ready to go into any standard 16×20″ frame. Painting alone is about 11×15″. (Painting can be sent mounted to board and varnished at no extra charge, to be framed without mat and glass, if you prefer.)
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
I love the variety of painting with all types of media on a large selection of supports. But there’s nothing like the glow of transparent pigments on white paper! This painting really captures the shimmering golden fields at Frederic Church’s Olana estate. I went there in the morning and the purple flowers I’d seen just a week or two before were completely gone, replaced by bright yellow flowers blooming profusely. I took a bunch of photos before it started to rain, then headed back to the studio, where I painted this from one of the photos.