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Watercolor, 12×16? (matted size)
Painting is in a sealed polybag, matted, with backing board. The painting has a custom ivory, archival 12×16? mat with archival backing, ready to go into any standard 12×16? frame.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
8×16″, acrylic on Arches board
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This stunning view of Stony Clove was painted on site from a field on a private estate. Below is an image you can click on for a slightly larger view of the painting.
8×16″, oil on linen panel
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Painted on location in North Salem, NY.
6×12″, oil on linen panel
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Painted on location at Olana, home of Hudson River School painter Frederic Church.
Click image to enlarge:
12×24″, oil on linen panel
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6×12″, oil on linen panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This little oil painting was done in late fall on location. My friend Trish and I hiked out to the boardwalk at Constitution Marsh to spend a gorgeous day out on the Hudson River. The property is an Audubon Preserve, and there are always eagles and interesting wildlife around. I had to pick out a few bugs and do some touchups afterwards, so it’s taken me awhile to finish it up and get it posted. The atmosphere was so quiet that day, with barely a ripple in the water and a cloudless sky. Dreamy!
Below is an image you can click on for a larger, clearer view of the painting:
6×12″, oil on linen panel
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This is another of this week’s paintings of the Sleepy Hollow lighthouse on the Hudson River. I don’t know if I’ll ever get enough of this subject; these have been so much fun to paint!
Below is an image you can click for a larger, clearer view of the painting:
6×8″, oil on Ampersand Museum Gessoboard
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I’ve been wanting to do more paintings of the Sleepy Hollow Lighthouse (aka Tarrytown Lighthouse) for years, and finally got around to doing some this week. I spent two days exploring six or seven of the parks along the Hudson River around Tarrytown and Sleepy Hollow to find some new vantage points and check out old ones. Now I have so many ideas for paintings that my head is spinning! This 6×8″ painting features the lighthouse, and also shows the Tappan Zee Bridge in the background, as well as the little bridge over to the lighthouse from the shore.
One thing I found out in this week’s research is that the lighthouse was originally about a half mile off shore. The shoreline was filled in for various developments, and now it’s just a footbridge away! There’s a ton of construction going on in the area now, as those old commercial developments have mostly been torn down to make way for new luxury high rise condominiums. The good news is that in the process, several gorgeous waterfront “Riverwalks” have sprung up, thanks in no small part to Scenic Hudson. Although the population density is increasing dramatically, so are the accessible views.
Below is an image you can click for a slightly larger, clearer view of the painting:
8×16″, oil on linen panel
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I had a wonderful autumn day last week painting with friends along the Hudson River. We went to Boscobel Restoration in Garrison NY, where there is a long bluff overlooking Constitution Marsh and the river. The marsh was just starting to take on that reddish autumn glow, and an enormous sailing yacht went by, providing a great focal point out in the river. This is always one of my favorite vistas to paint — especially as the marsh turns to warm colors in spring and fall.
Below is an image you can click on for a larger, clearer view of the painting.
5×7″, oil on linen panel
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This view of Crawford Notch, New Hampshire, was painted by many of the Hudson River School artists, who traveled up to the White Mountains to take in the spectacular scenery. Saco Lake lies just north of the notch, reflecting the mountain and amplifying the drama of the setting. The white rock on the left side of the notch is called Elephant Head. You can hike up there for majestic views in all directions. When I’m able to do a larger painting of the scene, you’ll be able to see why it’s called Elephant Head! Paintings are underway of views from up there too.
8×16″, oil on linen panel
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I’ve been doing a bunch of paintings from photos I took during our recent trip to New Hampshire. We took the cog railway up Mt. Washington one day (great fun!) and enjoyed the majestic views of the Presidential Range from the top. The Appalachian Trail runs along the tops of several of the mountains, following the ridge line on the journey up to Maine. I captured this view of a lone hiker on the ridge and couldn’t wait to get my brushes going on it.
Many of the Hudson River School painters traveled to the White Mountains. I visited a number of the spots where they painted on my trip, and it’s not hard to see why they were so inspired by the views they encountered!
Below is an image you can click on for a larger, clearer view of the painting:
5×7″, oil on linen panel
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This Hudson River School site in the Catskill Mountains is one of my favorite hike destinations. I go up there several times a year, and understand why it was also a favorite of the Hudson River School painters! This is probably destined to be my last Sunset Rock painting before the fall colors take hold.
Speaking of the Hudson River School, for those who have not gone to the Thomas Cole Historic Site in Catskill NY to see the Sanford Gifford show, you have until October 29 to do that. I just went back for the second time, and it’s truly a “Don’t Miss It” exhibit for those who love Hudson River School art, art history, and hiking in the Catskills. The show focuses on Gifford’s paintings done in the Catskill Mountains, and provides site information for where they were all painted too. There is also a show catalog available at the Visitor Center there.
12×24″, acrylic on board
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I enjoy painting house commissions, and this recent portrait of a lovely new home is among my favorites. If you would like to see your house in a painting, email me at JamieWG@aol.com with your request and your budget, and I’ll email you some commission prices. House portraits make unique and personal gifts, treasured memories of a former home, or beautiful wall art for that favorite spot.
6×12, oil on linen panel
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This is one of my favorite Catskill skyline vistas. I cannot wait to paint more of them in every size and season!
5×7″, oil on linen panel
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I’ve painted this south-facing view, as well as the westward view, from Sunset Rock so many times, at different times of day, various seasons, and assorted atmospheric conditions. I never get tired of painting from there, or hiking there. The scene was painted by several of the Hudson River School artists; I guess they didn’t get tired of it either!
9×12, acrylic
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Tucked away behind North Mountain, in the northeastern region of the Catskill Mountains, there is a beautiful resort called Winter Clove Inn. I was thrilled when I was contacted to do a commission of the Inn as a wedding gift by a relative of the groom, who was married on the front porch of the inn. It gave me a wonderful excuse to visit a place I love multiple times!
6×8″, oil on Ampersand Gessoboard
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I did a series of small paintings from high above Candlewood Lake in Sherman CT, in order to select one scene for a large commission. There is so much drama from up there! Cannot wait to go back and do more. Below is an image you can click for a larger, clearer view of the painting.
24×36″, acrylic on Ampersand Gessoboard
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This large painting of the Hudson River and Palisades was done as a commission, so it is already spoken for. You can see some available paintings I have of the Palisades and Hudson River by clicking the categories on the right side of my website, or click here to pull up my Palisade paintings, then scroll down to see them. Large paintings are very difficult to store, so I generally do them on a commission basis. I’m always happy to paint a special commission for you if you don’t see the size/scene/season you’re looking for!
Below is an image you can click on to see a larger view of this painting:
24×36″, acrylic on Ampersand Gessoboard
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This fabulous view of the northern gateway to the Hudson Highlands is one of my favorite Hudson River vistas. You can see Bannerman Island, with Storm King Mountain on the right, and Breakneck Ridge in Cold Spring on the left. I painted it from a photo, taken with a telephoto lens at a distance, which amplifies the atmospheric effects of the distance. Infused with the blues and greens of summer, it exudes tranquility. We can all use a bit of that! This is a large painting with an expansive feel, and would be a great centerpiece over a sofa. Below is an image you can click on for a slightly larger view of the painting.
6×9″, acrylic on multi media paper, sealed and mounted to archival aluminum panel
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Sunset Rock was a favorite destination of many of the Hudson River School artists. It’s long been one of my own favorite locations as well. This western view overlooking North South Lake is well known, but the south-facing view is equally engaging.
Below you can see a photo of the painting in progress on location. It sometimes takes awhile for me to get paintings photographed and up on my website; in this case, the painting sold before I had a chance to post it here.
6×9″, acrylic on multi media paper mounted to archival aluminum panel, sealed and varnished to frame without glass (like an oil painting). Framing available upon request for additional fee.
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I’ve been working on a large commissioned painting of this scene overlooking the Hudson River and Palisades. Wave Hill is a public garden in Riverdale, New York. It has a striking view of the Palisades, and sits high above the river. Before embarking on the giant, I did a couple of small paintings of the view, including this one.
Below is an image that you can click on for a slightly larger view of the painting:
(Click image to enlarge.)
8×10″, oil on linen panel
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This commissioned New York City wedding scene was a surprise gift for the bride and groom from one of the guests at the wedding.
6×9″ Acrylic on multi media board, mounted to aluminum panel, unframed (Framing available at extra cost.)
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This painting features an expansive vista overlooking Candlewood Lake in Connecticut. There were long lake views in both directi
ons, and a western, sunset exposure to boot. I took so many photos when I was there, and can’t wait to do more paintings from them during the winter. I’ll return for some plein air versions when the weather warms up again. I’m calling this one Bird’s Eye View, but they could probably all have that title, with views in both directions that seem to go on forever.
Below is an image that you can click on for a slightly larger view of the painting:
6×9″, acrylic on mixed media board, mounted to aluminum panel, unframed (Framing available at extra cost.)
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I love this scene and have been playing with it in various color combinations for nearly two years. There are so many ways to interpret the composition in terms of light, season, focal point, and color palette, that I can’t seem to get tired of it! It’s a view of the lake at Innisfree Gardens. This most recent rendering is in fall colors, with the late day light striking the eastern hillsides and distant mountain before sunset. Below is an image you can click on for a slightly larger view of the painting.
7×5″, oil on Ampersand Gessoboard, price includes frame as shown (Size is about 9×7″ with frame.)
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This stunning Blackburnian Warbler showed up during a birdwalk this summer. I was lucky enough to get a great photo of him to use as a reference for this painting. I am loving these little birdies in the cherry/gold, oval frames!
5×7″, Acrylic on linen panel
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Sunset over the Hudson River, from the home of Hudson River School painter, Frederic Church.
7×5″, oil on linen panel
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It’s not often that I find a vertical composition I really like of a Boscobel scene. I usually paint that vista in a panoramic fashion, but the path of the marsh channels works well this way too. Maybe there is a new series of verticals coming!It would certainly be a different way for me to explore this landscape that I’ve been painting for so many years.
This was painted on location at Boscobel Restoration in Garrison, New York, toward the end of one of those stellar, long, summer days. The scene overlooks Constitution Marsh and the Hudson River. Helicopters were flying overhead in formation from West Point as I painted!
6×12″, oil on canvas board, unframed (Framing available at extra cost.)
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I spent a magical day painting at Boscobel. The weather was ideal, and a huge buck was staring at me from the distance. (Expect to see a painting of him soon!) There was tug and barge traffic out on the river, helicopter formations flying overhead from West Point, and good company with other artists. It’s hard to beat a day like that.
Below is an image you can click for a larger view of the painting.
6×9″, Acrylic on multi-media board mounted to hardboard
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My husband and I were out hiking on a beautiful fall day in the Hudson Valley. I snapped a photo of this couple walking down the trail, which became a great painting subject. This painting went out to my Hudson Valley Hues solo show at RiverWinds gallery before I had a chance to put it up on my website, and has sold at the show. Thank you, RiverWinds! The show will run until July 3 for anybody who has not yet had a chance to go see it. The gallery is at 172 Main Street, Beacon, NY. Gallery hours are Wednesday through Monday, 12-6pm, closed Tuesdays.
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6×12″, oil on canvas board, framed
This was painted on location in the fall at the Vanderbilt Mansion in Hyde Park, New York. It’s one of my favorite places to paint, and I don’t get over there nearly often enough!
24×36″, Acrylic on Ampersand Gessoboard, framed
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This is another acrylic painting in my analogous palette series. It’s one of my favorites of the series. Below is an image you can click on for a larger view of the painting:
24×36″, Acrylic
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I have painted this scene many times out on location in Beacon. It is where Fishkill Creek enters into the Hudson River at Madam Brett Park. Although beautiful in all seasons, the marsh and foliage blazes with warm color in Autumn. For that reason, I selected this scene to portray the “Red Orange” painting of my recent series, Hudson Valley Hues. The painting is currently available at RiverWinds Gallery (see link above), and will be offered at a special price only for the duration of the show.
Below is an image you can click on for a larger, clearer view of the painting. This painting was also the main image for the show card.
5×7″, acrylic on sealed paper, mounted to canvas panel
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This was painted as a fundraiser for Bannerman Castle Trust, and sold at their gala event a week or so ago. If you’ve never been to Bannerman Island and the castle ruins, you are in for a treat! You can take a boat trip and guided tour there. See their website for details by clicking here. It is one of those not-to-be-missed Hudson River adventures!
You can click here to see more of my paintings of Bannerman Island.
7×5″ oil painting in a cherry and gold, oval wood frame
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I’ve been wanting to do a series of bird paintings for such a long time! I bought a new camera with a long telephoto lens to get some good images to work with, and some beautiful, wood frames in cherry with a gold inner lip. Since it’s so difficult to get oval frames to fit, I figured I’d sell these already framed.
This first one is an Eastern Phoebe who has taken up residence under the gutter outside my kitchen window. The cute couple has a nest resting on a downspout there. This little guy is out there posing for me all the time. This one sold before I even had a chance to put it up here on my website, but there will be more to come soon if you’ve fallen in love with him.
18×24″, acrylic on linen board
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This painting was recently rented for a gallery scene in the new, upcoming HBO series, “Divorce”! It was exciting to work with a production company. I was impressed with the way they handled all the details in such a short time frame. I’m looking forward to seeing three of my paintings, including this one, in the final episode of the first season. There was no word on when the series was going to air, but possibly over the summer or in the fall.
The Thorn Preserve in Woodstock, New York is a favorite painting spot that I’ve discovered this past year. Every season has its unique aura there. The light strikes the eastern side of Overlook Mountain very early in the morning, and the tall trees cast their long shadows over the paths carved into the grasses and wildflowers. By 9:00 or so, that’s all gone as the sun rises above the tree line. On this particular day, the purplish blossoms were just starting to fade. I went back a couple of days later, and they were all gone! Below is an image that you can click on for a larger, clearer view of the painting:
15×20″, acrylic on board
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This was painted on location at a horse rescue farm. The rolling hills and tree lines made for a beautiful setting. The path didn’t exist, but I did a few preliminary sketches and felt it added a lot to the composition, so I pulled out my Artistic License and put it in there! Below is an image you can click on for a larger, clearer view of the painting.
1 1/4 x 1 1/2″, acrylic on bristol board
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These miniature paintings, which I call “Jamie’s Jewels”, are usually done on a commission basis. In spite of the diminutive size, they are done under magnification, and are very time consuming. After being painted, they are varnished, framed, photographed, and sold with the miniature easel included. They are shipped in little gold gift boxes with gold bows, and make the ideal present for that Special Someone! This one is a miniature copy of one of Monet’s many beautiful renderings of the Houses of Parliament.
6×12, oil on canvas board
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Painted on location at Olana.
3″ across, acrylic on 100% rag board
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Gustave Caillebotte was a French painter who lived from 1848-1894. He is considered one of the painters of the French Impressionist school, though looking at his work, one would never think that! His paintings are more firmly rooted in realism, with its harder edges and more muted color schemes than so many of his contemporaries. In addition to being a wonderful painter, Caillebotte had a law degree with a license to practice, and was also an engineer. Talk about a multi-talented individual!
I was commissioned to do this miniature version of Caillebotte’s 7 foot by 9 foot Paris street scene. Online images of the painting appeared quite cool in color, but then the client sent me a photo he took of the painting in a museum. That image showed many more ochres and browns. I preferred that slightly warmer interpretation, and went for something in between in my own version.
Scaling down an enormous, mural-like painting to 3″ across is no easy task. I imagined that the actual painting in real life is much more painterly than when it’s shrunk down to a tiny fraction of its size, as we see on a computer screen. Aside from the technical difficulties of putting in all that detail in a tiny painting, it would lose much of its character. It required considerable editing to keep enough detail in there without overwhelming the small space. I’d like to believe I successfully met that challenge!
My miniature works are all sent in gold gift boxes with table easels for a curio cabinet or side table, and most are framed too. (See below.) They are usually done as commissions, but occasionally I have one on hand, ready to go to a new home. They make fabulous gift items. Here are images of some of my miniature originals. These three are spoken for, but I’d be happy to do one for you!
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This one has sold quickly, but you can see a similar painting of Kaaterskill Falls here if you’re interested in purchasing one.
This was painted on location at Kaaterskill Falls in the spring, but I didn’t get around to putting the image up until now! I sure am going to miss this place during the winter months. Can’t wait to get back there.
5×7″, acrylic on board
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This scene was painted at North South Lake Campground in the Catskill Mountains. Just as I was thinking it could use a little splash of color, three kayakers came along to help me out! They provided the perfect finishing touch. This vista was painted by many of the Hudson River School painters, including Thomas Cole and Jasper Cropsey.
9×12″, acrylic on canvas board
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This is a location that I discovered this year. The first time I painted here I completely bombed out. The challenge had me returning again and again, and I was finally able to work through the problems and get some paintings I liked. I was especially pleased by this one. Below is an image you can click on for a larger, clearer view of the painting.
5×7″, oil on Ampersand Gessoboard
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I can’t get enough of Olana vistas during the fall season!
8×6″, acrylic on board
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Painted on location in the Catskills.
9×12, acrylic on canvas board
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This is Hudson River School artist Frederic Church’s original home on his Olana estate. He lived here in “Cosy Cottage” before building the huge mansion atop the hill overlooking the Hudson River. I love this view from the side, with the hill in the distance and farm fields below. I’ve been painting it for a couple of years in different seasons and formats, and checking it out at different times of day to see the lighting variations. I really want to do a very large painting of the scene, so in the meantime, I’m exploring what form that will take! Below is an image you can click on for a larger, clearer view of the painting:
8×10″, oil on linen panel
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This was painted as a commission last week of a client’s favorite location overlooking the Hudson River. I still have a few spots left for holiday painting commissions, so if you’ve got a favorite vacation destination or would like a painting to give as a gift of a special memory, pet, or person, send me an email at JamieWG@aol.com, and I can send you my commission price list and get you into the queue for the holidays.
You can click the image below for a larger, clearer view of the painting:
11×7.5″, matted to 12×16″
QoR watercolor on Fabriano Artistico 140# cold press
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QoR Watercolors on Fabriano Artistic cold press 140#
1. 5×3.5″, matted to 7×5″
2. 5×3.5″, matted to 7×5″
3. 5×7″, matted to 8×10″
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5×7″, oil on Ampersand Gessoboard
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Rockwood is one of my favorite spots along the Hudson. There are views of the Tappan Zee Bridge and the wonderful lighthouse. However, a large residential facility was built along the shoreline in this direction that completely ruins the rural vista. I keep my memory of the way it used to be alive by always painting it that way!
8×6″, acrylic on canvas board
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This was the second of three paintings done this season at Kaaterskill Falls — one of my favorite painting spots!
12×24″, acrylic on Ampersand Gessoboard
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Following two days of painting for the Olana Plein Air Event, (home of Hudson River School artist Frederic Church), this is the painting I selected to put into the auction that marked the culmination of the event. Actually, I laid out all the paintings I’d done during that period, and my husband chose this one! The painting sold at the auction.
Thirty wonderful artists were juried into the event. With tough competition, I felt very fortunate indeed to have been selected to participate. Even though I live so close and get to paint at Olana frequently, it’s always a magical experience.
Below is an image of the painting that you can click on for a larger view. It’s hard to show these panorama-format paintings in the space allocated for a blog image!
I set the painting into a gold plein air style frame and it looked completely washed out. So instead, I opted for this dark, coppery-wood frame with gold trim.
I’ll be posting the rest of the Olana paintings I did in the days to come. I have some from a month or two ago to post also, so you can expect a lot of Olana pieces to materialize in these posts as I try to catch up with myself!
6×8″, acrylic on canvas panel
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Click here for a larger version of the scene, which is still available.
This painting was done as a commission, based on a larger painting I’d done previously. The client needed to be able to travel with this painting that he ordered as a gift, so the smaller size was a necessity. If you see something on my site that you love, but want an original in a larger or smaller size, I can do that for you! Painting it in acrylic made a shorter time frame possible too.
12×16″, oil on linen panel
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This painting of a colorful sunset over the Hudson River features thick paint laid on with brushes and palette knives. Summer blooms were in abundance, silhouetted against the light. Below is an image you can click on for a larger view of the painting:
12×16″, Oil on linen
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5×7″, oil on linen panel
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My husband and I love to go on sunset expeditions with our cameras. This is Croton Point Park near sunset, facing south. The cold, bare winter trees provided an elegant contrast with the warmth of the colorful sunset. Their graceful silhouettes add so much to the composition, and allow for plenty of color to come through until the spring leaves fill out the forms and obscure the view.
5×7″, oil on Ampersand Gessoboard
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This huge bobcat came to visit us several times during the winter! I set up my telephoto lens so that I’d be ready for him, and managed to capture a few good shots for photo references. It was a brutal winter for wildlife — so cold that our creek froze over a couple of times, which hardly ever happens. Apparently the bobcat found it easier to walk along the ice than through the deep snow. I saw him a few times cruising the brook like this, perhaps in search of ducks or geese, or whatever else he could find in that brutal weather.
5×7″, oil on Ampersand Gessoboard
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This little Hooded Merganser was hanging around on the brook from time to time this winter. I watched and photographed him from the kitchen window, along with a visiting bobcat, and hoped the little guy wouldn’t become “dinner”. It was a terrible winter to be a duck in the northeast. Even our brook froze over for days at a time, which almost never happens. I’m hoping spring is finally on the way. I can’t wait to get out for some plein air painting again!
5×7″, oil on linen panel
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This little cottage overlooking the fields at Olana was the home of Hudson River School artist, Frederic Church. He lived here before he built the giant mansion up on top of the hillside. It is surrounded by a different kind of beauty and charm than his castle in the sky overlooking the Hudson River.
This is one of my favorite fall vistas. Winter gives me an opportunity to paint some scenes I wish I’d had time to do out on location, while conditions were still peak. I do hope to get back to this spot for a nice, large plein air piece, but at least I was able to capture from a photo in the meantime! The fall colors come and go so quickly; there’s never time to paint everything I want to then, before the leaves fall and the landscape loses its color.
5×7″, oil on linen panel
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While out walking in the woods one day, I stumbled upon a clearing with these gorgeous Cardinal Flowers and Queen Anne’s Lace. I took a photo, and I’ve been wanting to do a painting from that image ever since. Now I want to do a larger version too! In the meantime, I’m happy with this little one. (And it looks so much better in person than the digital image!)
5×7″, oil on Ampersand Gessoboard
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This little hummingbird visits my feeder in the summer. I named him Henri after Henri Matisse. I’ve been wanting to paint him ever since I snapped this photo last summer. I loved the reflected red light from the feeder on his chest. It’s been so cold here in the northeastern U.S. that I figured it was time for some warm summer memories, and did this painting of Henri.
24×36″, Acrylic on paper
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Display easel included. Painting is sent framed, in gold gift box with bow and easel.
2 x 2 1/2″ including frame
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This miniature sunset featuring the Hudson River is the perfect gift for that special someone. Everybody has a place for one of these little gems, and they arrive already framed, in a gold gift box with the display easel. To see more of my miniature paintings, click here and scroll down.
This was painted from a Hudson River overlook near the Bear Mountain Bridge. My husband and I went on a photo expedition and were treated to a great sunset, which made it worth putting up with freezing cold temperatures! I got a bunch of great photos to work from during the winter, so stay tuned!
6×12″, oil on archival canvas board
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This autumn painting was done at the Vanderbilt Mansion in Hyde Park, overlooking the Hudson River. Below is an image you can click on for a larger view of the painting:
12×16″, Oil on oil primed linen panel
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This painting was started early one morning up on Bear Mountain, overlooking the Hudson River and Iona Island. The strong, early morning like lit up the river, and the island and mountains were all silhouetted. As I worked and the morning wore on, that colorful, angled morning light gave way to a different scene. Much as I initially intended to hold onto what I started with, I found myself changing the character of the light for a different, though still beautiful interpretation of the scene. I went back the following day to finish it, and caught the barge and tug going by, as well as the freight trains crossing over the bridge from the island. The box cars provided some great pops of color!
Below is an image you can click on for a slightly larger, clearer view of the painting:
18×24″, Oil on oil primed linen panel
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Few scenes are more striking that the autumn colors from Boscobel, overlooking Constitution Marsh, and the Hudson River, with the downstream vista of the Hudson Highlands in the distance. I paint it a few times a year and it never gets old for me! This 18×24″ version was just finished up in the studio, since I was a little short on time out on location.
Here’s an image you can click on to get a slightly larger view of the painting:
2 x 2-1/2? (including frame), acrylic
The frame, easel, gold gift box, and bow are included
(Quarter in the photo is for size reference!)
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Sunsets are always special times at Olana, estate of Hudson River School painter Frederic Church. He loved to paint along this ridge below his home, which faces due west across the Hudson River. The Catskill Mountains form the skyline as the sun’s descending rays cascade across the sky and landscape. No two sunsets are alike here!
This is the second of my mini Hudson River School Sunset series, which features locations where the Hudson River School artists painted. Some of these sites are along the Hudson River School Art Trail. Others are sites where Cole, Church, Durand and others painted, but due to difficult access, limited parking, or some other reason, they are not on the Art Trail registry.
These miniatures are perfect gift items. They will arrive in gold gift boxes, already framed in these ornate gold miniature frames as shown. The little black easels are also included, so you can set them right out in a favorite spot. Everybody has a place for a little jewel, or a collection of them! I also do commissions of these miniature pieces, so if you have a favorite scene you’d like to have as a miniature painting, let me know.
Click here to see my other Miniature Paintings and Jamie’s Jewels.
2 x 2-1/2″, acrylic
The frame, easel, gold gift box, and bow are included
(Quarter in the photo is for size reference!)
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I’ve been doing commissions like crazy through this holiday season, but I finally had time to do a few of my “Jamie’s Jewels” miniatures — something I’ve not done for a really long time! I thought it would be fun to embark on a mini Hudson River School Sunset series. They will feature locations where the Hudson River School artists painted. Some of these sites are along the Hudson River School Art Trail. Others are sites where Cole, Church, Durand and others did paint, but due to difficult access or some other reason, they are not on the Art Trail registry.
These miniatures make fabulous gift items. They will arrive in gold gift boxes, already framed in these ornate gold miniature frames. The miniature black easels are also included, so you can set them right out in a favorite spot. Everybody has a place for a little jewel, or a collection of them!
Click here to see my other Miniature Paintings and Jamie’s Jewels.
Click the image below to expand it to full size:
8×16″, acrylic on Arches board
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This is the view of the Hudson River as seen from Hasbrouck Park in Kingston. This spot was recently added to the Hudson River School Art Trail, as one of the places where the Hudson River School artists visited and painted. It features one of the enormous ships we sometimes see along the river. The ship gives some scale to the width of the river at that spot, and the height of my vantage point overlooking the scene. I also placed some sailboats near the ship as they passed by, so that viewers can get an idea of how massive that ship is!
16×20″, oil on canvas board
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I like to believe that Frederic Church would have liked this concept of his home, Olana. This is one of those cases when the painting sold before I could get a decent image of it. Nevertheless, I thought it would be worth posting because I really want to do more of these monochrome-color compositions.
I began with a 9×12″ segment taped off for the centerpiece of the painting. I wandered around Olana, capturing scenes around the estate in shades of gray oil paint as they presented themselves. I figured that once I had the monochrome border sections done, I’d know what to paint for the colorful center to tie it all together.
I ended up painting all the black and white sections as Hudson River scenes. It made sense to use the brilliantly colored mansion as the centerpiece of the painting, set into the views of the Hudson River, just as Olana was the centerpiece of Frederic Church’s universe, surrounded by the gorgeous landscape and river vistas.
Here’s an image of it framed:
Below is an image you can click on to get a larger view of just the painting. (Though it’s the same bad cellphone photo!)
This was painted for the Olana Plein Air Event, and sold there.
6×8″, acrylic on Ampersand Gessoboard
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I still have room in my schedule for a couple more holiday commissions, so please email me at JamieWG@aol.com if you’d like to order a landscape painting or pet portrait as a holiday gift for that Special Someone!
This painting is a commission just off the easel. I was so thrilled to receive the photo from this client of her dog in an action scene! It enabled me to put together my love of painting water with my love of painting animals. I also felt that the image displays much more personality than a typical pet-sitting-on-the-soft portrait. Sadly, this sweet dog, Maggie, passed away last year. The client wanted a holiday painting for her husband, done from his favorite photo of Maggie. This was the result, and she is thrilled.
Click image for a larger, clearer view:
12×16″, Oils on archival linen panel
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Every fall brings with it the opportunity to paint Constitution Marsh on the Hudson River while it’s in the brief bright red stage. I try never to miss that chance! I never tire of this fall scene. I’ve painted it this time of year in every size from 5×7″ up to 24×36″, but it always appears fresh and exciting, and just as challenging each time!
6×6″, Oils on Ampersand Gessoboard
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I painted this during the winter, when all the blizzards, snowstorms, and ice storms in the Northeast got me thinking about summertime sails in Maine! I pulled out some of my photos that I took up in Bar Harbor and around Acadia National Park to get a color fix! I remember this sail out in Frenchman’s Bay at sunset so well. The blues and pinks were to die for, and they reflected off the water and anything white. This boat went by with all of its white sails hoisted. They became a rainbow of colors as the sun went down.
20×15″, Acrylic on illustration board, custom framed
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Come see this painting and 16 others that I just dropped off at RiverWinds Gallery, 172 Main Street, Beacon, New York. The opening reception is this Saturday, November 8, from 5-8pm. I’d love to see you there! Bring a friend and do some early holiday shopping. The show will remain up through the holiday season. If you can’t make it this Saturday, you can check out RiverWinds during their regular business hours. You can find directions and their hours on their website.
My friend Johanne and I went on a hunt to find out how folks were getting up to the top of the bridge over Croton Dam. We were surprised and delighted to find out that although there is very limited parking, there is an easy paved path and fantastic views from all angles. We went back with our paints and some more friends last Friday and had a wonderful day here, up on top of the world. The weather was picture-perfect, and the slight mist created by the wind and waterfalls kept my acrylics from drying out too fast! I have really fallen in love with this location, both from the bottom facing the dam, and from here at the top.
5×7″, oil on linen panel
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This was painted overlooking the Hudson River from the clifftops of Little Stony Point in Cold Spring, NY. It was cold and windy that day. I bundled up and held onto my painting box for dear life. The last time I painted up here, my easel blew over and broke. Painting from up here can be an expensive undertaking!
5×7″, oil on linen panel
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This was painted at the Hudson River School site known as Sunset Rock. It is a site on the “Hudson River School Art Trail” and one of my favorite hiking destinations. Every visit here is different. The vista changes with the seasons, clouds, winds and temperatures. I never get tired of painting at this magical location, and neither did the Hudson River School painters!
7×5″, oil on linen, framed
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This sweet old tree overlooks the Hudson River at Olana, home of Hudson River School artist Frederic Church. I did two little paintings of this tree on site, in different formats, in order to decide how I’d like to compose a large version.
4×2″, oil on canvas board, display easel included
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I haven’t done many miniatures for awhile, and I find I’m really missing them! They are wonderful gift items, and make a beautiful display set on their miniature easels on a side table or desk. This is a painting I did on location at Hudson River School artist Frederic Church’s estate, Olana. This tree overlooks the Hudson River along one of the carriage roads. I’ve done a few paintings of this tree and just can’t seem to get enough of it! A lovely wooden display easel is included with the painting. No framing needed!
5×7″, oil on linen panel, framed
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Rain threatened on the day I ventured out to do this painting, but we hiked up to Newman’s Ledge anyway, and then settled in for lunch and some painting time at Sunset Rock. This was a favorite painting spot of the Hudson River School artists, and I think you can see why. Kaaterskill High Peak and Round Top mountains are in the distance, with North South Lake stretched out below. We figured we’d be able to spot the rain coming in from the west before it got to us, and we headed down the mountain when the front started moving in.
Here’s an image I took at the scene that day:
You can click the image below to get a slightly larger view of the painting:
7×5″, oil on Ampersand Gessoboard
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This was painted on location, at the famous Hudson River School site, Kaaterskill Falls. It was a sticky, hot morning and a long climb up to the base of the falls with a backpack of painting gear, but well worth it to see the sunlight come up over the mountain and hit the falls in a stream of bright light, illuminating the mist at the midlevel basin. I never get tired of painting this scene and area. There is so much to paint along the waterfalls and streams on the way up the trail, that I sometimes end up painting one of the less famous views en route to Kaaterskill Falls.
Please click the image for a more accurate and larger view of the painting.
5×7, oil on linen
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One of the highlights of my springtime painting excursions is always when the cherry blossoms are blooming along the Hudson River at Boscobel Restoration. It may take me ages to get the image posted, but I always try to get the painting done while the blossoms are there. Last year I missed my window of opportunity, and I almost missed my chance this year. Fortunately they bloomed very late and I was able to get over to Boscobel before they were gone.
Click image to enlarge
Watercolor on Arches Rough 140#
7×11″, matted to 12×16″, with gold frame (included in price)
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I’ll bet you were all expecting to see the conclusion of the oil painting I’ve been working on from this very vantage point! Well, I decided to meet an old friend for an early lunch today, so couldn’t get out on location in the morning to finish that one up. However, I was thinking that one very effective way to study the scene many more times would be to do it in several different media. While examining the vista on location yesterday morning, I was thinking about how I’d approach it in watercolor. This painting is the result, which I painted last night from a photo I’d taken earlier in the day.
I painted this with the new QoR watercolor paints by Golden Artist Colors. I sampled some from the Golden factory a couple of months ago, before they were sent out to stores, and subsequently bought a boatload of tubes when they became available. I just love these paints! They are really vibrant and intense, and most importantly, they rewet very easily when they dry out in my palette. For a multi-media artist who’s not doing watercolors every day and thus keeping the paints moist, they are ideal. Most of the painting was done with a #6 squirrel mop, and then I did the fine lines and details with a #6 sable round.
As for the oil painting, I’m hoping to go back on Friday morning and hopefully finish that one up. But if I’m not able to finish it then, it gives me a good excuse to return yet again to this amazing spot high above Kaaterskill Clove, and contemplate all the Hudson River School painters who stood there before me.
5×7″, oils on Ampersand Gessoboard, custom framed
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This is a spot that was one of Hudson River School artist Thomas Cole’s favorite places to paint. I visit here frequently at sunset with a small pochade box to paint studies and take photos. Last year, I experimented with some color palette ideas in watercolor and acrylic from many of the photos I took here. This morning I pulled out all those color studies and some of the photographs, and explored those ideas in oils. I think I feel a series coming on!
10×8″, in ornate gold frame with linen liner (frame included in price)
Acrylic on archival board
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I’ve been working a lot lately on capturing glow with multiple layers of transparent color. This allows the light to bounce off the white of the painting support and through the pigment, rather than mixing color with opaque white paint to produce a tint. I felt that the way the strong light hit the castle wall in the late afternoon light would be most effectively rendered with the sparkle of transparent layering.
5×7″, archival canvas covered hardboard panel
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My husband and I took a boat tour of Bannerman Island a couple of months ago, and I took a ton of photos. It was a gorgeous day with beautiful cloud formations. This was painted from one of my photo references. Bannerman Island has fascinating castle ruins, and sits at the entrance to the Hudson Highlands out in the river. The tower showing in the water is Margaret Tower — one of the three that sit guard around the island.
12×16″, oil on linen panel
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On Saturday, October 5, I had the great honor of receiving the Second Place award at the Olana Plein Air event. Entry into the event was highly competitive and they only took 25 of us to begin with, so I was especially grateful to receive the award among such an accomplished group of artists. Olana is the homestead of Hudson River School painter Frederic Church. His 250 acre property and Moorish style mansion are a painter’s haven at any time of year, but especially in fall.
We had two and a half days to paint. I was feeling stressed by time factors because I had my dogs at home and knew I would not be able to spend as much as I’d like on location. I had a petsitter walk them at noon, but that still didn’t give me until sunset, and of course sunset is The time to paint at Olana!
This is a view off Ridge Road at Olana, and it’s one of my special favorite spots. It features Kaaterskill Clove in the distance, which was one of the areas painted by many of the Hudson River School painters. Knowing I was pressed for time, I set my easel out at the site at 7:45am on the first day, and then went to the 8am breakfast orientation/registration meeting. When the meeting broke, I was all set to paint. As I was nearing the end of the painting, this fabulous barge and tugboat went by! Sometimes they appear at the wrong time in the painting process, but I pretty much had that area completed and was able to pop them in as they passed.
I did five paintings during the two and a half days, and in the end, was torn between two of them in deciding what to submit for the juror and auction. Each artist had to select just one painting. Everybody’s paintings were beautiful!
Many thanks to the Olana and Columbia County Council for the Arts staffs for their hard work before, after, and during the event, and to all the art lovers who came to the auction and bid on paintings. I’d also like to thank my fellow painters for making it such an enjoyable event and being so supportive of one another.
Here is an image you can click on for a larger view:
7×5″, oils on archival linen panel, beautifully framed
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Some scenes I paint over and over again and never get tired of them. Occasionally, I need a couple of years “off” from one of those vistas, and then I return with renewed appreciation for nature’s majesty. This famous scene at the top of Kaaterskill Falls is one of those magical spots. The Hudson River School painters frequented this spot too. When viewed from the top, it’s hard to believe that this little creek going over the edge is actually the top of the tallest waterfall in New York State!
Below is an image of the painting in progress. As you can see, somebody was taking advantage of a quiet afternoon to catch a little snooze on the rock across the creek. I was worried that he’d roll over in his sleep and go right off the edge!
The creek that comes from South Lake in Haines Falls includes a series of gorgeous cascades before the water arrives at the huge drop of Kaaterskill Falls. One area has striking red rocks that are covered in green moss. My friend Athena and I decided to go paint there after a big rainfall. When we arrived at the location, there was so much water that the red rocks were completely obscured by churning, spurting flourishes of water and spray. It was a striking scene even though we didn’t get the red rocks we went there to capture. We’ll go back another time for those!
Here’s an image of just the painting:
8×10″, Oils on archival canvas board
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Below is an image you can click on for a larger view:
8×10″, acrylic on archival artboard
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There is so much to paint at Olana, and yet I never get tired of painting the big vista. Every sunset is different. This one was dramatic! I was there with my friend Patti. We were initially painting from another spot, but were afraid we’d have trouble getting back down the trail in the dark. So we stopped there well before sunset, and went on to this spot, where we remained until the sun fell below the horizon.
Here is an image you can click on for a larger, clearer view:
8×10″, varnished acrylic on sealed, archival artboard (frame without glass like an oil painting)
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This is a painting I did as a plein air demo during the three day workshop I taught at Olana a couple of weeks ago. I did it to show participants some indirect painting techniques. The path was actually paved, but I wanted to turn it into an inviting path through the trees that was more welcoming for a lazy afternoon walk than a drive along a paved road. The scene was overwhelmingly green, which is another reason why I wanted to have a warm-colored path.
We were using a three color palette of slow-drying Golden OPEN Acrylics, so I mixed the basic color for the path from the three primaries, then used OPEN Gloss medium to create a glaze. I laid down a thick layer of the orangy glaze over the whole panel, and sketched in my composition by drawing in the glaze with the wooden handle tip of a brush. I then pulled out lights and added darks, subtracting and adding paint until I was done.
Below is an image that you can click on for a larger, clearer view:
We’re into Labor Day weekend, so I’ll resume posting on Tuesday. Best wishes for a wonderful weekend to you all!
5×7″, Oils on canvas covered hardboard
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This was painted on an atmospheric day along the Hudson River at the Hastings-on-Hudson Waterfront Park. I could just barely make out the George Washington Bridge and New York City skyline on this hazy day, but the mood was wonderful!
8×10″, Golden High Flow acrylics on Stillman & Birn Beta paper, mounted to acid free foamboard.
This fun piece started out as an acrylic sketch in a wirebound sketchbook. My goal was to do a quick sketch to explore some of the properties of the new Golden High Flow paints, and then move on to a 16×20″ version on board. I’m enjoying working with these new paints, and hope to post a review of them soon.
It’s a good thing I was working on archival, 180 lb. sketchbook paper by Stillman & Birn, because I ended up taking this way farther than I originally intended. I went from a transparent, drippy and spattery concept, to a more opaque rendering as the painting evolved. The paint coming out of the bottle and flowing all over the surface was an afterthought, but I like it enough to want to do more of these!
Here’s an image you can click on for a larger, clearer view of the painting:
Once I’d taken the painting as far as I wanted to go, I cut it out of the wirebound sketchbook with an exacto knife, sealed the back of the page (which probably wasn’t necessary), and mounted it to archival foamboard using acrylic gel medium. This will be varnished and framed like an oil painting.
I have to say, the Stillman and Birn Beta paper worked great for this! I was very impressed. I clipped the page to each side of the sketchbook while I painted using a metal office binder clip, and the paper did fine without taping in spite of the fact that I worked fairly wet at the start of this piece with a loaded brush, drips, and spatters. It was so easy to mount because the paper dried perfectly flat. I can already tell that it’s going to varnish up beautifully.
9×6″, pastel on Art Spectrum paper
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Sometimes a scene that we see every day can become extraordinary. I’ve had my life enriched by pink morning mist on several occasions, and was fortunate to have my camera with me for some of them! It’s quite a site to behold, and doesn’t seem to stick around for long. As they say, the early bird gets the worm, and I’ve only seen this around sunrise! I think I need to get up early more often.
A couple of weeks ago, I was at Jerry’s Artarama in West Hartford. I saw a box of 48 Charvin “Water-Soluble Pastel Painting Sticks” at a price I couldn’t resist. My friend Melissa came over the other day and we pulled them out to play. I used the Art Spectrum paper because it behaves so well with wet media. I used the pastels to lay in the underpainting, and then used a wet brush to liquify the color. Melissa and I were both impressed with how pigment-rich they were.
My initial plan was to do this little pastel start to finish using those Charvin sticks, but I ended up needing to amplify the selection with more muted colors, better and less chalky darks, and softer pastels. I finished it with a combination of Faber-Castells, Mount Visions, Giraults, and Senneliers, and Conte pastel pencils for a few sharp lines and details.
6×8″, acrylic on archival Canson artboard (can be framed without glass)
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This painting was done from a reference image that I took a long time ago. I find it fascinating how we can see so many different ways to approach a painting using the same image, or even return to the same scene and capture an entirely different mood on a different day. Sunsets provide me with an interesting mix of relaxation and excitement, and I never get tired of painting them or experiencing them!
The boat belongs to my friend Mary. Thank you, Mary, for the nice foreground element, and for providing a strong vertical to break up a horizontal composition!
Below is an image that you can click on for a slightly larger, sharper view:
3×5″, acrylic on canvas panel, framed in a beautiful wide, gold, wood frame (included)
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A couple of weeks ago, my husband and I went on a boat tour of Bannerman Island. Although I’ve been there several times to paint for Bannerman Island Gallery, I’d never gone on the tour before. It was my husband’s first time setting foot on the island! It was nice to relax and enjoy his company, and to spend the time taking photos instead of lugging painting equipment and feeling so rushed to complete something.
I took loads of pictures. It was a day with fabulous cloud formations and good light. While at the peak of the island, facing south toward the Hudson Highlands, this boat cruised along heading downriver, and the sun beamed a yellow pathway on the water. I painted this miniature from the photo I took at that moment.
It’s always tough to get a good image of a painting in a frame, but I tried! You can click this image to enlarge it a bit:
5×7″, acrylic on archival rag board
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This was painted 99% on location at Olana, the estate of Hudson River School artist Frederic Church. Often after plein air painting, I get the painting home, and when I see it with indoor lighting, there is something that needs adjusting. Initially, the yellows in this painting were too cool compared to what the painting and scene looked like on location. It needed a glaze of warmer color. The image below is what it looked like when I brought it home. It looks a little anemic, don’t you think?
Glazes are quick to do, but can be tricky. Because acrylics dry so fast and cannot be removed when dry, laying on too much color while working transparently can suck all the light out of a painting. To be certain that I laid down the right color in the proportions I needed, I first covered the painting with clear plastic food wrap, and set it on the easel. With a mixture of Acrylic Glazing Liquid and transparent color, I tested the glaze color and result on top of the plastic-covered painting. If I wasn’t happy, I wiped it off and tried a different proportion or mix, until I got it looking the way I wanted while it was covered in the plastic wrap (click to enlarge):
Then I removed the plastic wrap from the painting, and set it against a white surface. This gave me a guideline of color and proportion of paint to glazing liquid, in order to achieve my desired result. It always surprises me how little color is needed when I see the glaze I used against a white surface! This is all that was needed to glaze this particular painting, so you can see how easy it would be to mix in way too much color (click to enlarge):
I then mixed the color and glazing liquid on a white paper palette to match the color on the plastic wrap, and painted it over the surface of the actual painting. It’s a pretty foolproof way to get exactly what you want! All that was left to do was to sign my name. Testing the glaze layer this way does take a few extra minutes, but it is well worth it in the end. It enables me to test many different options before making a commitment.
Acrylics have some truly wonderful properties, and definite advantages over oil paints. If I want to glaze an oil painting, I have to wait until the paint is quite dry. That’s a long time compared with the nearly instant glazing capability of acrylics. Plus, each additional layer of oil glaze is problematic. Oil painting mediums can darken, yellow and crack over time. The more oil and resin enter the paint film, the worse it is for the painting. One only needs to stroll through a museum to see first-hand how true that is. Restoration is expensive, and most private buyers don’t have a huge art conservation budget!
Acrylics, on the other hand, can be glazed forever with no compromise to the paint film. The acrylic medium is flexible and archival, and will not yellow, darken, nor crack over time. That means that if I decide to darken or intensify a glaze, I can always add another layer.
Here is an image of the finished painting that you can click on for a slightly larger, clearer view:
9×12″, oil on archival linen panel
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I few weeks ago I spent a glorious day painting with friends at Bear Mountain, overlooking magnificent views of the Hudson River. This vista to the south featured Iona Island, warm and cool color shifts in the water, and atmospheric distance effects. I want to go back again, and again!
Below is an image you can click on to get a larger, clearer view of the painting:
8×6″, Oils on linen panel
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Tucked away in the woods, behind an old red cabin in the heart of Platte Clove, is a serene waterfall with a beautiful pool at the base. It’s the perfect place to beat the heat with paintbrushes in hand on a hot summer day!
Watercolor on Rives BFK rag paper
16×12″ includes custom ivory mat and backing board for standard frame, image size is 11×7″
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Kaaterskill Falls, the tallest waterfall in New York State, is one of my favorite spots to paint. It was one of the favorite spots for the Hudson River School painters as well. It’s not easy to get to the base of the falls with painting gear. Sometimes the hardest part is getting a parking space, but even if you do, it’s about a quarter mile from the lot and then about a half mile climbing up the mountainside. Without gear it’s not a hard climb, but you don’t want to do this one loaded down with equipment!
This one was done on location last summer, but for some unknown reason, it never got posted. I think I just never got it up before the camera to take the picture, so here it is at long last! Please note that this painting comes already custom-matted and with an archival backing board, so all you’ll have to do is pick out a standard 12×16″ frame for it and it’s ready to hang.
5×7″, oil on oil primed linen panel
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This vista of the Hudson River from Bear Mountain is spectacular. I had one of those days of perfect spring weather to paint outside — not too cold, not too hot, not too windy, and shade! What more could a painter ask for?
It seems that everywhere I look lately, I’m stepping on or looking at the Appalachian Trail. Although I wasn’t thinking about it when up atop Bear Mountain painting this scene, the Appalachian Trail goes right across this very bridge over the Hudson River. I can’t even imagine the thrill that it must give to all those weary hikers to arrive at this spot and be walking across the Hudson at the entrance to the Hudson Highlands. Surely it must be one of the highlights of the entire trail. Through this section of the River, dramatic mountains rise up on either side, with bends and twists of the Hudson around the steep banks. The Highlands section runs from this area between Bear Mountain and Anthony’s Nose, up to Breakneck Ridge and Storm King to the north. This southern portion of the Hudson Highlands is quite a haul for me by car, so I don’t get down this way nearly often enough.
I broke my toe a few weeks ago, and spent the entire morning standing up and painting. By the afternoon I was sore, and took the easy way out. I sat in the shade of my big umbrella, painting comfortably with my little 5×7″ Guerrilla pochade box on my lap, and a Diet Coke by my side. Perfect!
16×12″, Acrylic on Arches board
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Usually when there is water to be found at a location, it becomes at least a small portion of my painting. But in this case, I was mesmerized by the beautiful light in the distance filtering through the trees, and the splotches it created along the trail. This section of the Appalachian Trail is in Pawling, New York, about a quarter mile southwest of the intersection with Route 22.
I used Golden Airbrush acrylic for most of this painting in order to make the most of the transparent glow in the distance. Nothing quite captures that effect like transparent paint on a white support!
Most of my early spring work, including this one, has already been claimed by RiverWinds Gallery in Beacon, NY. You’ll be able to see this painting and more at RiverWinds starting the Second Saturday in July. The painting can be purchased at the gallery, here through my website, or by calling RiverWinds during their regular business hours.
12×16″, oils on oil primed linen panel
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This painting was actually started over a year ago along the Appalachian Trail in Pawling, New York. I put in one day on it last spring, and intened to finish it from a photo. I did a little work in the studio with it over the winter, but decided to get back to the location to finish it instead. When I returned, I worked until the light changed. Once the sun started to come from the other direction, I had to call it a day, in spite of the fact that it still wasn’t done! A week later, I returned to the scene of the crime to finally finish the painting! I’m so pleased with the way it turned out. Since it takes so long for oils to set, you can really pump up the colors and values by working on a piece in a few sittings.
This view of the Swamp River is actually the opposite direction from the little 5×7″ painting that I posted the other day. I painted from nearly the same spot, but sat up on a bridge overlooking the river, and facing the other way.
I hadn’t signed the painting by the time I took the photo, so that’s why my name is typed across the image. That lettering does not appear on the painting, and I’ll be signing it before it gets its final varnish.
5×7″, acrylics on rag board, custom framed in a gold plein air style wooden frame
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This field leading up to Frederic Church’s Olana estate is a constantly-changing palette of colors and patterns. In late spring/early summer, the purple flowers vanish from the landscape and are replaced by weaving carpets of yellow and gold leading up to the mansion. Whether looking down at the Hudson River from the top, or up at the residence of one of the greatest Hudson River school painters, there is no shortage of subject matter here for a landscape artist. I’ve painted this scene a number of times, but I have to say, I am especially happy with this particular rendition!
Speaking of Olana, I have some big news! I’ll be teaching a three day workshop there for teens in August. The dates are August 13, 14 and 15, from 9:30-12:30. We’ll be painting the Hudson River School landscape with Golden OPEN Acrylics — the perfect medium for those hot summer days. There is also a great air conditioned studio space if the temps get brutal or we have a rainy day. This is the perfect introduction to painting for teenagers with some time on their hands during the summer, and Olana will provide the paints, brushes, and painting panels. Please pass the word along if you know anybody who might be interested.
5×7″, Acrylic on rag board
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A friend came over a couple of weeks ago and we sat in the back yard and painted by the stream. It was that perfect time in spring when there is enough foliage to give some texture to the landscape, and enough color to give it variety. The summer greens take over so quickly after that. I always try to get out as much as I can before that happens!
3×5″, Acrylic on rag board, beautifully framed (Size with frame is about 6×8″.)
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This painting is available for purchase at Adams Fairacre Farm in Newburgh NY. I have 20 paintings on display there as a United Way fundraiser until the end of December. You can see the paintings, help United Way, do some holiday shopping, and buy your fresh produce and groceries all at the same time!
I had a beautiful, gold wood frame for a 3×5″ painting, and decided to do this scene of sailboats out on the Hudson River, below the Palisade Cliffs. There is a lovely, late day glow above the cliff line past the horizon, and soft fall colors abound in the foreground tree, distant hillside, and water reflections. The image above was taken in daylight, so the color is much cooler. The image below was taken with warmer indoor lighting at night, so you can see how much the color changes depending on the room lighting at the time. It sure does make image adjustment a challenge!
I took a quick cellphone snapshot of the painting in the frame (below), but hopefully you can at least get an idea of how lovely this frame is. It looks great on a small table easel. I have also included hanging hardware, in case you have a special, small wall space that you want to brighten up. It would make a great Father’s Day gift for that Dad who loves sailing!
(You can click the image above for a clearer, larger view.)
5×5″ (7×7″ with frame), Acrylic on board
Framing included!
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This is a nocturnal scene of Bannerman Castle over the Hudson River, with a full moon reflecting in the water and backlighting the castle. I painted this from a photo that I took before the collapse of much of this side of the tower a couple of years ago. Fortunately, restoration efforts are underway to try to save the remainder of the structure from a similar fate.
In order to add a little more sparkle to the painting, I used some Golden Iridescent paints along with traditional acrylics. I wanted the glimmer to be subtle, so that one would see it when walking by the painting as the angle of light changes. This sometimes causes paintings to have odd areas of glare and milkiness in photo images of the work, but adds a lot to the experience of seeing the piece in person, or owning it! I used two references for this painting. One was a plein air piece that I did on the night of a full moon over Peach Lake. The other was a daytime photo I took of this scene from a boat on the Hudson River. I used the landscape elements from the photo, and combined them with the color and light effects from the lake painting.
A portion of the proceeds of this painting will be donated to Bannerman Castle Trust for their continuing construction on the site. Although nobody is allowed on the island unaccompanied, the Trust conducts boat tours of the island and its structures. They go from Beacon and Newburgh to Bannerman Island, where visitors disembark, tour the seven acre island and castle ruins, and hear about the history.
Below is a larger file that you can click on for a slightly expanded view of the painting:
8×16″, Acrylic on sealed, primed hardboard
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Below is an image that you can click on for a larger, clearer view of the painting:
I love painting the Palisades section of the Hudson River. For some reason I can’t quite fathom, this is the first time I’ve painted the cliffs in a panoramic format! I really like the way the 1:2 ratio turned out. It enabled me to add trees and foliage without obscuring so much of the cliffs. I think that come spring, I need to go back with a larger panel and do another!
9×12″, oils on linen
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This was painted on location at a favorite spot deep in the woods. Last year when I was at the Vedder Library going through sketches by Hudson River School artists BBG Stone, I came upon a sketch he’d done from this very spot! I recognized it immediately because of the shape of the huge boulder at an angle at the base of the falls, and also a rock outcropping that is just out of the view of this painting. It was very exciting for me to know that he’d been here also.
Below is an image that you can click on for a larger view:
6×8″, oils on archival board
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This was painted before sunset at the Hudson River School “Olana” site, former home of painter Frederic Church. The long shadows, high contrast, and captivating color of the light were what drew me to this scene looking north above the Hudson. Below is an image that you can click on to get a slightly larger view:
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This sheet contains three small acrylic paintingsj on a 9×12 sheet of multi-media paper. They are views from Olana, which is the estate of Hudson River School painter Frederic Church. Below is an image that you can click on for a larger, clearer view:
These were painted with a split primary palette of Golden Fluid Acrylics:
Hansa Yellow Opaque
Diarylide Yellow
Pyrrole Red
Quinacridone Crimson
Cerulean Blue
Ultramarine Blue
Titanium White
For the bottom painting, I also used Nickel Azo Yellow, Quinacridone Burnt Orange, and Golden Acrylic Glazing Liquid to get a nice transparent glaze on the paper, then I worked into that glaze with the rest of the paints.
5×7″, Oils on archival linen panel
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It is from this exact spot that Thomas Cole painted his famous Lake With Dead Trees, and Jasper Cropsey created his beautiful sunset scene. In fact, it is one of the sites along the “Hudson River School Art Trail”. I love returning to this location at all times of day and under different atmospheric conditions. Today I was drawn here by the strong cloud formations. It’s a very cool-toned landscape in the spring and summer, so I selected a spot with some warm foreground colors, and threw some of that warmth into the sky as well.
5×7″, Acrylic on Canvas panel
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This was at least the third time I’ve painted the home of Hudson River School artist, Thomas Cole. There’s something about the golden yellow glow and beautiful garden path that inspire me when I’m there. I did this painting for the “Postcard Show”, which is opening at the Thomas Cole House tomorrow. There was a pre-event today with about 60 of the 250 paintings displayed, and this one sold today!
7×5″, Golden Acrylics on sealed museum board
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This painting was done on location at the tallest waterfall in New York State — Kaaterskill Falls. It is one of the sites made famous by the Hudson River School painters.
2×4″, oils on canvas panel. Price includes a mini easel.
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I have such a wonderful time painting these little miniatures! This one was painted on location at Olana, former home of Hudson River School painter Frederic Church. It was another beautiful day overlooking the mighty Hudson, which has inspired artists for generations. It was painted in a completely different way than the oil sketch from the same location, which I posted yesterday. There is no one “right way” to do things when it comes to painting!
1.75×2″, including frame
Acrylic
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Do you have a favorite painting by an Old Master? These miniature copies are done on a commission basis. Please contact me at JamieWG@aol.com if you’d like me to paint one for you. I am currently accepting holiday commissions. If you or your Special Someone have a favorite, this is the time to place your order for the holidays. These miniatures are $150 including the frame and easel, plus $10 shipping and insurance. Collect a bunch of your favorite paintings for a beautiful table display!
1.75×2″ including frame
Acrylic
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This is another of my “Jamie’s Jewels” miniatures fresh off the easel. It is a tiny copy of Monet’s painting titled The Artist’s Garden at Vétheuil. This colorful gem was so much fun to paint!
5×7″ with archival custom mat and backing board (painting size is 3.5×5″)
Watercolor/gouache on Stonehenge rag paper
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One beautiful day the cloud formations were so gorgeous that I packed up my gear and headed up to North South Lake to do cloud studies. I taped up a sheet of beautiful Stonehenge Kraft-colored rag paper to serve as a mid-toned ground, and worked in gouache and watercolor. It is a series of five, so stay tuned for the next four to come! Four of the five are this size and have identical custom mats to fit in standard 5×7″ frames. The clouds moved quickly, so it’s a good thing I was prepared to do a series of small pieces!
2.5×4″, Acrylic on board, edged in gold, easel is included
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This miniature painting was done on location as a color study for the larger painting that I posted yesterday. I had done it on nice Canson board and was so pleased with the way it turned out that I varnished it and edged it in gold to set on this miniature easel. It’s a charmer!
Here is a view of the painting from the side, to better show the gold edging:
Click image to enlarge
12×16″, Acrylic on Raymar Canvas Panel
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This painting was done from old and new photo references combined with verbal descriptions of how the house and property used to look over 75 years ago. It was an interesting journey back through time, and I loved the challenge of recreating this old homestead.
11×7″, Oils, with custom ivory mat and backing board to fit a standard 12×16″ frame.
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Before doing this oil painting, I did four small watercolors of the scene out on location to study various options:
A vertical orientation with low horizon
Vertical with high horizon
Horizontal with low horizon, and
Horizontal with high horizon.
My plan was to pick the one I liked best, return to the “scene of the crime”, and do a large oil painting of that one. That large one is actually still in progress, but before I embarked on that one, I wanted to test drive a new support I planned to use. This is done on the new Arches Oil Paper. It is a 100%, 140 lb., archival rag paper. Artists have painted oils on prepared rag paper for many hundreds of years, and it is one of the most archival surfaces that exists for oil painting. The fibers in this case have been internally sized for oil painting. The painting can then be mounted to board, varnished, and framed without glass like any other oil painting, or matted and framed with glass and a backing board like other works on paper.
Since I love painting on paper, this support seemed a good match for me. I love the luminosity that becomes possible by using layered washes of mineral spirits, mediums, and oil paint, followed by opaque work like a traditional oil painting. It was great fun doing this one, and I’m happy with the huge potential of this surface for handling many different effects.
Acrylic on Arches CP 140#
Painting sent in archival mat and backing board in polybag, all ready to go into any standard 16×20″ frame. Painting alone is about 11×15″. (Painting can be sent mounted to board and varnished at no extra charge, to be framed without mat and glass, if you prefer.)
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I love the variety of painting with all types of media on a large selection of supports. But there’s nothing like the glow of transparent pigments on white paper! This painting really captures the shimmering golden fields at Frederic Church’s Olana estate. I went there in the morning and the purple flowers I’d seen just a week or two before were completely gone, replaced by bright yellow flowers blooming profusely. I took a bunch of photos before it started to rain, then headed back to the studio, where I painted this from one of the photos.
Custom matted to 7×5″ to fit any standard 5×7″ frame, with acid free foamcore backing board and acid free ivory mat, in a polybag. Mat is ivory color.
Watercolor and gouache on Arches Rough 140# rag paper.
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This little stream runs through our property, cascading over rocks and waterfalls. This is the fourth in my series of compositional studies — a vertical orientation with a high horizon line.
I’ve had custom, archival mats and backing boards made for all the sizes I generally paint when working on paper. The good news for my collectors is that from now on, my non-standard size paintings and sketches on paper will come to you already matted and ready to frame in standard sizes. They are beautiful ivory-colored archival mats, acid free backing boards, and will arrive sealed in polybags for protection and gift-giving. You’ll be able to just buy an inexpensive, standard frame into which you can pop the already-prepared painting, or take it to your local framer and you won’t have to purchase a mat and backing board.
12×16″, oils on archival linen panel
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This painting can be purchased at auction tomorrow at 4:30 at Garrison Art Center. The painting looks far better than this photo, which was taken with my cellphone camera. The blues are not so intense and of course the painting is in focus!
I hiked up to the peak of Little Stoney Point in Cold Spring-on-Hudson this morning to do this 12×16″ oil painting for the Garrison Art Center’s famous event, Artists on Location. The painting will be auctioned tomorrow afternoon at the Art Center along with works by 75 other artists. I’m sorry about the awful photo, taken with my cellphone camera in dim room lighting after I framed and delivered the painting. I didn’t bring a better camera because I didn’t want to lug one to the top of the cliffs! But all the paintings for the event will be there for you to see in person.
The painting depicts the northern entrance to the Hudson Higlands section of the Hudson River, between Breakneck Ridge on the right, and Storm King Mountain on the left. The island on the right side is Bannerman Island, famous for the castle ruins located there and its history. The Highlands is to me the most dramatic section of the River. I was standing at the end of Little Stony Point, and the Hudson sweeps around and past as it makes its way down toward West Point. I could spend a month painting at this location and not get tired of it!
As I was finishing up the painting, a big wind gust came along and took down my entire easel. The easel broke and my paint, brushes and turp went everywhere! Fortunately, having feared the worst as the gusts got stronger, I had already removed the painting from the easel. After that, I forgot to even photograph the painting on site. It wasn’t until I had already delivered the painting that I realized I hadn’t taken a picture, so I dashed back in with my cellphone camera. What a day! But hey, any day painting is better than a day not painting!
Here’s an image of the framed painting, though I’m sorry to say that it’s not any better an image, also taken with my cellphone.
5×7″, Oils on archival linen panel
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Usually I do a large painting on site when the cherry blossoms are blooming along the Hudson River overlook at Boscobel. This year I didn’t plan well enough and ended up short on time to catch the blooms before the rain was predicted to take them all down! I dashed over there and set myself down along the path with my little 5×7 Guerrilla box, so I could at least get in a small one before they vanished. I wish the season were longer. I can never get enough of these amazing trees while they’re in bloom.
Above is a photo of the scene and my painting. (You can click that image to see it larger.) By the time the painting was done, the sun had shifted all the way around, so the light in the scene at the time of the photo is not the same as the light in the painting.
Below is an image that you can click on for a slightly larger view of the painting:
12×15.5″, Interference Acrylics on sealed Mi Tientes paper
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Every once in awhile, an experiment takes place that makes me so happy I want to sing and dance. That’s what happened here. In preparation for a life drawing session, I decided to experiment last night with some of the Golden Interference Acrylics. I’ve been using them quite a bit for my surface preparation on dark supports, but I hadn’t actually tried painting with them. I am so happy with the way this turned out. The figures almost seem to move as the light dances across the shimmery, metallic paint.
I was initially sorry I didn’t have any sketchbook pages prepared with the Golden Black Gesso. However, given the way this turned out, that was actually a good thing. I had a 12×16″ spiral pad of black Mi Tientes paper. I’d even previously sized a page of it with Matte Medium, which I cut out of the pad (hence the reason why this montage is 12×15.5″ instead of 12×16″) It was ideal for this purpose.
I worked from some photo references. That sure did make it easier in terms of selecting poses that would work in the piece. Since I always do these in open studio with a model, I am used to taking whatever pose the model gives the group, and trying to make that work within the composition. I can certainly see the benefit to doing some of these from photos for that reason, though I do prefer doing them from life.
What I was trying to find out was whether or not I’d like painting with the interference paints on a dark ground. I have to say, I like it lots! I will definitely be doing some of these on my 16×20 boards too, now that I see the results on paper.
Below is an image that you can click on to see a larger view of the painting. I might try to make a video of it later, so that you can see how it shimmers in the changing light.
16×20″, Acrylic on archival board
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These montages are such an interesting challenge. You never know in advance what pose will come up next, so getting them to fit together compositionally is sometimes like attempting to make a jigsaw puzzle out of mismatched pieces! I like the way these poses came together though, and when she decided to do the last pose lying down, it gave me that nice horizontal element across the bottom.
This surface is a black archival drawing board. I coated it front and back with matte medium to protect and seal it, as well as provide additional tooth. The matte medium keeps the paint workable a bit longer also, since the water doesn’t absorb into the surface. After sealing the board, I put a stencil rid over it, and sprayed it with diluted interference and iridescent acrylics to give it some visual texture, depth and shimmer. Then I painted the figures in acrylics over the top. It will be clear-sealed again, this time with gloss medium, and varnished. That way, it can be framed just like an oil painting, without glass.
Below is an image that you can click on to see it larger:
18×24″, Oils on archival linen panel
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This painting is a view of the Palisades from Riverdale, New York. You can see a photo of the work in progress on this post.
Below is an image that you can click on for a larger view:
(Sorry about the slight glare on the lower left; that’s not on the painting, but just a reflection of the rebounding room lighting here on the wet paint.)
8×10″
Oils on archival linen panel
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I’ve used this color combination in acrylics and watercolor, but I think this is my first go at it in oils. It’s interesting how the mood of the painting is affected by the bright crimson underpainting. Even though almost all of that color is covered over by other paint colors, the air still breathes the warmth of the strong pinky-violet undertones.
Hudson River School artist Frederic Church’s Olana estate remains one of my favorite vistas along the river. I never get tired of painting from there. It seems that when I do tire of a certain view there, a dozen more magical scenes from the property seem to appear!
A number of viewers have written to me recently, commenting on the fact that I haven’t posted any paintings for awhile, and wondering if I fell off the face of the earth! Actually, I’ve been painting up a storm. Winter brings changes with it, and I do lots of experiments with assorted media, commissioned paintings, and charge through countless pages in my sketchbook, using ink and watercolors, visiting places like the Bronx Zoo, Maritime Aquarium, pet stores, Adams Fairacre Farms in Wappingers — any warm indoor location that will have me, with something interesting to draw or paint! I post new work almost daily to my Hudson Valley Sketches site (click here) this time of year. Please do check it out and say hi over there!
If you’d like to see a slightly larger version of the painting, you can click the image below:
10×8″, Acrylic on canvas covered hardboard
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This was painted from a photo I took during a late afternoon walk just after a snowfall.
4×4″, Acrylic on gallery wrapped canvas, tabletop easel included (See below for additional images showing easel)
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Here is an image of the painting with the tabletop easel that I include:
The scene continues around the sides of the painting, so a frame is not necessary:
I spent a very chilly morning along the Hudson River last week. I did a lot of sketches and took a ton of photos. It was worth braving the cold! This tug was part of the river traffic that entertained me that morning, with the Palisades looming in the background, and the glistening fall foliage.
This painting is sold with the easel as shown below (quarter is for size reference):
It is painted around the sides, so no frame is needed:
3×6″, Acrylics on gallery wrapped canvas, easel included with purchase
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I was painting by a pond one day and these adorable ducks were following me around everywhere! They posed for a number of fabulous photos, which begged to be painted. I thought this one would make a great holiday gift, so I painted it as a long format miniature. It can be set on its easel on a tabletop or mantle, or hung on a wall. Since it’s on gallery wrapped canvas and painted on all sides, it doesn’t need a frame.
Below is an image that you can click on to see the painting a bit larger:
Side view:
Painting alone:
4×4″, acrylics on gallery wrapped canvas. Easel included. Painting wraps around all sides! Quarter in the first image is for size reference.
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This is the perfect holiday gift for a loved one in a cold climate! Give the gift of a sunset on the beach. It’s the second best thing to being there!
1.25×3.75″, excluding white border
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This is another Mini Monet from my “Jamie’s Jewels” line of miniature paintings. Since these tiny gems are so challenging to paint, they are done on a commission basis only. Be sure to make your requests soon (Like, yesterday!) if you want them for the holidays. They can be done based on any painting in my available or sold inventories, or of any painting in the public domain, or a scene of your choosing if you can provide a photo.
This one is being shown without a frame, since my handy client is making his own miniature frame! Most I frame myself. The paintings are sent in gold gift boxes, and I provide a miniature easel with each purchase.
1.75×2″, including frame
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is another Mini Monet from my “Jamie’s Jewels” line of miniature paintings. Since these tiny gems are so challenging to paint, they are done on a commission basis only. Be sure to make your requests soon (Like, yesterday!) if you want them for the holidays. They can be done based on any painting in my available or sold inventories, or of any painting in the public domain, or a scene of your choosing if you can provide a photo.
The pen was placed in the image for size reference, so you can see how tiny the painting is! I do the framing for these minis, and they are sent in gold gift boxes. A miniature easel is included with each purchase.
8×10″, Oils on archival linen panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
It’s been so gorgeous out these past few days! I drove down to Hastings-on-Hudson to paint along the waterfront. I thought I’d be there painting alone, but three friends decided to join me and we all had a wonderful time enjoying one of these last amazing, warm fall days.
Click image for a clearer, larger picture:
5×7″, Oils on sealed primed hardboard, unframed (Available framed at additional cost.)
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(Please note that the frame is not included with this painting, although it can be framed as shown for an additional charge.)
Rockwood is such a beautiful place to paint in fall. I don’t get down here often, so I try to make the most of it when I can! Often the boats that go by are too far out to show a reflection, or the water is too rough to see it. But this one cast a shimmering image on the water. I was telling some visitors to the park that I’d been waiting for a sailboat to go by so I could pop it into the painting. We all looked up and there it was!
3×4.25″, Watercolor on Arches 140# Rough paper
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This painting is a miniature version of the one I posted yesterday. Watercolorist David Taylor got me into doing these tiny watercolor sketches as quick-captures of a scene, or to warm up before embarking on a larger version. They give the artist a chance to test drive some ideas and different compositions, without taking up a huge amount of time. If something’s not going to work, better to find out with less time invested! It also lets us explore ways of making improvements and testing color combinations. I’ve become quite hooked on these! They look charming matted and framed, and hung on a wall or set on a little table easel.
Click image for a larger, clearer view:
About 7×9″, Watercolor on paper
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I paint this scene at least once or twice every year as the morning sun streams through the backlit trees. I never get tired of it! This was my first time painting it in watercolor. I did a miniature first, which I’ll post tomorrow, and then this slightly larger version. I feel like I’m finally getting that sparkle in my watercolor work that I’ve been chasing for so long!
12×9″, Oils on canvas covered hardboard
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I set out on a beautiful sunny day with my easel. When I came to this gorgeous spot, I set up in the middle of the road to paint.
As soon as I had my easel out and started to lay in color, the clouds thickened, shadows vanished, and colors changed!
I decided to stay with the moody, atmospheric day it had become. Most of this painting was done on location. I had plans to paint with a friend at Olana that afternoon, so I had to pack up before I was quite finished, and added the finishing touches in the studio today.
5×6″, Watercolor on Arches 140# Rough paper
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I painted this on location at Hudson River School painter Frederic Church’s estate, Olana, in Hudson, New York. It is one of the best sunset spots, and many visitors come late in the day just to see the sun setting over the Hudson River and Catskill Mountains. On the evenings when the sky doesn’t light up with bright colors, the beauty of the late day light effects still makes it worth the trip up the hillside.
Click image for a larger, clearer view:
4×10″, watercolor on Arches Rough 140 lb. paper, with archival ivory custom mat and backing board (8×14″)
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I love this vantage point down by the barns at Olana, with the eastern view. I’ve done three oil paintings from here, but always wanted to do a longer format. So, here it is in watercolor! I did a miniature version too, which I’ll post tomorrow or Friday. My husband was taking a photography workshop here, so I got to hang out and paint!
Click painting for a larger, sharper image.
9×12, Oils on archival linen panel
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This is a new painting of the Thomas Cole House, done from a small plein air painting and a photo as references.
8×10″, Golden Fluid Acrylics on archival Canson board
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Deep in the woods is a stunning waterfall with clear water, rusty colors, and striking rock outcroppings, set in a hemlock grove. I often hike there with my husband, but this was my first time going with paints and an easel. I also used the opportunity to test drive a new easel setup, which I loved. More on that coming soon!
Here is my easel and painting at the scene when I was almost finished. You can see that by then the sun had shifted quite a bit. Much is in shadow in the photo that was very visible to the human eye:
Here’s an image of the painting that you can click on to get a larger, clearer view:
Now that I know I can easily hike there with this easel, I’m looking forward to going back and taking on a bigger painting!
1 1/4 x 1 1/2″ (framed size is 1 3/4 x 2″)
Golden Fluid Acrylics on Bristol Board
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Here’s another of my postage-stamp-size miniature Monet Impressionist paintings. They are so much fun to paint, and I always learn something new about the chosen “master” when I do one of these. I wish you could all see it in person. So much is lost in these digital representations of artwork!
These miniatures are done on a commission basis only, so if you’re interested in one, just email me at JamieWG@aol.com.
Below is another image of the painting. This picture is about twice the size of the actual painting:
12×16″, Oils on archival linen panel
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We had a really moody day on Plum Point last week, with the sun peeking in and out of clouds and an occasional threatening-looking cloud passing overhead. This is the view looking south through the Hudson Highlands, with Storm King Mountain on the right side. You can see the cut in the mountain where Route 9W winds around it. Fortunately the rain held off and I got to not only finish my painting, but complete a sketch for The Sketchbook Project 2012 too!
Here’s an image you can click on for a larger view of the painting:
5×7″, Gouache on Stonehenge paper
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I’ve done literally hundreds of drawings and paintings on kraft paper. In spite of the fact that it is not archival, the color is just too fabulous to pass up for some applications. So, when I heard that Stonehenge was coming out with a “Kraft” color in their gorgeous 100% rag, archival line of paper, I was thrilled. I started checking all the usual sources for it at least once a week. When I found it, it was only available in quantities of 25 full sheets. That was a good excuse to buy a lot of it!
I picked a huge bunch of wildflowers and set them out in six or seven vases. This little 5×7 is my first go on the new paper, and I think I’m in love!
This little red pot is one of my favorite vases. It was made by Marilyn Price, my favorite potter. Her pottery is available at RiverWinds Gallery in Beacon. She makes her own glazes, and has the most beautiful shapes to her pots! It’s hard for me to go into the gallery and not buy a new pot of hers.
5×7″, Oils on oil primed linen panel
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Anybody who’s ever driven across the Rip Van Winkle bridge over the Hudson River has been treated to this fabulous Catskill skyline vista. It’s even more dramatic at sunset, with the colors springing up from behind the distant mountains. I’ve been going there recently to take photos. I like the way the islands in the river enhance the composition at this location.
5×7″, oils on archival oil primed linen panel
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I was painting up in Amenia, New York today. This distant view looked like a winding river of grass through the hills! There were a lot of clouds in the sky, which were forever changing the lights and darks in the landscape. I liked it best when the light illuminated the “river”, and tried to capture those moments in the painting.
16×12″, Oils on archival oil primed linen panel
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I’ve been wanting to paint this waterfall for such a long time! Over half of it is this beautiful rock ledge covered with the most gorgeous green moss I’ve ever seen. I finally had my opportunity when the sun broke out briefly on Saturday. I did end up having to pack up quickly in the rain and finish it up in the studio, but it was a thrill to be out there painting for awhile. As far as I know, this waterfall has no name, so I call it Mossy Falls. I’d guess it to be about 25-30 feet high.
18×24″, Oils on archival oil primed linen panel
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Every spring I go to paint the Cherry Blossom trees at Boscobel Restoration, high above Constitution Marsh and the Hudson River across from West Point. This spring I was sure I’d missed the boat in terms of the cherry blossoms, so I was thrilled to see a few trees still in full bloom when I arrived there yesterday morning. The marsh still has its nice spring color — orangy red in the morning, turning to dark violet by late afternoon as the sun marches across the sky. In a few weeks, that will all give way to the greens of summer, and all of the extraordinary color will be gone.
Below is an image that you can click on to get a larger version:
5×7″, Oils on linen covered hardboard
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This is the view from Boscobel Restoration in Garrison, New York, looking down the Hudson River, with West Point Military Academy on the far shore.