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5×7″, Oils on Ampersand Gessoboard
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Welcome to my new backyard! As you can see, it’s going to be a pretty exciting place to paint. It felt great to pull out the oils again and get back to my favorite passion—landscape painting.
10 x 8″, Oils on Canvas covered hardboard, unframed
$250.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from a photo I took in New Paltz, New York. I love the vistas there by the Shwangunk cliffs, with rolling farmland and old barns everywhere.
8 x 6″, Oils on Canvas covered hardboard, unframed
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A couple of times a year, I go on photo expeditions with my painting buddy Sue to collect painting references. I painted this from one of the photos I took at Muscoot Farm. I love painting there en plein air, but since they don’t open until 10, it’s hard to catch the light and shadow on location before the sun is directly overhead. This beautiful path winds around behind the fields, with old trees and huge rock outcroppings.
This was painted with a limited palette of cadmium yellow lemon, venetian red, burnt sienna, and ultramarine blue, plus white. This is one of my favorite landscape palettes when I don’t need a bright red or strong violet. It yields nice greens and earth tones, and a lovely soft violet.
6×8″, ois on sealed, primed hardboard
$150.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting was started a few weeks ago en plein air and finished up in the studio. I love this view of the Hudson River and surrounding hills, painted from a peninsula along the riverfront.
5×7″, oil on canvas covered hardboard, unframed
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This painting was done on location at Peach Lake in the Hudson Valley of New York State.
5×7″, Oil on canvas covered hardboard
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This old stone barn at Ward Pound Ridge Reservation is just loaded with character. It’s a wonderful subject in any season, but of course nothing beats fall!
Click to enlarge:
16×20″, oils on sealed, primed hardboard
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From this spot nestled in the Catskill Mountains, there are gorgeous views from every angle. I can’t wait to go back in different seasons to experience the changes. This was painted from a photo I took while vacationing there with my husband, though I have painted here en plein air as well.
8×10″, Oils on canvas covered hardboard
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I didn’t have a chance to do a watercolor today, so it looks like Watercolor Wednesdays will have to resume next week.
8×10″, Oils on canvas covered hardboard
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At the workshop today, Kenn spoke about hard and soft edges and did a beautiful painting demonstrating the topic. Then it was our turn to try our hand. It was freezing cold outside and raining on and off. Sometimes on those overcast days, the skies can be grey and dreary, but today there was lots of variation and color in the sky as the rains came and went from west to east. I had my painting umbrella, so I fared better than most.
I don’t have my light box setup here to photograph my paintings. The lighter clouds are much warmer in color. I’ll get a better photo once I get home and will then swap the images.
6×8″, Oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted yesterday at Boscobel Restoration in Garrison, New York, when the sun finally emerged from the heavy cloud cover as promised. The light shimmered on the Hudson River, and the backlighting on the red tree made it glow like Christmas bulbs.
6×8″, Oils on sealed, primed hardboard
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Although I go to Boscobel several times every year in fall, I never get tired of painting Constitution Marsh as it turns from the greens of summer to the blazing colors of fall. The Hudson River was shimmering brightly this morning despite the clouds, as if the sun somehow sought out the river in spite of the overcast skies. It was another fabulous fall day to be out painting.
6×8″, Oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is my favorite tree along the lakeshore here. It turns this bright crimson color in fall, and I love the twists and turns of the trunk.
I painted this with my new little pochade box! It is the Guerrilla Painter Thumbox with the palette extension and watercolor palette. I filled the watercolor palette up with oil paints. That palette gets covered with the mixing palette, so the paints stay wet and it’s really fast to set up. Here’s a picture of the new box with a progress image of the painting:
6×8″, oils on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It was raining pretty heavily at 6:30am and I wondered if I should go up to the beautiful home of Hudson River School artist Frederic Church for the day. I finally decided to take the chance, and drove up to Olana.
It was heavily overcast when I got there, but the rain had ended. I set up my easel along this path winding down through the fields, where I enjoyed the serenity, atmospheric light, and fading distances.
8×10″, Golden OPEN Acrylics on Canson board
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I love this spot in the Catskills with the little red barns. I’ve been doing a bunch of compositional and color studies to select a composition for a large painting of the scene. This is the third one I’ve done. It was painted mostly on location, and touched up a bit in the studio.
12×12″, Oils on canvas covered hardboard
Email me at JamieWG@aol.com if interested in this painting.
This painting was started on dull, dreary, rainy Sunday. It was lifeless and boring, so I went back to Tilly Foster Farm this morning when the sun was shining to “turn on the lights”. I like it much better now as a happy day painting!
12×16″, Oils on canvas covered hardboard
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This 12×16 oil painting was started on location, and finished up today in the studio. It highlights the strong oranges present in the landscape in fall. Nowhere is that more apparent than on the blazing orange-red fields at Ward Pound Ridge Reservation, where the brilliant tree in the foreground is lit up with additional rusty and orange tones.
12×12″, Oils on canvas covered hardboard
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The Catskill Mountain area has some of the most exquisite vistas in the Hudson River Valley. Roads that wind through woodlands suddenly open up to fields with tremendous, breathtaking blue mountains looming in the distance.
This scene fell so perfectly into a square format that I considered myself very fortunate to have a 12×12″ panel with me! I started this painting in early afternoon, and the light on the scene got better and better as the afternoon went on.
Click image for a larger, clearer version:
18×24″, Golden OPEN Acrylics on canvas covered hardboard
$1,050.00 plus $40 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting was done from a photograph and a small color study of the scene that I painted a few weeks ago. You can see the color study here.
It is a fall view overlooking the Hudson River from private property in Garrison, New York. I may still tweak a few things on the larger version and will try to get a better photograph of it soon!
6×8″, Oils on board (sealed, primed hardboard)
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I just got back from a plein air painting trip to the Catskill Mountains. This little 6×8″ oil painting was done beside a charming pond in Acra, New York. As I approached the pond from the far side, it didn’t look all that interesting. Then I turned around and saw that huge mountain looming in the distance! Wow! I’m told it is Windham High Peak.
It felt wonderful to pull out the oil paints again! I’ve gotten really hooked on the Golden OPEN paints, but oils sure are great too.
Click to enlarge:
24×18″, Golden OPEN Acrylics on canvas covered hardboard
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This large painting was done using my plein air study, “The Base of Kaaterskill Falls”, as a reference image, along with a photo I took at the scene. I did a value underpainting in Transparent Red Oxide before going in with local color. One of the things I love about the Golden OPEN paints is the way the underpainting shows through without mixing and muddying the color. I would have had to wait for my oil paints to dry before continuing in order to achieve some of the effects I got here with Golden OPEN.
This was one of the spots painted by many of the old Hudson River School painters, and many of the new ones too! This painting is just the bottom tier of the falls; there is another tier above!
11×15″, Pastel on LaCarte sanded pastel card
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This used to be my favorite tree along the lakeshore here. It had such an interesting shape, and the colors were beautifully vibrant as they changed with the seasons, leaving the intricate branchwork in winter. The entire left part of the tree came down in a storm last winter, and I miss it! It was one of my favorite painting subjects. Now the fullness of the leaves is gone, and the shape is not as inviting. This one was done from a photo taken before the tree’s mishap.
6×6″, Golden OPEN Acrylics on Ampersand Gessoboard
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Above is the completed painting, and below is an image of the work in progress. I’d initially planned to put in foreground grasses, but after doing that, I felt the painting was more effective without them. So, I worked on it yet a third time, and took the foreground grasses out!
It’s interesting how much the color of light affects what we see. The image of the finished painting was taken with the corrected light of my photo box, but the progress image was taken in cool daylight. The actual colors in paintings vary according to the lighting conditions where we view them.
I did the underpainting for this work with a color I’d not tried before from the Golden OPEN line—Quinacridone Gold. I love the warm glow that it brings to the work. I could get hooked on this color!
This is painted from a photo I took down in Constitution Marsh on the Hudson River. It’s been in my file of things I want to paint for a long time! With fall on the way, it seemed the right moment to pull out this lively autumn scene.
I’m still using an expanded palette because the paint is still wet from yesterday, and I’ve even added a few colors to the large assortment I was working with. So far for this painting I’ve used:
Titanium White
Cadmium Yellow Primrose
Cadmium Yellow Medium
Naples Yellow
Cadmium Red Light
Pyrrole Red
Ultramarine Blue
Transparent Red Oxide
Quinacridone Gold
Carbon Black
Jenkins Green
12×16″, Oils
$525.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
5×7″, Golden OPEN Acrylics on Ampersand Gessoboard
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A few weeks ago, my husband and I drove to the other end of the lake to get western views of the sunset. We took loads of photos. This is my first painting from that series of images. I managed to stop myself a few times along the way to take some photos and post a demo.
I set up to paint with more colors on my palette than usual in order to get the more highly saturated sunset colors.
As you can see above, I used a more expanded palette for this painting than usual. My color choices were:
Titanium White
Cadmium Yellow Primrose
Cadmium Yellow Medium
Cadmium Orange
Cadmium Red Light
Pyrrole Red
Quinacridone Magenta
Ultramarine Blue
Jenkins Green
Phthalo Blue
Carbon Black
When I paint on a small board like this 5×7″ Gessoboard above, it’s hard to hold it and paint edge to edge. I use “blu tack” and affix it to an 8×10″ board. Then I can hold the larger board and be able to paint all the way to the edges without getting paint on my fingers, or I can set it down on a little tabletop easel.
My computer monitor yields stronger, more accurate color and chroma than a printed out photo, so I like to set up like this for small works and paint right off the computer screen. I use the old telephone book on the right to wipe my brushes before rinsing. It’s a great way to conserve paper towels and simultaneously recycle and old phone book. When the page gets filled with paint, I just tear it off, toss it, and go to the next page.
When a painting has areas of light, highly saturated color, I always put that down first. That holds the chroma, and then I can paint into it. It’s a lot easier to dull down strong color than it is to get this kind of brilliance on top of a grey or dark color. You can see how I reserved all the areas of strong color here:
Once the base colors and values have been laid down, I can start painting into them, creating variation, adding details, and adjusting edges. From the step above, it isn’t a long way to the finish line:
Click to enlarge:
24×30″, oils on stretched canvas
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This painting was done over a period of several days on location from one of my favorite painting spots at Ward Pound Ridge Reservation in Cross River, NY. It is a view of an old farmhouse currently occupied by one of the preserve managers. The fields turn brilliant colors starting in late summer and continuing through the fall.
5×7″, Golden OPEN Acrylics on Fabriano Artistico 100% rag watercolor paper
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I am painting a number of views of this charming red barn in the Platte Clove area of the Catskills. One of them will become a large painting at some point this year. I’m testing out a number of vantage points, crops of the scene, and colors on my palette on small paintings to decide which I like best. I am liking this one a lot!
8×16″, Golden OPEN Acrylics on canvas covered hardboard
$395.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is the third in my series of paintings from Platte Clove in the Catskills. This road to the distant mountains, with the tall post entryway, in the strong, late day light, provided a view that was truly irresistible to paint!
6×8″, Golden OPEN Acrylics on Raymar smooth canvas panel
Custom framed
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Anybody who’s taken a drive through the Platte Clove area of the Catskills understands the incredible beauty that abounds at every turn and offshoot along the road. This was one of the spots where my husband and I just had to jump out of the car to take photos! I didn’t have time to paint on location there, but I’ll be doing more from my photo references for sure, and plan to make it a point to allow time for plein air work there next time around!
8×6″, Golden OPEN Acrylics on Raymar smooth canvas panel
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I’ve finished posting the plein air paintings from my Hudson River School trip, and am now beginning to work from the photo references I took. Many of these are deserving of large canvases. I’ll be doing these small ones now, then selecting from these scenes to do big paintings once the weather turns cold and I’m in the studio for the winter.
This charming red barn by the stream in the Platte Clove area of the Catskills yielded lots of potential paintings, so there will be more to come from different vantage points of this charming little burst of color amist the greens. The stream there was the icing on the cake!
8×10″, Golden OPEN Acrylics on sized, “Pearl” Canson board
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Many Hudson River School painters, including Thomas Cole and Jasper Cropsey, painted from this spot high above North South Lake. I can see why they derived so much inspiration from this location.
Although the view faces west and offers spectacular sunsets, my husband and I opted to make the one mile climb up there in the early morning to beat the heat. I sat on a large rock slab in the shade provided by the huge Sunset Rock, and used my small, foamcore pochade box, which was a real godsend on this trip!
8×10″, Golden OPEN on Multimedia Artboard
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When Hudson River School artist Thomas Cole painted from this very spot, he had both eastern and western views. Now the western view is overgrown, but the eastern view still goes all the way past the Hudson River to the Berkshires.
The Catskill Mountain house was a popular resort back in the early 1800s, but like most of the Catskill resorts, later fell into disrepair as tourism in the area declined. All that remain are two stone pillars leading to the site, and of course the awesome view.
My husband and I set up by this ledge overlooking the valley. I was painting and he was taking photos. What a peaceful way to end the day.
8×10″, Golden OPEN Acrylics on “Pearl” Canson board
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Hudson River School artist, Thomas Cole, painted from this very spot for his painting, Lake With Dead Trees. All those dead trees around the lakeshore are now gone, and if anything, the lake looks even more pristine than it does in his painting! North and South Lakes used to be separated by an earthen dam, and South Lake was private property. Eventually the land went to New York State. The dam was removed, and the area has since been referred to as North South Lake.
This spot was, gratefully, very easy to get to. It’s right near the Recreation Center for the Catskill Park, run by New York State. Visitors can rent kayaks, rowboats and paddle boats to use on the lakes. There are swimming beaches and campsites. Although there was plenty of activity, there was also a beautiful serenity there.
After our strenuous hike up to Kaaterskill Falls, my husband and I found a shady, quiet spot along the lakeshore to spend a quiet afternoon.
10×8″, Golden OPEN Acrylic on “Pearl” Canson Board
Please email Jamie at JamieWG@aol.com if interested.
This is the second painting that I did at Kaaterskill Falls in my quest to follow the trail of the Hudson River School painters. Just as I was completing the first, the sunlight began to hit the falls. Tempted as I was to move on to another location at that point, I decided to stay and paint the falls from the top while I had the light. There were lots of hikers climbing up at this time. I was surprised that most of the hikers didn’t go early to beat the heat like I did!
10×8″, Golden OPEN Acrylics on “Pearl” Canson board
This scene is available as a studio/commission original painting in any size/price range. Please email Jamie at JamieWG@aol.com if interested.
What is the tallest waterfall in New York State? Niagara? Nope, guess again. It’s Kaaterskill Falls!
My first opportunity to paint on our trip, following in the footsteps of the old Hudson River School painters, was after climbing a half mile up to the base of Kaaterskill Falls. You wouldn’t think one would have to climb so far uphill to get to the bottom of a waterfall, but it is indeed far up the mountain. I don’t think I would have made it without my new ultralight painting box in my backpack. I didn’t have to carry a thing, and my pack was nearly weightless. Here’s a photo of the new painting box and my palette for this painting. I’ll be posting more photos of how the box was constructed in the week to come. You can see that I’ve added an extension to it, which can hold my brushes and palette cup.
In the early morning light, most of the fall was in shadow, so I chose a scene that focused on the waterfall/cascade right at the base, where the light was strongest. By the time I was finishing up this painting, a little light was just beginning to hit other parts of the falls. I stayed to do a second painting that included the top tier of the falls as well. I’ll be posting that one tomorrow, so stay tuned!
Thomas Cole and many of the Hudson River School painters painted from this very spot. There are beautiful cascades all the way up the trail to the base, inviting a series of paintings. In fact, the beautiful Bastian Falls is right at the bottom before the trail even starts to ascend, but it’s definitely worth it to make the climb to the top to experience Kaaterskill. I’m sure I’ll be coming back here many times in the years to come to take advantage of other locations along the way.
We intentionally went the day after a heavy rain, figuring that there would be a significant increase in the amount of water coming over the falls and the drama it created. We were right! Most of the paintings and photos I’ve seen of this waterfall display a far narrower stream of water. We chose the right time to go, even if the way up was a little wet and slippery!
Edit: I just checked the image above on a different monitor and it looks a little too light, so depending on your monitor, this image below may be more accurate:
12×16″, Golden OPEN on canvas covered hardboard
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A member of our plein air group got permission for us to paint very early in the morning at this fabulous location beneath the Palisades in Nyack, New York. It’s not long before the sun travels high enough to dim and cool the light on the cliff face. Although the sun was in and out of the clouds (mostly in), we did get some good color on the rocks. It was a fabulous location. I’d love to return in fall!
I just returned from my trip up to the Catskills, where I painted in the footsteps of the old Hudson River School painters. I visited the locations depicted in the paintings, and had an amazing trip doing my own versions from those famous spots. I’ll start posting photos and paintings from my trip beginning tomorrow. I’m still photographing the paintings and sorting through images. Please stay tuned!
8×10″, Golden OPEN Acrylics on Raymar canvas panel
$265.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I was down painting in Hastings-on-Hudson this morning. The Hudson River view was gorgeous as always. The sun hit the cliffs in the early morning light, giving them a reddish color. As the morning wore on, they became darker and more violet. I am always amazed by how much the color of the cliffs changes so quickly there. I stuck with my early morning version.
After painting, I went to a wonderful exhibit at the Hudson River Museum of the work of Anna Richards Brewster…..highly recommended!
6×8″, Golden OPEN Acrylics on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
5×7″, Golden OPEN Acrylics on sealed, primed hardboard
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Today is one of those unbearably hot and humid summer days, so I set out early for Boscobel Restoration in Garrison to beat the heat, and did just one small painting. The Hudson was shrouded in more than its usual share of haze with the high humidity. I found Golden’s Titan Buff color to be the perfect palette addition to capture that atmosphere. I painted the entire panel that color, then painted into it with my other colors. I love the effect it gave!
10×8″, Golden OPEN Acrylics on canvas covered hardboard
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
6×8″, Golden OPEN Acrylics on linen
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The Lower Hudson Valley Chapter of New York Plein Air Painters gathered at Stonecrop gardens in Cold Spring, New York today. Usually when we paint in Cold Spring we paint along the Hudson, but this beautiful garden presented us with some welcome and varied changes of scenery. I started out down by this beautiful pond, with a stone bridge reflecting in the water.
6×8″, Golden OPEN Acrylics on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
On Thursday we had a very special plein air event take place. Seth Golden, from Golden Artist Colors came down from their headquarters in New Berlin, New York with the full color line of the brand new Golden OPEN Acrylics. Members and guests of Lower Hudson Valley Plein Air Painters (our local chapter of New York Plein Air Painters) were able to try this product for the first time. I’ve been using it since last August, so I was thrilled to be able to have so many of my peers give it a test drive. I helped fill palettes and answer questions for much of the day, but I did get to paint this small one along the trout stream when things settled down in the afternoon. Many, many thanks to Seth and Golden Artist Colors for this fabulous opportunity.
I’d also like to extend a special thank you to Rick Rogers and Beth Herr, Preserve Managers at Ward Pound Ridge Reservation. They allowed us to reserve the Kimberly Bridge Picnic Area for this event, along the trout stream in the preserve. It was a perfect setting, with plenty of subject matter to keep our plein air crew happy, and tables for all the gear!
8×10″, Golden OPEN Acrylics on canvas covered hardboard
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The other day, I stayed at Olana until sunset to paint the Hudson River overview from the top of the hill. The river has a very distinctive shape from here. You can always spot a painting of the Hudson done from Frederic Church’s home.
12×16″, Golden OPEN Acrylics on sealed, primed hardboard
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This was painted on location in the heart of the Hudson River School, at Frederic Church’s Olana estate in Hudson, NY. You can feel his presence on the property and all that inspired his work. There is a complex of red barns with views over the valley and out to the Berkshire Mountains. I couldn’t have picked a more perfect morning to paint there.
8×10″, Golden OPEN Acrylics on Saunders Waterford 300lb rag watercolor paper
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I’ve been so busy out painting on location that I haven’t even had time to take photos of the paintings! This one was painted in Hudson, NY at Olana, home of Hudson River School painter Frederic Church. This overview of the Catskill Mountains is up by the top of the hill near the residence. There were wildflowers in bloom all over the fields, and the day was picture-perfect.
5×7″, Golden OPEN Acrylics on sealed, primed hardboard
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is another painting from Poet’s Walk, near Rhinebeck, NY. This beautiful path winds through fields and trees on its way to the Hudson River. Many people go there with binoculars, to enjoy the varied bird life along the way.
6×6″, Golden OPEN Acrylics on sealed, primed hardboard
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A month or so ago, I went to Poet’s Walk along the Hudson River near Rhinebeck. I did a couple of watercolor sketches and took some photos as reference images. It was raining out today, so I pulled out one of those photos and painted this little color study. You have to hike about a mile along the dirt path to arrive at the Hudson River with this magnificent view of the Catskills.
8×10″, Oils on Raymar oil-primed Belgian linen panel
$250.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It was 70 degrees and sunny this morning, with a very light breeze. You can’t ask for much more than that when out plein air painting! I’ve been driving pretty far to paint lately and couldn’t stand the thought of another long trip, so I stayed within a half hour and went to the Chinese Friendship Pavillion at Lasdon Park in Somers, NY. There were two geese honking away with their little goslings, and a bullfrog serenaded me while I was painting.
I’m probably going to tweak this one a little in the studio and will repost after that’s done.
4×6″, gouache on Strathmore cp watercolor paper
Email me at JamieWG@aol.com if interested in this painting.
Behind the barns at Muscoot Farm in Somers, NY, there is a beautiful path that winds around the fields. This was painted en plein air along one of those serene paths.
12×16″, oils
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Morning is such a beautiful time at Tilly Foster Farm. The light on the side of the horse shed and the distant views in this scene caught my attention. I stopped in my tracks and set up my easel. Every time I think I’ve painted here enough, I see another five scenes to be painted!
12×12″, Golden OPEN Acrylics on canvas covered hardboard
$375.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This painting was again done from the castle balcony. Breakneck Ridge was far, far in the distance, but I liked the way this square crop of the scene worked out with the weaving of the Hudson River, and Bannerman Island balancing the composition on the far left. I wished I’d had my binoculars with me while I was painting! The shadows on Breakneck Ridge are so dramatic late in the afternoon. This painting didn’t get finished until almost sunset.
8×10″, Golden OPEN Acrylics on Saunders Waterford 300lb cp
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is an afternoon scene painted on location from The Castle in Garrison, overlooking the Hudson River and the sharp curves around West Point. What a location! Breakneck Ridge was occasionally thrown into deep shadow by clouds overhead. I thought it very dramatic! The light is quite different from the morning view that I posted yesterday.
5 x 7″, Oils on canvas covered hardboard
$130.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
There is so much to paint from this one spot in scenic New Paltz, New York, that I think I could go there every day for a month and not run out of things to paint by just facing in different directions!
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8×10″, Oils on primed masonite, custom framed
This painting has been published in Plein Air Magazine. It is one of my favorite early spring plein air paintings, done at Ward Pound Ridge Reservation in Pound Ridge, New York.
12×24″, Golden OPEN Acrylics on canvas covered hardboard
$600.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It’s hard to beat springtime in the Hudson River Valley. This is a scene from Teatown Lake that I paint every spring. This morning, it seemed like I didn’t have my head screwed on quite right. I left the house feeling disorganized, had to pack up on location before leaving the car, and ended up forgetting my water. You can’t paint with acrylics without water! I went back up to the car to get the water, got back to my painting spot, and realized I didn’t have paper towels or my glasses! I managed to use old, somewhat soggy paper towels that were stuck in a zip-lock bag in with my painting gear. That didn’t solve the issue of the glasses, but sometimes painting without my glasses can help me see the big shapes without getting bogged down in unnecessary detail. The swans were nesting again to the right of the bridge, where I see them every April. It’s a tranquil spot with a magical feeling.
Palisades in Lifting Fog
5×7″, Golden OPEN Acrylics on canson board
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When I arrived at the Hudson Riverfront this morning, it was totally fogged in and I couldn’t see anything but this tree and picnic bench! I decided to paint that while waiting for the fog to burn off. It lifted as I was painting, revealing the striking cliffs of the palisades on the far shore, so I had to put that into the painting!
6×8″, Golden OPEN Acrylics on sealed, primed hardboard
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It didn’t look like the clouds were going to break today, but I decided to take a chance and drove down to Teatown Lake Reservation in Ossining, New York. The sun was in and out, but it did peek through long enough to light up the scene for me a few times. The swans are back there nesting on the other side of the bridge, and one would swim under the bridge past me, and back again, every so often. The last time he swam by, I was just finishing up the painting. It was the perfect time to put him in!
I paint this scene every spring, but usually from the other side. I’ll be going back again next week, so there’s still a chance for me to do my usual vantage point. There are a few scenes that I like to paint every year. They serve as a sort of barometer for me as the years go by. I can see changes in style, color, and ability as the years go by. I’ve always found this scene extremely challenging, which is why I like to paint it every year.
16×12, oil painting
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted on location at the Rockefeller State Park Preserve. It’s one of my favorite early spring locations, with subtle color and beautiful Swan Lake.
16×12″, oils on sealed, primed hardboard, custom framed to 22×18″
$525.00 plus $30 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Spring is not quite getting underway outside to this degree, so I thought I’d jump the gun a little and painted this from a photo I took last spring at Teatown Lake Reservation.
8×10″, oils on sealed, primed hardboard
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This is another painting of a scene from Boscobel Restoration along the Hudson River in Garrison, NY. I started it on location last spring. I thought it was about time I pulled this out and finished it up, with spring on the way soon! I’m having a wonderful time pulling out these paintings that I never quite finished. As time passes, our ideas simmer and develop. It’s been great to now infuse these works with my current thoughts on color, value, and paint application.
12×18″, Pastel on Wallis
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is definitely one of my favorites of the series so far. It felt great to break out my pastels for a landscape again, something I haven’t done for quite some time. This twisted tree is one of my favorites along the lakeshore. I’ve painted it many times in all different seasons and weather conditions, but the color on that special morning was truly the most spectacular I’ve ever seen at this location.
Click to enlarge:
5×7″, Golden OPEN Acrylics on clear sized linen
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The three swans out on the ice during that spectacular morning sunrise put on quite a display, with their strong ultramarine coloring flashing against the reflected orange colors.
12×16″, oils on canvas covered hardboard
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This is the second painting of the Majestic Morning series, which will be a set of paintings from photo references taken during an amazing sunrise here at the lake a couple of weeks ago.
About 5.5×7.5″, Golden OPEN Acrylics on Saunders Waterford 300 lb cold pressed, primed rag paper
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This is third in the series of the morning with the amazing sunrise here by the lake.
Palette:
Cadmium Yellow Medium
Cadmium Red Light
Ultramarine Blue
Pthalo Blue
Titanium White
Click to enlarge:
12×16″, Golden OPEN Acrylics on canvas covered hardboard
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from the front porch of my friend Cathy’s house. She has a fabulous view of the distant hills, and the foreground tree was lit up against the dark hillside. The tops of the grasses and goldenrod on the field were illuminated by the strong morning light, and popped against the deep shadows.
I did some sketching today and haven’t had a chance to photograph any of them, so I’m bumping up this painting for those who haven’t seen it yet. It’s one of my favorites from the fall.
8×6″, Golden Fluid and OPEN Acrylics on sealed, primed hardboard, custom framed
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This is a scene that I’ve been wanting to paint for over three years, and I finally got around to it! It is a view of the Hudson River from Hyde Park, New York.
12×12″, Golden OPEN Acrylics on sealed, primed hardboard
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My painting buddy, Suhua Wood, found this amazing spot along the Hudson River in Cold Spring for us to paint! I started this painting on location a few weeks ago, but didn’t have enough time to finish it there. I finally finished it up from a photo.
I took pictures of the various stages as I painted. First I underpainted with Golden Fluid Acrylics, using Transparent Red Oxide for all but the lightest areas. Some light areas then got a wash of Transparent Yellow Oxide, and cool darks got some Ultramarine Blue.
I pulled out some heavier bodied acrylics, and laid in the sky and water. You can see an image of my scene and setup here as I was working.
Then I started working with the local colors I saw. The image below shows how much I completed on location, and how far I still had to go.
I used a photo of the scene to finish up the painting, in combination with the information already there from having worked on location. Being able to do even a portion of the piece en plein air always makes a difference in the outcome.
6×8″, Oils
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Click image to enlarge:
9×12″, Golden OPEN Acrylics on Arches hot press watercolor paper (100% rag, archival)
Email me at JamieWG@aol.com if interested in this painting.
This was painted from a photo taken during the “Night of the Amazing Sunset”, which I will always remember. A huge double rainbow over the lake followed a late summer shower a couple of months ago. The sky glowed everywhere. The rainbow was to the east, and this amazing sunset was the south view that evening. It’s times like this when I consider myself so fortunate to live by the lake. I can run out at a moment’s notice to capture spectacular conditions when they appear!
I couldn’t resist “pushing” the color in this painting. It was so vividly colorful in my memory. Sometimes I just need to let loose and allow the color junkie in me to emerge. Sunsets present the perfect opportunity for that! I’d like to paint this scene again soon with a little more restraint too. 🙂
My palette for this painting was:
Hansa Yellow Opaque
Napthol Red Light
Ultramarine Blue
Phthalo Blue
Titanium White
2×2.75″, Golden OPEN Acrylics on gallery wrapped canvas, easel included
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This tiny gem of a painting features Bannerman Island Castle glowing in the afternoon light. It towers above the Hudson River and is one of the most awesome sights in the Hudson Higlands. Access to the island is restricted to public tours, so I consider myself very lucky to have been able to go out there to paint for Bannerman Island Gallery, and take photos to paint from too.
This painting will be available exclusively through the Bannerman Island Gallery beginning on Saturday, November 10. Part of the proceeds from the sale of this painting go to the upkeep and restoration of Bannerman Island Castle, structures, and grounds.
Bannerman Island Gallery
150 Main Street
Beacon, NY
For gallery hours, sales and information, contact gallery owner Neil Caplan at 845-234-3204, or email Neil at NeilCaplan@aol.com.
Click image to enlarge:
8×10, acrylic on Multimedia Artboard
$260.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted on location from Cold Spring, New York, along the shore of the Hudson River. Crow’s Nest Mountain is actually 42 feet higher than neighboring Storm King, but doesn’t get as much of the publicity. The moon was setting over the cliffs, presenting an irresistible scene. I thought I’d show a demo of my process, so I took some photos along the way.
I started by mixed up a painting “medium” of Golden Acrylic Flow Release in a ratio of 1:10 with water, poured some of that into a little palette cup, and added about 25% Golden Acrylic Glazing Liquid (Gloss). I used that to dilute paint for my underpainting, so as not to underbind the paint, and to help the flow of the color.
I began drawing in a couple of lines with heavily diluted Transparent Red Oxide. Once the placement lines were in, I started blocking in darks with thicker paint, and used thinner washes on the midtones. Then I used Transparent Yellow Oxide over the light areas (except for the sky). Areas of this photo appear blue due to sky reflection; those areas are actually white.
Next, I pulled out some Ultramarine blue, and used that combined with the transparent yellow and red oxides to block in cool darks and start a green wash on the foreground. Adding Titanium white and just a dash of phthalo blue to the ultramarine, I blocked in the sky and some sky holes in the tree.
Below is a photo of the painting on my easel, with the scene in the background, so you can see what I was working on. Compositionally, I’d have needed a wider canvas to fit in these elements if I wanted to keep everything to scale. Instead, I compressed the scene, shortening the width of the mountain, and bringing the moon over and down toward the peak. (You can just barely see the moon in the photo of the scene, in the upper right corner.)
I added Hansa Yellow Opaque and Napthol Red to my palette, and started working on the local color. I wanted to bring out the warm tones in the cliffs, so started putting in the pinks and violets early on. The red underpainting helped with that, as well as giving that orangy fall atmosphere. Here it is at the “almost done” point:
Lastly, I added cooler colors to the cliff face and did a once-over throughout the painting, adding finishing touches and making adjustments.
I hope you enjoyed the demo and plein air painting with me!
2×2.75″, acrylic on gallery wrapped, stretched canvas. Easel and gift box with gold bow included. (Quarter in photo is for size reference only.)
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This is the perfect holiday gift item for Hudson River School lovers and admirers of the Hudson Valley. Steeped in history and mystery, Bannerman Island and its structures, situated in the middle of the Hudson River within the Hudson Highlands, are always interesting subjects!
This painting will be available exclusively through the Bannerman Island Gallery. Part of the proceeds from the sale of this painting go to the upkeep and restoration of Bannerman Island Castle, structures, and grounds.
Bannerman Island Gallery
150 Main Street
Beacon, NY
For gallery hours, sales and information, contact gallery owner Neil Caplan at 845-234-3204, or email Neil at NeilCaplan@aol.com.
6×8″, Golden OPEN Acrylics on sealed, primed hardboard
$150.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I spent a beautiful, warm fall day today at Boscobel, overlooking Constitution Marsh on the Hudson River. This could be the last of the warm fall days! The colors were spectacular.
12×16″, oil on canvas covered hardboard, unframed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This painting was done on location at Teatown Lake in the Hudson Valley of New York State.
12×24″, Oils on canvas
$750.00 plus $40 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted en plein air in Cold Spring, New York.
8×10″, Oil on linen
$265.00 plus $15 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted en plein air overlooking the Hudson River from the Benmarl Vinyard in Marlboro, New York. I was there with several other painters. Everybody was painting the river or the orchard, but I was drawn to these two chairs facing the river. They looked like they were enjoying the view, in the shady spot under the ornamental tree with the cascading branches.
5×7″, Golden OPEN Acrylics on sealed, primed hardboard
$125.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Once the clouds broke this morning, the light and colors by the lake were gorgeous. I’m glad I decided to stay home and paint here!
Where are the grape vines, you’re wondering? That little green tree is totally engulfed in the vines! Although I know it’s bad for the tree, I love the way they droop over the branches so gracefully.
5×7″, Golden OPEN Acrylics on Fabriano Artistico 100% rag watercolor paper, beautifully double matted to 8×10″ in ivory/gold
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
When I looked out the window yesterday morning and saw this gorgeous sky materializing at 6:30am or so, I immediately grabbed my paintbox and ran outside to the lakeshore. I got there just in time; sunrise colors don’t stick around for long.
12×12″, oil on canvas covered hardboard
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Today I participated in Barrett Art Center’s Rhinebeck paintout. I went up to Frederic Church’s estate, Olana, to enjoy the beautiful weather and soak up some of his inspiration. I loved the way the tree framed the building, and the way the shadows cast on the side of the mansion and foreground made the light yellow glow.
I finished two paintings at Olana today. I’ll post the other one tomorrow. Both sold this evening.
18×24″, Oils on stretched canvas
$860.00 plus $40 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
My show at Ward Pound Ridge Reservation, titled Plein Air Plus, is opening tomorrow night! Please come join me for the opening reception from 5-7pm, to view the show and have a bite to eat. It is at the WPA Gallery, across from the Main Office on the preserve grounds. You’ll see this painting and many others that were done at the preserve, plus a couple of others to constitute the “Plus” part of the title “Plein Air Plus”!
8×16″, Golden OPEN Acrylics on canvas
$400.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is another plein air painting done along the Hudson River from my favorite spot in Cold Spring, NY. I just can’t get enough of this location! Storm King Mountain is on the left, and Breakneck Ridge on the right, with Little Stony Point jutting out into the river. Watching the huge barges, tugs and beautiful sailboats pass through the middle could become a favorite pastime! The clouds were truly amazing in the morning, and the chroma was so strong that I had to pull out the phthalo blue to get the beautiful almost-turquoise color low in the sky.
5×7″, Golden OPEN Acrylics on sealed, primed hardboard, custom framed
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Painted en plein air at sunset at Ward Pound Ridge Reservation, with some touch-ups added in the studio.
8×16, Oils
$425.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I went up to Frederic Church’s estate, Olana, to paint and soak up some of that Hudson River School aura! This one was done sitting on the side steps of his mansion, just before sunset. It was cool and breezy, with the glow of the late day light overlooking the breathtaking Hudson view.
12×12″, Golden OPEN Acrylics on canvas
$350.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I’ve been so busy painting that I haven’t had a chance to photograph work and post! I just got home from the beautiful Ward Pound Ridge Reservation. The field grasses are glowing red, some of the leaves are starting to turn, and every view there was simply stunning. This is the old farmhouse on the property that now houses the offices and one of the galleries.
10×8″, oils on canvas covered hardboard
Not currently available as this is my color reference for other paintings from the island, but paintings of this scene in any size/medium may be requested (Email me at link at top of this page)
This is a second oil sketch that I did on location on Bannerman Island in the Hudson River yesterday. It was a real challenge with time consraints on such a complex subject. This is the remains of the castle residence at the peak of the island.
I tried to walk around the island as much as possible during the time I was there, both to take photos to work from and to do some paintings/sketches on location. I’m pleased with this one in many ways, and look forward to doing some more from this area of the island with this color reference and my photos. I may or may not go back into this painting and bring it to a more finished state.
8×16″, Golden OPEN Acrylics on canvas covered hardboard
Custom framed in a gold plein air style wood frame
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This painting was done on location at Boscobel Restoration. It is the famous overview of Constitution Marsh and the Hudson River. I set up my easel in the cool shade under a big tree along the bluff. I think I’ve painted from this spot in nearly every season and every size. It occurred to me that I hadn’t done an 8×16″ summer view of the scene, so here it is for the very first time!
5×7″, framed, Golden OPEN Acrylics on canvas covered hardboard
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I was up and out before dawn again today, setting up to paint by the lakeshore. I’m really enjoying these early mornings of spectacular light and calm atmosphere. I was set up right on the path leading down to the water, taking in the sights and sounds of dawn.
5×7″, oils on primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
5 x 7″, framed, Oils on canvas covered hardboard
This was painted from a photo of a friend’s boat at sunset.
8×10, oils on linen
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It was way too hot to be standing out in the sun doing this painting on location! My EasyL painting umbrella saved the day, though I was still pretty cooked by the time I was done. The late afternoon light against the side of the red building at Tilly Foster Farm made it glow red-orange.
This building is the current home of the Putnam Arts Council. They are renting the space from Putnam County while their old headquarters is being rebuilt following the terrible fire this past winter. The rolling fields, barns and pastures of Tilly Foster Farm are a perfect setting for artists!
16×12″, oils on canvas covered hardboard
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I painted this yesterday morning at Ward Pound Ridge Reservation in Pound Ridge, New York. It was a beautiful, clear summer morning before the heat struck, and the tree and path were lit up like Christmas bulbs.
12×16″, oils on canvas covered hardboard
$440.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I started this painting in the spring on location along the shores of the Hudson River in Cold Spring, New York. The lighting changed rapidly, and I was unable to finish it on location. I finally pulled it out and finished it from a photo that I took that morning.
8×10″, oils, beautifully framed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
From up high at the top of the pastures, there is a magnificent overview of the farm, barn, reservoir, and distant hills. This was painted on location there. It was a challenging scene and I almost didn’t take it on, but the view was irresistible.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
6 x 6″, Oils on sealed, primed hardboard, unframed
Tilly Foster Farm is an old horse farm that was purchased a few years ago by Putnam County to retain as open space. It has beautiful rolling fields, old buildings and barns, and a fantastic overview of miles and miles from the top of the pastures. This painting was done from a photo I took there in the fall.
Making a Multi-Media Sketchbook
I’ve made a number of sketchbooks over the years and have recently been asked to share some of them. This is perhaps the easiest, most useful, and most versatile of them all. The biggest advantages to this design are that many different kinds of paper can be used for various media and effects, plus the paper can be removed easily for framing.
Use any kind of cardboard, foamcore, illustration board, or matboard for your covers. I used scrap pieces of matboard that I had around the house and cut two pieces to the same size. Purchase some ringbinder rings in an office supply store. I got mine at Staples (very inexpensive). Holes were punched in the matboard for the rings:
Next, cut various types of paper that you like to use for painting, drawing, and sketching. Be sure to cut the paper about 1/2 inch smaller than the matboard. When in use, you’ll be doubling over the matboard to serve as a firm drawing board. The matboard edges also serve to protect the edges and corners of the paper. Punch holes in the paper, making sure they line up with the holes you’ve punched in the covers. You can paint your cover to decorate your sketchbook, but I just left mine blank.
If you use a lot of wet media, consider a piece of foamcore for one or both covers, coated with a couple of coats of acrylic medium, to use as a painting board. You can even tape paper down to it that way after removing a sheet from the book, or use metal office clips to hold it. Oil pastel and soft pastel artists can include sheets of glassine with holes punched, to place between finished drawings.
Glue a pocket to the inside of the front cover. (See image below.) I used this to hold templates for standard sizes. If you have, for instance, a 5×7″ template in the pocket, you can pull it out to draw a quick 5×7 rectangle on a piece of the paper. Then you’ll have a drawing or painting that will fit perfectly into a ready-made mat and frame. The little pocket also comes in handy for photo references, drawings, a ruler, etc. I put a sticker on the inside of the cover saying “If found please return to” with my name, address and phone number.
You can click on the image below to enlarge it:
On the right side, the shiny plastic is a sheet of clear acetate. When working in colored pencil or graphite, I’d keep this under my hand to stop the pencil from smudging. I kept another sheet of it in the little pocket inside the cover. You can also keep glassine in the book, or whatever else you use to protect your finished work.
I hope this helps some of you who want a sketchbook that can do it all!
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12×16, oils on canvas covered hardboard, unframed
This is one of my favorite views of the Hudson River. The red barge went by at just the right moment! The glare on the left side is in the photo only; it is not in the actual painting.
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20×16″, oils on canvas covered hardboard, unframed
The painting I posted yesterday made me remember this plein air painting I did at the same park. Although it was pretty much finished on location, when I got it home and looked at it with interior lighting, I decided I wanted to change a few things. I set it aside, and there it sat for a long time. I finally pulled it out today to adjust some color and make a couple of changes. I’m much happier with it now. It’s ready for a frame!
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
5 x 7″, Oils on Canvas covered hardboard
This is another scene from beautiful New Paltz, New York, painted from a photo I took there last fall.
$385.00 plus $20 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
It was a gorgeous fall day at Ward Pound Ridge Reservation when I painted this on location, “en plein air”. One of the preserve managers lives in the house at the bottom of this hill. The red fall fields and views of the surrounding hills make this one of my favorite spots on the 4700 acre property. There is a paintable scene in every direction! They recently put in the bench by the tree, providing weary hikers with a perfect resting spot to view the serene landscape.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
6 x 6″, Oils on sealed, primed hardboard, unframed
I looked out the window this morning and there was a beautiful sunrise of subdued violets and yellows over the lake. I wasn’t yet set up to paint, and knew that what I was seeing would vanish long before I had a chance to lay out palette and get my brushes. Rather than skip painting a sunrise, I went through photos I’d taken of the view in previous winters. I came across one I’d been meaning to paint for a long time, and spent the morning having a wonderful time doing this painting.
Tomorrow morning, I’ll have to make sure I’m set up earlier to catch it in the moment!
Here’s an update of my show calendar so far for 2007:
March 10-about April 8—Hudson River Show at Freshman Fine Arts, 4 South Chestnut St, Beacon
May 12-June 4—Lower Hudson Valley Plein Air Painters show at Bannerman Island Gallery, Main St, Beacon
June 15-July 1—White Silo Winery (four-artist show)
September—Two-person show with Suhua Wood at Ward Pound Ridge Reservation
October—Artists on Location, Garrison
October—Two-person show with Walter Mosley at Bannerman Island Gallery
December—Solo show at North Salem Library
Of course you can always see a rotating selection of my work in all styles and subjects at The Paint Box in Bedford Hills.
There’s a link on the right to my blog for my shows, openings and other events. Stay tuned there for more news. I’ll add specifics as the dates get closer.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
3 x 5″, Casein on illustration board, framed
This 3×5″ plein air casein painting is beautifully framed and ready to hang on your wall. Casein is an archival, non-soluble (when dry) milk-based medium with brilliant color and a matt finish. It looks similar to oils but without the slight gloss, and like oils, the paint does not lift. It is a wonderful and underused medium that is experiencing a resurgence in popularity, and with good reason!
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
8×10″, Oils on sealed, primed hardboard, unframed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
8×6″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
6 x 6″, Oils on sealed, primed hardboard, unframed
One evening when the sunset was spectacular, my husband and I drove to the other side of the lake to take pictures. This group of people was just setting out in their boat to enjoy the last of a quiet summer evening.Below is the pochade box that I often use for these small paintings, with just the first layer of paint on the panel. The glass palette slides to the side to access the paints and supplies below. I secure the painting panel to a slightly larger board because with a painting this small, once I get to this stage, I hold it in my hand while painting. Taping it to the larger panel enables me to hold it without getting paint all over my hands.
7 x 5″, Oils on canvas covered hardboard, unframed
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
I just love painting upside down boats! This painting was done from a photo that I took here along the lakeshore the other day. There were more beautiful colors and vistas that I had time to capture en plein air, but fortunately I had my camera with me!
5 x 7″, Oils on canvas covered hardboard
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Fall Reflections was painted from a photo I took at Muscoot Farm in Somers, NY. I’m mainly a plein air painter and haven’t worked much from pictures, but I take photos wherever I go to paint. Over the years, I’ve accumulated thousands of photos that I have yet to paint from! It’s been fun to dig some of them out at last, and paint the scenes I envisioned on canvas years ago, but never got around to painting. I’ve always wanted to do a painting that featured reflections like this, with fall leaves floating on the top of the water. This was a lot of fun to paint, and I’m eager to have a go at a similar subject en plein air soon, perhaps at the brook behind my house.
When I work from photos, I prefer to paint directly off the computer screen, rather than printing them out. The color is much better, and I can crop the image, move it around, enlarge and reduce at will. I can even rotate both the image on the screen and the painting, and work on them both upside down! Here is my initial setup. You can see that I secured the small canvas board to a larger board to make it easier to work with. That way, I can hold the board in my hand, paint right to the edges, and rotate it easily. The canvas is toned a greyed violet, since I saw that as the optimum background for this particular painting. I added a touch of liquin and used an alkyd white to get it to tack up a little faster, knowing I’d want to do a lot of layering alla prima for this painting.
I selected just four colors for this piece (though additional colors are on the palette). I used cadmium yellow lemon, cadmium red medium, ultramarine blue deep, and transparent red oxide, plus of course titanium white. I blocked in the reflections and placement of the grasses, and worked that stage until it was completely finished.
Here’s another image of the still-incomplete painting. After the colors were down, I swept a brush side to side to show movement in the water. Most of the work with the reflections and color was then complete:
Once the painting was at the stage above, I let it set up for a half hour so the paint wouldn’t be so slippery, then went back and added in the leaves floating in the water, and the definition of the grasses at the top, tweaked it here and there, and signed it. Done!
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5×7″, Gouache on Fabriano Artistico HP
Today was the bi-annual Artists on Location day in Garrison, NY. 85 artists contribute paintings to be auctioned at the Garrison Art Center. Most submit paintings for the silent auction only, but plein air painters can also go out today and paint on location, return by 3pm with their framed plein air paintings, and have those in a live auction in the evening.
I arrived at 8:30 am and submitted a painting for the silent auction, then drove to a nearby location to paint along the Hudson River. It was freezing cold out! Wimp that I am, I painted this 5×7 from inside my car parked at the scene, took some photos of it, put it into a frame, took another pic of it framed, and delivered it back to the gallery at the art center.
Unfortunately, my camera jammed. The only photo that downloaded was this one of the painting framed behind glass, with all the glare and reflections that entails. You can even see the image of the camera reflecting in the painting. Grrrr! I hate it when that happens!
5 x 7″, Oils on canvas covered hardboard, unframed
$115.00 plus $10 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
Another beautiful sunrise to paint on location! All the mornings have been like this lately, with dense fog over Peach Lake, which burns off as the sun comes up.
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5 x 7″, Oils on canvas covered hardboard
I’m fortunate enough to live on a lake, and ran out to paint a quick sunset with a painting friend from out of town. There was goldenrod blooming all over the shoreline (which, by the way, I seem to be allergic to)! Tomorrow morning I’m supposed to paint the sunrise with another friend. We’ll see if I can haul myself out of bed early enough on a weekend!
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
7×5″, gouache on hot press watercolor paper
I feel so fortunate as an artist to live on a lake where I can just walk outside to paint or take photos. This was painted this morning from a photo I took while out for an evening stroll with my husband.
12×9″, pastel on sanded archival paper, unframed
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Good day, sunshine! What a beautiful morning out by the lake. I needed to capture the ‘big sky’ view of the surroundings.